Artist's book: a series of patterns drawn from the library of a vectorial drawing software, homothetically reduced to the dimensions of the book to rectangles of different sizes, laid out over the pages as in an urban map.
Les presses du réel – Music & Sound Arts – Ohcetecho (sound arts)
forthcoming
This first monograph in French on the Swedish artist Lars Fredrikson, situated at the intersection of art history, sound studies, and media studies, seeks to shed light on the distinctive features of his work by highlighting its dialogue with the history of painting, kinetic and electronic arts, music, and sound practices in art, as well as the epistemologies and material cultures of science and technology.
A detailed overview and history of "ero-guro-nansense", an editorial, artistic and literary movement of iconoclastic and subversive magazines in Japan in the 1925-1930s, ancestor and precursor of the post-war Japanese underground.
Les presses du réel – Dance & Performing Arts – Miscellaneous
forthcoming
Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.
A critical history of a fundamental video art event: the large-scale study of the entire history of Locarno's VideoArt Festival, the culmination of a four-year research project.
Led By Donkeys, Kenneth Goldsmith, Annette Gilbert & Andreas Bülhoff, Silvio Lorusso, Jasia Reichardt ephemeral's archive, Active and emancipatory publishing in France: the cases of Déborder Bolloré and WHOISBN, In the Aspyxiating Culture of the Total Library, Transmediale 2026 + Echoes of Tumult exhibition, Screentime/s; The Lure of the Image...
An exploration of the "swampy" zone between the human and the other forms of life that make up his ecosystem and his environment, at the intersection of art, architecture and philosophy, in the perspective of a posthumanist ecology.
This monograph on French-Caribbean artist Lucas Erin offers the first occasion to encompass an artistic practice rooted in a multicultural exploration of encounters, human interaction and forms of resistance to social normalisation.