The new collection of drawings by the Portuguese artist.

A series of visual documents and theoretical inquires around the work rs548049170_1_69869_TT, a translation of artist Emilio Vavarella's genetic code into a fabric, using the 19th century Jacquard loom.

First comprehensive monograph.

Swiss photographer Christian Lutz documents right-wing populist people, movements and hot spots all over Europe.

A new interpretation of the explosive frog breeding phenomenon.

Change Agents is the seventeenth print issue of PARIS LA magazine. The special 300-page edition features a portfolio of work by fifty contemporary artists whose practices reflect our current times as they move the culture forward. Plus: a collection of conversations, visual essays, and texts.

A collective reflection on the richness of the untranslatable.

Changes in Direction – A Journal provides multivocal and transnational African-European statements to current decoloniality debates from different perspectives.

The posthumous catalogue of one of the most personal curatorial projects of Igor Zabel (1958-2005).

Tom Bishop traces his career and intellectual path through conversations with Donatien Grau.

Sylvère Lotringer traces his career and intellectual path through conversations with Donatien Grau.

Tom Bishop traces his career and intellectual path through conversations with Donatien Grau.

Sylvère Lotringer traces his career and intellectual path through conversations with Donatien Grau.

Music Book is a 64-page facsimile artist's book by Sarah Cain, comprising a series of colorful abstractions painted directly over a collection of vintage sheet music.

A short essay on the concepts of "latent images" and "latency" based on the philosophy and history of the work of French artist Aurélie Pétrel.

After the first two issues Mineral Pornography and Vegetal Trauma, the 3rd issue of Spectre invites contemporary artists to deliver their interpretation of contemporary ruins.

Second issue of the critical journal Dixit in which the words of the architect Yony Santos from the swiss architecture practice TYPICALOFFICE and of Marina Otero Verzier, director of research at Het Nieuwe Instituut (HNI), confront each other around the theme of “A Matter of Data”.

Don Cherry’s New Researches featuring Naná Vasconcelos.

Don Cherry's lost Summer House Sessions finally available over fifty years after they were recorded.

Can we recognize a book by its silhouette? (an artist's book about artists' books).

A collection of SMS from dealers, between the poetic and the sociological.

The new wave of French and international design: an account of research on the glass vase conducted at the International Research Center for Glass and Plastic Arts, showcasing the work of the ten designers who were awarded the grand prize in the Design Parade Hyères competition, organized each year by the Villa Noailles.

The first complete inventory of Hubert Renard's work, between 1969 and 1998, includes all finished works, paintings, sculptures, installations, unique or multiple pieces.

A heterophonic musical piece for performative concert, composed by the choreographer Lotus Eddé Khouri.

A beautiful work that features piano, electronics, processing, and field recordings.

An uncanny electroacoustic composition that incorporates field recordings, synthesis, and acoustic sources, among Carlos Casas's most ambitious and accomplished musical endeavors to date.

A work of orchestral scale, merging a vast number of heavily manipulated sound-sources, made from the most minimal means by the British-Iranian experimental composer and turntabist.

Building on the ground of many of the historic French electroacoustic pioneers connected to studios like Groupe de Recherches Musicales (GRM), while moving into new realms, this electroacoustic composition of sprawling scope weaves a free-standing world of texture and sublimated tonality to produce ambient expanses comprising pointillistic detail drawing on unplaceable generative sources.

Joachim Nordwall proposes for his contribution to the MMXX series a singular gesture built around captured vocalizations: the work's title, spoken by a number of voices, stands as doubling mantra and raw material, increasingly repeated layered, processed, and fed with further tonal and textural interventions over its duration, allowing Nordwall to push the boundaries of his own practice, between musique concrète, sound-art, and experimental electroacoustic music.

Devoted to the late work of José Clemente Orozco (1883–1949), a pioneering artist who founded the Mexican Mural Renaissance with Diego Rivera and David Alfaro Siqueiros, that illustrates the artist's career-long interests in human history and politics, surrealism, symbolism, abstraction and the human form, this catalogue also puts into dialogue the echoes of the painter's influence found in contemporary practices in the city of Guadalajara, where he has left an undeniable mark to our day.

Twenty-two drawings made during four months by the Mexican artist from his own observations of the evolution of a forest landscape written on a single day.

Jean-Luc Guionnet and Claire Bergerault have been working as an organ and voice duo in various churches since 2007. The challenge is, each time, to adapt to the configuration of the building and the organ, and then to stretch their music on the breach of this singularity.

The first volume of a new series of publications by the collective Wages For Wages Against that reports on active research engaged within the artistic professions and institutions since 2017. Its aim is to question the underlying neoliberal logics in the contemporary art world, by orienting its object of study towards the struggles that impact it.

The tenth issue of the journal-collection that brings together academic writings, interviews with artists, critical essays and artists' interventions in the form of inserts, with & about Sara de Chiara, Moyra Davey, Jana Euler, Sylvie Fanchon, Jim Fletcher, Alexander García Düttmann, Jeanne Graff, Martin Laborde, Liz Magor, Nick Mauss, Edith Schloss, Albert Serra, Pierre Thévenin, Emily Wardill...

A metaphysical poem divided into 21 chapters inspired by a series of researches performed among Iran, Armenia, and Ethiopia.

An off-track, frenetic and exciting improvisation session bringing together musicians who have known each other for many years and are playing together for the first time.

An inspiring album that dissolves the boundary that too often separates live and studio, improvisation and composition.

Created by the author-poet Frédéric Forte, the "Questions obliques" cards, with their three levels of difficulty, question the visitor of an exhibition on his perception of an artwork.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.