A lexical survey on compositional practice in contemporary dance.

The new issue of the magazine dedicated to drawing, with height long-length interviews with Linus Bill, Adrien Horni & Joseph Allen Shea, Acacio Ortas, Olivier Lebrun, Éditions Peinture around Saeio, Hélène Bertin, Étienne Périn, Son Ni, Daniel Dewar & Grégory Gicquel.

Colorful characters express themselves through humorous signs.

A wide-ranging collection of texts on contemporary painting, by one of its most finest observer today.

New monograph.

This catalogue embodies the entire creative career of Marisa Merz (1926-2019), the only female artist from Arte Povera. Commissioned texts and selection of her most iconic works accentuate a recurrent theme in the artist's work: the exploration of the face and the human figure.

Catalogue of the exhibition gathering a set of eighty works, on canvas or paper, in small and very large formats, that Anna-Eva Bergman created in the wake of her two travels to northern Norway, in 1950 and 1964, from which emerges a plastic language that signs the whole of his future work.

What is, and what was luxury? This publication celebrates a world history of the lavish and the luxurious, through 350 extraordinary objects—fashion, jewellery, art, furniture, design and more. Discover how different cultures have defined luxury and the impact of such excess on the evolution of society, as a way to undermine or underline the status quo. Consider the the prominent role of women in defining luxury and wih it, the ebb and flow between excess and moderation.

The fourth issue of Typologie, a collection of design books about ordinary objects, is dedicated to the wooden crate.

Publication documenting a centuries-old choreo-musical ritual from Southern Italy, used to exorcise women of a mysterious evil caused by the bite of a spider. It gathers contributions by artists, sociologists, anthropologists, scientists, and priests, and features a large ensemble of photographs.

Limited edition including a double LP compilation and a 168-page publication gathering a complete documentation on Tarantismo, a project dedicated to a centuries-old choreo-musical ritual from Southern Italy, to exorcise women of a mysterious evil caused by the bite of a spider.

The everyday life of Stefan Marx in Berlin, in a 300-page volume of drawings.

This anthology brings together rare documents pertaining to so-called occult phenomena, most of them taken from little-known archives. In the course of three volumes, this series traces an audio history of parapsychology. The first volume is an exploration of spiritualism and haunted houses. It features records of spiritual séances and medium trances, haunting spirits and haunted places, audios of Sir Arthur Conan Doyle, Harry Houdini...

Early electronic music from 1959 to 1969 produced by the Institute of Sonology, in Utrecht, Holland. Their pioneering research work helped define brand-new forms during the crucial 1960s decade.

Early electronic music from 1959 to 1969 produced by the Institute of Sonology, in Utrecht, Holland. Their pioneering research work helped define brand-new forms during the crucial 1960s decade.

A compilation of string compositions and collages by multimedia artist and composer Milan Knížák, performed by the fama Q string quartet.

Oiseaux-Tempête's fourth studio album embraces the new, leaving aside the nomadic evocations of the previous albums to unfold as a twilight and prophetic orchestra around G.W. Sok's punctuated voice.

Available for the first time outside Japan, another epic album of symphonic schizophrenic avant-rock from legendary band Univers Zéro.

Available for the first time outside Japan, another epic album of symphonic schizophrenic avant-rock from legendary band Univers Zéro (limited marbled vinyl edition).

A long-term photographic study on the sociopolitical evolution of the Sahelo-Saharan region since 2008.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

A collection of texts, notes and drawings from Alina Popa (1982-2019), edited as a tribute publication by her longtime accomplice, the artist Florin Flueras. A political and theoretical work that questioned both the intimate and social mechanisms of the contemporary.

This reader brings together artistic and theoretical contributions on the instertitial nature of sound. This issue is addressed through a variety of prisms, such as format, language, politics, or new technologies.

This October in Artforum Lauren O'Neill-Butler on the art of Agnes Denes, Barry Schwabsky on Jean Dubuffet, and Jace Clayton on Christian Marclay. Plus, 4 artists and critics consider the legacy of Douglas Crimp, Amy Taubin on Steven Soderbergh's The Laundromat, exhibition reviews from Paris, Zurich, Basel, Vilnius, and much more. 

This reader gathers more than twenty leading curators and thinkers who present powerful case studies, historical analyses, and theoretical perspectives that address the dynamics of activism, protest, and advocacy in curatorial practice.

This collective study examines the influence of Joseph Beuys's concept of social sculpture in the evolution of artistic practices from the 1970s to the present day.

Oliver Marchart traces trajectories of artistic activism in theater, dance, performance, and public art, and investigates the political potential of urbanism, curating, and “biennials of resistance.”

Cable cuts, energetics, and gunk: moving back and forth between a group of core subjects, Reflexologies converts the past five years of Nina Canell's sculptural work into a 384-page book.

Jolly Rogers is a collection of Peter Wächtler's latest short texts, written in preparation of his two solo exhibitions at Bergen Kunsthall and Kunsthalle Zürich (both 2019), and combined with a nearly complete collection of the artist's drawings and prints from recent years.

Our Happy Life investigates the architectural implications of the new happiness emotional paradigm by dissecting and questioning the political, economic, and emotional conditions that generate space today.

Our Happy Life investigates the architectural implications of the new happiness emotional paradigm by dissecting and questioning the political, economic, and emotional conditions that generate space today.

A compilation of poems by the jazz musician and poet Sun Ra, in a bilingual edition (English / Spanish).

Catalogue.

The fourth issue of Blank Forms' journal: a kaleidoscopic view of the last fifty years of experimental art and music in the United States and beyond, mining the conceptual, technical, historical, or otherwise marginal details undergirding artists' lives, ideas, and approaches that may otherwise remain buried.

Igor Grubić's project for the 58th Venice Biennale, Traces of Disappearing in Three Acts (2006–19).

The contemporary return to universal claims and concepts in the fields of art, architecture, and urbanism.

New monogaph.

Accattone #6 explores a renewed relationship with land, matter, “nature” and localities against the backdrop of the new climatic regime.

A series of connections between percussion and electronics.

An electroacoustic piece based on a recording of a Curling match, which reveals its unsuspected dramatic tension...

A collection of sound situations possible on a Serge analog modular synthesizer system.

A disappointing trip to Manaus capital of the Amazon during the rainy season becomes the opportunity for Jean-François Bory to deploy a text in lush color of vegetal letters.

The second issue of Le Consortium's magazine, documenting L'Almanach 18, as well as the two previous editions of this biennale exhibition.

This publication brings together the work of five anthropologists and five artists/collectives researching and responding to the dramatic rise and fall of Mongolia's mineral economy. Drawing from ongoing fieldwork in Mongolia, the contributors conceptualise crisis as a space for the emergence of new possibilities.