The complete Ceremonies (2013-2020) by Béatrice Balcou, testing our visual and experiential approach to artworks, confronting us with the basic status of material objects before actually revealing their identity.

décal'âge is a manuscript, reproduced here in facsimile, between intimate writings, working reflections, and diaries of thought. We find in it Claude Rutault's style, his familiarity with literature, the meditative density of his daily reflection.

An essay on the Argentine director Hugo Santiago that questions the very definition of cinema.

The second issue of the Cahiers du centre national du graphisme (National Graphic Design Center) is about typography (new edition).

Marcel Alocco's Events, some poem-scores to be performed in a real or imaginary space.

Algorithm as material and writing.

This album draws its sounds from improvisations generated by a violin, a few dozen freshly awakened birds, highly reverberant spaces, a voice saying words of Roberto Juarroz and Paul Verlaine, the nostalgia of childhood westerns, a viola mounted with electric guitar strings and the memory of those who left too soon.

A sensual and abstract album by the Finnish composer Marja Ahti, one of the most interesting electroacoustic musicians our time.

The first new album in over 40 years by American composer, pianist, and digital audio pioneer Loren Rush: Bay Area experimentalism meets 20th century classical modernism.

The collaboration of two American greats: master of metafiction Robert Coover and graphic legend Art Spiegelman.

Attempting to explore the transdisciplinary aspects of artistic practice, this book revisits a tipping point in art history: the invention of preconceptual and minimal art forms by George Brecht, a chemical engineer and artist.

Rethinking the role of the museum today.

An analysis of the spatial representations using new digital location and mapping technologies, in the light of the political issues that accompany their multiple interpretations.

From the observation of a society of capuchin monkeys and thought experiments borrowed from theater, Zaven Paré, artist and researcher in interaction design, specialist in theater and robotics, attempts to dismantle the pitfalls of anthropomorphization, in an attention that seeks to preserve the irreducible character of an interspecific copresence.

A caustic diagnosis of the situation of the current art, by one of its major protagonists.

The fifth and final part of Michel Surya's Matériologies: literature and thought to the test of the pandemic virality.

The images of exile, escape, wandering and exclusion in art history, from classical painting to the most contemporary production.

The first comparative study of artistic culture in Europe under Soviet influence following the Yalta Accords, tracing the complex relationship between art and politics and the tensions between the avant-garde and traditional practices on the other side of the Iron Curtain.

The unexplored interactions between hypnosis, music and medicine in the 19th century, between the world of science and the world of art.

The first issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to molding.

Exile and nuclear panic in Vilnius, on the edge of Europe; Thierry de Peretti: the Corsican maquis and at the end, the cinema; Deborah Levy told by her readers; the greatest wedding videographers are in Baghdad; at the museum with Mohamed El Khatib & Valérie Mréjen; Leos Carax in the setting of the Camargue; in Norway, the extreme right, the millionaire and the dancers...

Jack Smith (Michael Krebber, Felix Bernstein, Enzo Shalom, Branden W. Joseph), Gary Indiana, Bruce Hainley and Sohrab Mohebbi, Jean-Luc Godard by Ferdinand Gouzon, Leilah Weinraub by Juliana Huxtable, Nina Könnemann by Megan Francis Sullivan, Louise Lawler by Nick Irvin, Claire Fontaine by Anita Chari, Robert Malaval by Valentin Gleyze, Afuma (Stefan Tcherepnin & Taketo Shimada) by Keith Connolly, Park McArthur by Noah Barker, Ken Okiishi by Felix Bernstein...

Artforum turns to efforts by artists, historians, and curators to rethink the underpinnings of the museum institutions.

Reference monograph: a selection of 320 works, 30 texts and interviews, 150 archive photographs.

An intimate portrait of the psychoanalyst Roland Gori, of his thought and his fights against the commodification of health, education and culture.

A portrait of Jean Dupuy through a film by Gilles Coudert and a collection of unpublished texts.

First monograph on artist and photographer Aurélie Pétrel.

The Louvre invites itself to Reunion Island: a dialogue between the collections of the island's five museums and those of the Department of Graphic Arts.

First monograph on artist and photographer Aurélie Pétrel.

Drawings and paintings.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition, accompanied by a libretto that gathers the transcriptions of the texts of the thirteen invited artists.

A rereading of the prematurely interrupted work of the Franco-Israeli artist Absalon (1964-1993) through the notions of body, performance and illness, detaching him from the architectural and post-minimal field in which he has often been included, proposing new interpretations via a selection of works by other artists of his generation and a network of conceptual and formal affinities.

A look back in text and images at AA Bronson 's (collective) production between 2013 and 2018.

Artist's book.

An ongoing series of figurative oil-on-canvas paintings by Swiss-born London-based artist Mathis Gasser, decontextualizing in the same gesture characters of the popular culture and figures of the history of the art.

First monograph of the French-Swiss artist Delphine Renault, presented by a critical essay by Karine Tissot.

A project by contrabassist, composer and theorist of experimental and improvised music Christopher A. Williams, inspired by Kantian proposals for perpetual peace, applied to collective musical composition and performance.

Five rare pieces from the minimalist "rhythmic drone" period of the early 1980s of the ensemble founded by Paul Panhuysen, Remko Scha and Jan van Riet, reissued for the first time.

A posthumous duo LP featuring text and music by Conrad Schnitzler, music by Wolfgang Seidel, and artwork by Matt Howarth.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...