Essay

A study on Richter's work with illustrations.

Limited edition signed by Birgit Pelzer and Gerhard Richter.

A study of German Renaissance painters and the social movements of the time.

Anselm Kiefer's universe revisited by the philosopher Jean-Noël Vuarnet.

A critical text on Niele Toroni's work, with exhibitions views and documents.

The Heideggerien deconstruction of metaphysics by Reiner Schürmann.

This first monograph in French on the Swedish artist Lars Fredrikson, situated at the intersection of art history, sound studies, and media studies, seeks to shed light on the distinctive features of his work by highlighting its dialogue with the history of painting, kinetic and electronic arts, music, and sound practices in art, as well as the epistemologies and material cultures of science and technology.

A detailed overview and history of "ero-guro-nansense", an editorial, artistic and literary movement of iconoclastic and subversive magazines in Japan in the 1925-1930s, ancestor and precursor of the post-war Japanese underground.

The first French translation of a selection of texts by Bolivian sociologist and intellectual Silvia Rivera Cusicanqui: a way of thinking with and through images that challenges the distinction between scholarly knowledge and political practice, at the intersection of sociology, visual studies, and decolonial thought.

The first French translation of texts by a pioneering American researcher on the concept of media infrastructures in our digital environments, this book introduces readers to the contemporary issues at the heart of a line of thought that touches on every aspect of our connected lives: technical, economic, social, cultural, emotional, ecological, and more.

An analysis of the processes by which certain seemingly innocuous popular forms of modernity are used to serve fascism, through the example of synchronized dancing, which was imbued with the symbolism of Nazi domination.

A pioneering study of the relation between the fine arts and philosophy in France, from the aftermath of the 1789 revolution to the end of the nineteenth century, when a philosophy of being called "monism"—the concept of a unity of matter and spirit—emerged and became increasingly popular among intellectuals, artists and scientists.

Drawing on a material, cultural and social history of art, Hugo Daniel proposes to understand the recognition and redefinition of drawing by the avant-garde in the 1950s and 1960s, between the questioning of artists, the evolution of critics and the projects of gallery owners and curators, to show how drawing is understood as a complex reality, in act.

The history of NHK electronic music studio and the making of an international "center" for contemporary music: a wide-ranging, totally unprecedented study of the role and position of a Japanese avant-garde music institution founded in 1955 within international production until the late 1960s, based on first-hand documentation.