The Photograph Looked Back at Me is a series of prose miniatures, each born from an image the author cannot turn away from: a ghostly plant printed in a book about Chernobyl; a miner's face obscured by smoke, hanging in a Kyiv gallery; a picture of Katja Petrowskaja's parents, from an old family album.

A novel about the coming-of-age of a gaze.

Gender is Over is a story about Warsaw's queer art scene at the turn of the 2010s and 2020s, written from the inside.

The first in a series of four books in children's book format, composed as a series of tragic children's stories that Jérôme Zonder knows so well how to write and draw.

The English translation of Matthieu Peck's third novel, in which he confirms his talent as a stylist.

Over a decade’s worth of essays: movies of America in parallax view.

Pieter Henket presents portraits of young Mexicans challenging strict traditions around expression of gender, sex, sexuality, and religion.

The American photographer appropriates the objects that populate the Italian painter's work.

Pivot is an experimental, book-length poem exploring the profound act of "turning", with the Haitian Revolution as its cornerstone.

How plants shape space, knowledge, and hierarchies across historical, ecological, and epistemic terrains.

A portrait gallery of creators on the margins of art brut gardens, houses and environments, of which Francis David has compiled a monumental photographic inventory over a period of fifteen years.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

This book explores the secret territories that formed the City of Thelema, from which Rudy Ricciotti—an internationally renowned architect—built his work.

This book explores the secret territories that formed the City of Thelema, from which Rudy Ricciotti—an internationally renowned architect—built his work.

For the first time, Gisèle Vienne presents all the dolls she has staged throughout her career.

An unapproved Wikipedia draft authored under the conceptual label Jeff Wall Production, initiated by curator and essayist Pierre Bal-Blanc.

An inquiry into the potential regeneration of democracy: how artists can work towards a sense of collective relevance required to face the future's dark challenges.

An invitation from Mudam Luxembourg to consider the place, role and future of cultural institutions in the twenty-first century.

Leading contemporary artists and thinkers elaborate on how our increasingly networked societies are shaping—and shaped by—exchanges among people and machines.

The third of three projects to engage the resource industries of Vancouver Island, this publication responds to oceanic environments through contemporary art and writing.

The act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

Readers are invited into an immersive, oceanic way of seeing—where the boundaries between body, technology, and environment dissolve into continuous transformation.

The work of Sámi architect and artist Joar Nango, investigating indigenous spaces and their critical value in a contemporary cultural discussion.

Karenna Gore posits a future for the design practices that works within the living and intelligent design of Earth.

How the transition to fossil fuels entailed an intensification of ongoing processes of racialization.

A short story by Victor Segalen (1809-1884), set to music by Nurse With Wound.

The edition offers a new approach to what Ines Weizman names "documentary architecture," meaning that to write about the history of a building is also to map the world in which it is located.

Invited by Mara Hoberman, a group of artists from both sides of the Atlantic share their views on Joan Mitchell's work.

An account of the relationships between biology (as education, research, institutions etc.) and capital (in such forms as research grants, industries & corporations).

A collection of essays about the end of the world and its representation in XXI-century culture / a manifesto for the imagination of another relationship with the end.

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

Architect Mark Lee presents a body of work on the basis of five considerations: on history, on cadence, on autonomy, on America, and on point.

A sensitive and critical examination of the relationship between photography and ecology.

Lee "Scratch" Perry's photographic works and writings, inventoried in the Black Ark studio in Kingston, one of the cradles of reggae and dub.

For his debut release on Faitiche, in an award-winning radio collage, the well-known drummer and composer Martin Brandlmayr (Radian, Polwechsel) explores the quiet moments in music and film recordings.

A long conversation about the work and life of Portuguese artist Ana Jotta, accompanied by 60 previously unpublished photographs of her homes (in Brazil, Morocco, and Zanzibar) and her years in theater in the late 1970s.

First English edition of the visionary play by German playwright and communist activist Berta Lask (1878-1967).

Recorded live at Amsterdam's Oude Kerk during the 2025 Sonic Acts Festival, The Organ is the World's Greatest Synthesizer finds Charlemagne Palestine returning to the Staalplaat catalog. Taking its title and cover from a drawing made by Palestine during the performance, the work expands his singular mythology of sound and spirit (hand screenprited cover).

As part of a series of publications on singular architectural bodies of work, this volume highlights Pierre Lajus' pioneering hedonistic wooden constructions of the 1970s, and gives his work its rightful place in the history of architectural experimentation.

The new, adapted and expanded edition of Benjamin Sommerhalder's children's book (the story of the little ghost Knigi, learning how to read).

An innovative monograph of conceptual artist Agnieszka Kurant's work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

Coloring Book II by Dr. Lakra is the second book published by the artist in collaboration with BOM DIA BOA TARDE BOA NOITE.

Yang Yong systematically traces the titular artist's creative practice from 1996 to 2025, organizing his thirty-year journey into six chapters, each covering a five-year period.