Design

La ville pour tous is a collection of writings by the great architect Paulo Mendes da Rocha, offering an overview of his work and of Brazilian society in the second half of the twentieth century.

Centered on the Al Ahsa region, one of the world's oldest and largest oases, Maghras: A Farm for Experimentation (accompanying the inaugural Saudi Pavilion at the 24th Triennale di Milano, marking Saudi Arabia's first participation in this global architecture and design platform) reimagines the farm as a site of collective inquiry, where environmental change, cultural memory, and community practices converge.

Three years of exploring avenues opened up by eco-design: from physical environments to imaginary ones, from a focus on resilient uses to new collective narratives (box set containing the three volumes S'attacher, 2023, Produire, 2024, and Prendre soin, 2025).

Donald Judd's formative years and recognition in the Low Countries and Europe between 1965 and 1971.

The "doing" in art and design research.

Focusing on contributions that explore composites as forms of art and design, as research methodologies and practices, and/or as theoretical concepts, issue 60 of the journal Azimuts proposes look at composites as a way of presenting or representing realities.

Nathalie Du Pasquier presents still lifes bringing together objects, drawings, books, and photographs—assembled like fragments of an intimate language.

Monograph dedicated to the famous designer's early work.

An overview of the multifaceted work of designer and set designer David Dubois, with a text by critic Jeanne Quéheillard.

The design research journal devotes its 59th issue to contemporary forms of graphic design transmission.

Focusing on contributions that explore composites as forms of art and design, as research methodologies and practices, and/or as theoretical concepts, issue 60 of the journal Azimuts proposes look at composites as a way of presenting or representing realities.

A photographic report by the famous Italian architect and designer on his youthful trip to Moscow during the political “thaw.”

An exploration of the opportunities opened up by eco-design: from physical environments to imaginary ones, from a focus on resilient uses to new collective narratives.

Atelier E.B (Edinburgh Bruxelles) is the company name under which designer Beca Lipscombe and artist Lucy McKenzie develop their joint projects. Atelier E.B's 2026 calendar is dedicated to the duo's spectacular window displays (2019-2025). These exhibitions feature garments from their fashion label arranged by professional window dressers—integrating the shopping experience into the exhibition context.

An autobiographical account and uncompromising meditation on the meaning of design, in the voice of the man who represented the ethical and political conscience of the discipline in the second half of the 20th century.

The fifth issue of the annual magazine that promotes know-how and technique in design, craft or industry looks at the act of spinning.

A series of vases by Ronan Bouroullec made in Murano in collaboration with the Maestro glassblower Simone Cenedese.

A visual journey through the forgotten corners of the eyewear industry, 3000 Days Of Archives Related To The Optics And Glasses Frame Industry is a testament to the richness of forgotten material culture, at the crossroads of visual culture, industrial design, photography and archival research.

The Decorator's Home delves into Marco A. Castillo's exploration of the development of industrial design in the 1960s and 1970s Cuba, examining its complex and often contradictory ties to the revolutionary ideals of the time.

The experiments of an "abstract design" made by the duo Henri Frachon and Antoine Lecharny.

An unclassifiable classic, precursor of the “material turn” and of media theory, finally reissued.

A vast research project to explore the connections and mutual enrichment between cinema and design, both considered as reservoirs of fiction: an illustrated inventory of impossible and unthinkable objects, with some thirty contributions by design researchers and designers.

Designers and researchers question the notion of resources (being material, human or intellectual) and our everyday habits to explore the ways in which design can respond to contemporary issues by rethinking production, consumption and innovation (the catalogue of the 13th Saint-Étienne International Design Biennial).

Federico Pepe fills the void in our lives, multiplying the ecstasy of emptiness ad infinitum (a project by Federico Pepe & Le Dictateur Studio curated by Elena Volpato).

An ecological fable by the design duo Formafantasma, beautifully illustrated by Clément Vuillier and accompanied by a rich selection of scientific texts exploring the intricate relationship between humans, the environment, and other organisms.

The photographic album of a trip to Yemen by one of the great architects and designers of the twentieth century.

In this artist's book, Hubert Renard's search for himself leads us to meet other characters who have marked out his private life, like so many essential players in his accomplishment.

A dialogue between the works of fashion designer Azzedine Alaïa and design icon Shiro Kuramata.

The design research journal devotes its 59th issue to contemporary forms of graphic design transmission.

For its second issue, Flash Art's yearly review Flash Art Volumes invited Michael Abel and Nile Greenberg of the New York–based architecture practice ANY as guest editors. They have titled this edition "Crisis Formalism."

A reflection on the experience and challenges of an artistic residency in a rural environment, nourished by the thought of re-habitation.

How AI can be used in the creative process in art and design.

A book of fiction that brings together two environmentalist literary “fantasies” by Matali Crasset, with line drawings.

A major milestone in the history of design, this pioneering work by Tomás Maldonado, published in 1970, lays the foundations for a critical and committed reflection, open to an ecological perspective, against the drifts of utopian regressions or exacerbated productivism.

On the relationship between architecture and design.

The new edition of Campo di Marte by Nathalie Du Pasquier is enriched with sixteen additional compositions, expanding and complementing the original selection of the first edition.

Consisting of a richly illustrated booklet and a record vinyl, this special release accompanies the performative sound-based project A Comparative Dialogue Act by artists Andrea Mancini and the collective Every Island, hosted in the Luxembourg Pavilion at the 60th Venice Biennale.

A dialogue between the works of fashion designer Azzedine Alaïa and design icon Shiro Kuramata.

All television images seem to be the same image. An artist and researcher at the Saint-Étienne Higher School of Art and Design, Lorenza Mannaioni, attempts to prove this with this book of felt-tip pen images.

The 14th issue of the annual magazine of the ECAL (Lausanne University of Art and Design), with interviews Brian Roettinger, Eliott Grunewald, Aurore Piedigrossi, Jean-Vincent Simonet, Mathilde Agius, Marvin Armand and Cécilia Poupon and a conversation between Erwan Bouroullec and Michel Roset.

Kim Hastreiter, co-founder of the beloved Paper magazine, has spent the last 50 years amassing a vast and iconoclastic collection of stuff. This volume, aptly titled STUFF, chronicles an extraordinary slice of history and the people who defined it, using Hastreiter's singular edit of art, fashion, design, photography, books and ephemera as a lens.

At the crossroads of design, art, architecture and popular culture, Alexandra Midal investigates the techniques developed by artists, designers and revolutionaries to conceal information and messages, through the lens of the coded language of flowers.

An education turned around by art: famous English anthropologist Tim Ingold invites us to consider the arts as the very basis of an education in the 21st-century, an education that might begin to address the profound social and ecological crises we face.

Studio Manuel Raeder's 2025 sticker calendar.

The extravagant villas designed between the 1960s and 1980s by Italian architect Mario Galvagni (1928-2020) for prosperous Lombard families.

In the spring of 1966, four illustrious travelers cross the United States from west to east, photographing America's architecture at its heyday.

Centered around the themes of latent knowledges, earth uprisings and borders, this second volume in the Radical Rituals series is the result of a research residency carried by forty five degrees collective in the summer of 2022 across France, from 45°N 1°W to 45°N 7°E.

An exploration of the various paths of ecodesign, from material environments to our imaginations, from concern for uses to new narratives.