This section includes all titles whose publishers or labels are not specifically listed in the main list of the publishers section. The complete list of publishers, labels and journals is available in the general index.
The 12th issue of the journal of the École Nationale Supérieure d'Architecture de Bretagne, featuring a dossier on the theme of desire in architecture.
For his debut release on Faitiche, in an award-winning radio collage, the well-known drummer and composer Martin Brandlmayr (Radian, Polwechsel) explores the quiet moments in music and film recordings.
As part of a series of publications on singular architectural bodies of work, this volume highlights Pierre Lajus' pioneering hedonistic wooden constructions of the 1970s, and gives his work its rightful place in the history of architectural experimentation.
Les presses du réel – Criticism, theory & documents – Cinétisme
forthcoming
A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication, offering a closer insight into his thinking on video art and new media.
Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.
A legendary artist's book finally reissued in an updated and revised version, Enseigner et apprendre, a truly collaborative work, provides a valuable introduction to Robert Filliou's work and his pioneering and innovative ideas on the educational dimension of artistic creation.
Blending Indian harmonium, analog effects, and electronic pulses, Jaime Fennelly's new solo album under the name Mind Over Mirrors, released 14 years after the magnificent Check Your Swing, evokes the wide open spaces of organic, pastoral landscapes.
The second volume of the composer's complete electroacoustic works, in 16 CDs, each designed as a listening program. The box set completes the most ambitious recording project ever devoted to an acousmatic corpus.
The new information regimes and document uses created by four major figures in the art world between the 1960s and 1970s—Germano Celant, Lucy R. Lippard, and Carla Lonzi, curators and art critics, as well as Seth Siegelaub
How does photography depict our environment? How does it contribute to its destruction? This book explores this paradox through the analysis of the work of fifteen contemporary artists.
The catalog of a curatorial project devoted to Wolfgang Tillmans' books and magazines: an inventory as an invitation to literally take a different look at Tillmans' work, in print.
A series of short sound interventions, in pairs, in public spaces in Paris, both outdoors (passages, squares, esplanades, parks) and indoors (bridges, tunnels), from the Bois de Vincennes to La Défense, between May and October 2025.
This vinyl record brings together three pieces that play mischievously with the voice as a sound source, narrative source or diverted object: "Huellas Entreveradas" (2018), "La Baballe du Chien Chien à la Mé-Mère" (2001) and "Deux Dents Dehors" (2007).
Recorded live at Amsterdam's Oude Kerk during the 2024 Sonic Acts Festival, The Organ is the World's Greatest Synthesizer finds Charlemagne Palestine returning to the Staalplaat catalog. Taking its title and cover from a drawing made by Palestine during the performance, the work expands his singular mythology of sound and spirit (hand screenprited cover).
This book brings together three texts on Arnaud des Pallières' documentary Disneyland, mon vieux pays natal (Disneyland, My Old Homeland), extending the critical thinking engaged by this hybrid filmic object on spectacle and late capitalism.
a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.
Three years of exploring avenues opened up by eco-design: from physical environments to imaginary ones, from a focus on resilient uses to new collective narratives (box set containing the three volumes S'attacher, 2023, Produire, 2024, and Prendre soin, 2025).
An album entirely dedicated to the sound composition created by Éric La Casa for Luke Fowler's film A Grammar for Listening, based on recordings (images and sounds) made in Paris and Glasgow. A new stereo version from 2023 interacts with the original mono soundtrack from 2009.
The first album by the egalitarian and variable-geometry group of musicians/composers created by Hervé Boghossian, combining microtonal electric guitar, Turkish lute, hurdy-gurdy, and church organ.
The first issue in a collection of typographic specimens, each inviting a designer to create a fictional story around one of their typefaces, this volume is by Grégoire Romanet, who has repurposed 18th-century Texas Cattle Brand symbols to create a typeface.
Mémoire Magnétique, vol.3 allows us to discover some of unreleased rarities from Bernard Parmegiani's personal archives and unpublished recordings which were composed for the screen or the performing arts.
This compilation allows us to discover some of unreleased rarities from Jean Schwarz's personal archives and unpublished recordings which were composed for the dance, screen or the performing arts.
Off The Record by French collagist Roméo Poirier is an amusing romp through the discarded history of recording studios. It contains fourteen miniatures based on accidental recordings of studio talk, revealing things that were never meant for the public.
Comprised of two expansive, sidelong pieces composed entirely on the Serge Modular synthesizer, The Dip signals a subtle yet significant shift in the Berlin-based artist and composer Thomas Ankersmit's trajectory, imbuing the hyper-physical, psychoacoustic intensities of his live performances with introspective, atmospheric, and even melodic elements.
A book of drawings by artist/composer Nickolas Mohanna that mirrors various sound compositions with an economy of gesture at its core. playful in form,
Easily one of the most striking and memorable releases by either artist to appear in recent years, Sergio Armaroli and David Toop's "And I Entered Into Sleep",
issued as the tenth and final album in Die Schachtel's Decay Music series, traverses uncharted realms at the borders of literary reference, sound art, ambience and abstraction through delicately musical sounds, revealing new depths at every turn.
An aural bridge between two distinct generations of Italian experimental and electroacoustic musicians, "Liminale" is the debut collaborative outing from the creative partnership of Luigi Turra and Elio Martusciello.
