Entonnoir de Nous: a machine misunderstands two humans over several years, and unwittingly writes a book of poetry.

Sébastien Roux pushes Max Neuhaus' concept of succession of timbres to a new height in a drastically systematic composition.

The collected reviews and interviews of art critic, curator, and artist Christian Egger.

Karbe Dinel creates a complex work of sound that shifts through diverse moods and seamlessly dovetailed sections, using synthesizer and effects to create deep resonating tones and high pitched complements, mysterious grainy ambience, haunting chambers of drifting electronics; a mysterious and compelling journey in the electronic realm.

A piece composed by Phill Niblock, performed live by Ensemble IRE trio: Kasper T. Toeplitz (ebass), Franck Vigroux (eguitar), Hélène Breschand (e harp) on side A / a piece composed and performed by Kasper T.Toeplitz (ebass) and Franck Vigroux (guitar, electronics) on side B.

Drawings and texts by Olivier Bringer (series of 30 drawings and 12 unpublished texts printed on Munken paper).

Denis Lavant reads/says the poem Vents by Saint-John Perse (1946), accompanied by Quentin Rollet (saxophones) and Patrick Müller (electrosonic). With the participation of Romain Perrot (guitar).

A book produced in conjunction with Bauer Verlag's eponymous series of screenings at the Studio/Cinema in Brooklyn, with about 25 contributions.

Stéphane Vigny's first monograph, conceived as an object with several levels of reading, as well as the sculptures of the artist.

The first ever anthology of feminist poetry from Russia.

An analysis of the technocritical acts and strategies by artists, hackers and activists in the (post-)digital age.

Drawings by artists et alii: previously unpublished works on paper by Matali Crasset, Chris Dercon, Koo Jeong-A, Maurizio Cattelan, Kim Gordon, John Giorno, Ugo Rondinone, Xavier Veilhan, Alexandra Midal, Nathalie Du Pasquier, Amy O'Neill, Arto Lindsay, Yan Pei-Ming, Kamel Mennour, Melvil Poupaud, Sheila Hicks...

Steve DiBenedetto's drawings.

This volume focuses on all of Emmanuel Hocquard's activities, in order to highlight his importance, and to situate him in a history of contemporary poetry in which he was one of the main protagonists.

This book gathers the texts (rare or unpublished) conceived as scores of Michèle Métail's oral publications since 1973.

This book gathers the texts (rare or unpublished) conceived as scores of Michèle Métail's oral publications since 1973. This limited edition, numbered from 1 to 20, contains a signed collage.

A survey of the history of temporary exhibitions in France, through a series of interviews with 38 curators.

Why does a painter like Delacroix paint so many religious subjects?

An investigation into artistic reproduction and the role of the engravers in the shadows who made prints signed by others, questioning the relationships of domination and subordination in creation.

A collection of texts by Alessandro Bosetti, between theory, poetry and score, all of which breathe in concert with a series of sound projects and often focus on the voice from different angles and perspectives.

Matali Crasset's drawings sketchbooks.

Experimental poetry, historical avant-garde, contemporary music, dance, visual arts, intermedia.

Cornelius Cardew by Matthieu Saladin, interviews with Katsura Mouri, Franck Lilin and Evan Parker, Frédéric Tabet, contemporary Arabic poetry: Abdel Wahab Mohamed Youssef...

A range of artistic and theoretical proposals on the theme of "laboratories".

Double issue, featuring Park McArthur, Benjamin H. D. Buchloh on Luciano Perna, Garrett Bradley, election 2020: artists' projects...

Interviews with Dasha Ilina, Forensic Architecture, Screen Walks (Marco de Mutiis + Jon Uriarte), Michele Spanghero; Emergency music by Pirate Care; Masks: The Face between Bodies and Networks; reports, news and 35 books, DVDs & CD reviews...

Come Closer: The Biennale Reader, published on the occasion of the inaugural Prague biennale, considers the present via counter-hegemonic readings of the past. The book explores various perspectives of class, race, and gender differences in post-socialist states, past and present.

The essays of this book transverse the vqrious dimensions of standstill as an in-between of time (with essays by Georges Didi-Huberman, David Lapoujade, Peter Osborne, Jacques Rancière, Christine Ross, and others as well as conversations with Via Lewandowsky, Aernout Mik and Marcel Odenbach).

Art as a specific and autonomous form of energy (publication arising from the 2019 activities of the MA Fine Arts program at the Zurich University of the Arts, directed by Donatella Bernardi).

This book merges memoir and social critique in an original fashion. By combining personal observations with a general systemic analysis, it thereby seeks to propose a new genre of writing.

A selection of drawings from the Belgian artist's extensive corpus.

This comprehensive publication by the art foundation Thyssen-Bornemisza Art Contemporary (TBA21) engages with more than 100 works of art in over 1,300 pages, proposing a speculative topography that organizes and weaves together sequences of potential narratives and interrogations along with close examinations of different works of art and a collective archive of images.

A collaboration between artists Musquiqui Chihying (Taipei, Taiwan/Berlin) and Gregor Kasper (Berlin) together with rapper Elom 20ce (Lomé, Togo).

This collection of texts—with many unpublished—spans over half a century of the conceptual artist's radical engagement with art education and its institutions.

American production designer Hannah Beachler engages in a conversation with Jacqueline Stewart and Toni L. Griffin about set building and curation, urban design, location scouting, Afrofuturism, fictional histories, and Black feminist narratives, and elucidates her role.

In the form of a conversation with filmmaker and artist John Akomfrah, this book sets out to explore how his work with montage can be understood to articulate contemporaneity in sensuous ways.

In Exhibition-ism, theorist and artist Mieke Bal develops the idea that exhibiting is a significant form of the contemporary.

The question of the voice and its prominent role in our postindustrial society.

Dirty Ear Report #3 documents a collective workshop by sound artists and researchers working in the fields of experimental dramaturgy, sonic social engagement, and voice studies.

A sound composition based on a workshop focusing on questions of sound, listening, collaboration, and community.

A photographic journey with a documentary and sensory approach in the center of the ice giant Aletsch, the biggest glacier in Europe (a series of 60 negative photographs taken on the Aletsch glacier, with four texts by interdisciplinary authors on the glacier: glaciologist Jean-Baptiste Bosson, art historians Federica Martini and Joël Vacheron and writer-researcher André Ourednik).

First monograph.