Catalogues

The history of Soviet and post-Soviet art from 1970 to the present through the essays of thirty authors and the works of more than fifty artists.

The history of Arabic calligraphy.

The catalogue of the 12th edition of Sonsbeek, centered around labour, and its sonicities, connects a millenary history crossing times and geographies to the present moment, through a multitude of voices, sounds, and ripples.

Mediterranea 19 – School of Waters imagines a Biennale as a temporary school inspired by radical and experimental pedagogies and the way they challenge artistic, curatorial, and research formats.

Catalogue of a virtual exhibition of works by contemporary artists in response to the famous Neapolitan love song.

The posthumous catalogue of one of the most personal curatorial projects of Igor Zabel (1958-2005).

The new wave of French and international design: an account of research on the glass vase conducted at the International Research Center for Glass and Plastic Arts, showcasing the work of the ten designers who were awarded the grand prize in the Design Parade Hyères competition, organized each year by the Villa Noailles.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

A documentation of new values and new worlds and a guide to them.

Catalogue bringing together four virtuoso artists in excess, overflow and debauchery.

A collection of works, documents, testimonies, recollections and analyses that offers an exceptional overview of the history and life of the New Realist group.

A dive into the world of fantastic realism through the works of some twenty contemporary artists.

The intersection of walking and collecting.

The possible role of weaving as a transgressive practice, as a weapon of protest and sabotage.

Through a set of artistic proposals and a fictional conversation, this publication explores the ways in which individual and collective identities manifest and reconfigure themselves in the digital age and the health crisis.

The first edition of the Rabat Contemporary Art Biennial— the first all-female Biennial of Contemporary Art—, held in the Moroccan capital and devised by Abdelkader Damani, director of the Frac Centre-Val de Loire, from September to December 2019.

The catalogue / temporal synthesis of the evolutionary and challenging exhibition at CAN, Neuchâtel.

Female identity through the images of five Italian women photographers, 1965-1985: a reflection on identity and its representation in recent history.

This comprehensive publication by the art foundation Thyssen-Bornemisza Art Contemporary (TBA21) engages with more than 100 works of art in over 1,300 pages, proposing a speculative topography that organizes and weaves together sequences of potential narratives and interrogations along with close examinations of different works of art and a collective archive of images.

A panorama of the contemporary art scene in Italy (exhibition catalogue).

The catalogue of Stéphane Blanquet's evolving exhibition in the whole space of the Halle Saint-Pierre, Parisian temple of art brut and outsider art: a vast retrospective in 1.9 kg of images (drawings, photographs, tapestries, sculptures), with also the works of invited artists: Keiichi Tanaami, Bruno Richard, Samplerman, Jan Švankmajer, Dr. Karayom, etc.

A retrospective.

Catalogue of the double exhibition devoted to the Pattern & Decoration movement, with numerous previously unpublished archives.

The Imaginary Republic is an artistic research project focusing on questions of social practice. In particular, it considers the creative and restless imaginaries underpinning our political selves and argues for a deeper engagement with what Elena Loizidou terms “dream-action”: the figurative and poetic staging of world making activity (with Tatiana Fiodorova, Brandon LaBelle & Octavio Camargo, Sala-manca group and Joulia Strauss).

Publication based on the eponymous exhibitions organized at CAN, Neuchâtel, and Post Territory Ujeongguk, Seoul, bringing together the works of six Swiss and Korean artists, as well as new texts by Korean curators and theoreticians.

A political view of international contemporary creation seen from the Gulf region, where wars and diplomatic tensions have constantly determined the history of the early 21st century (exhibition catalogue).

A complete archive of contents from the 11th Biennale Internationale Design Saint-Étienne.

An overview of the Falckenberg Collection: around 100 works, primarily installations and sculptures, created by more than 60 internationally renowned artists.

Catalogue.

Catalogue of the second Orleans Biennale of Architecture: a call for an archipelago of solitudes.

Rendez-vous in Paris: Picasso, Chagall, Modigliani & Co (1900-1939) is a collaborative publication between Kaph Books, Louvre Abu Dhabi and Centre Pompidou, which serves to discover the Paris of the “Roaring Twenties”—a Bohemian hub for artists from across Europe. This group of artists came together at a moment of extraordinary creativity to produce some of the most innovative art of the 20th century.

Rendez-vous in Paris: Picasso, Chagall, Modigliani & Co (1900-1939) is a collaborative publication between Kaph Books, Louvre Abu Dhabi and Centre Pompidou, which serves to discover the Paris of the “Roaring Twenties”—a Bohemian hub for artists from across Europe. This group of artists came together at a moment of extraordinary creativity to produce some of the most innovative art of the 20th century.

A retrospective of the work of one of the first artist-run spaces in Paris, offering an overall reflection on the emerging conditions of independent and collective spaces, and the way they have impacted the institutional and art scene.

Published on the occasion of the 58th Venice Biennale and edited by curator Hesperia Iliadou de Subplajo-Suppiej, Maleth / Haven / Port is inspired by the Odissey and provides a contemporary reinterpretation of our timeless need of seeking Haven, most strongly experienced in times of crisis.

The comprehensive catalogue of the 9th Busan Biennale, curated by Cristina Ricupero and Jörg Heiser, on the theme of divided territories caused by war, conflict, or colonization.

Dedicated to the manifestation of sisterhood in art from the 1970s until today, All Men Become Sisters focuses on art that resonated with feminist perspectives on work, production, and reproduction.

Bringing together an important body of work produced between 1970 and the present, this publication analyzes historical and current issues of feminisms by proposing crossed perspectives on the field of art history and its oft-interrogated construction.

The catalogue of the Italian Pavilion at the 58th Venice Biennale investigates and develops the theme chosen by the curator Milovan Farronato for the exhibition: the labyrinth.

Surveying the causes championed by feminists in the post-internet era.

The development of photography in its first years of existence: an history of the dissemination of photography as a form of documentation and an instrument of discovering and understanding the world and its people, through a wide selection of historic images taken in the Americas, Africa, the Middle East and Asia, between 1842 and 1896.

A dive into the world of fantastic realism through the works of some twenty contemporary artists.

The development of photography in its first years of existence: an history of the dissemination of photography as a form of documentation and an instrument of discovering and understanding the world and its people, through a wide selection of historic images taken in the Americas, Africa, the Middle East and Asia, between 1842 and 1896.

Persona – Works by Romanian artists questions notions of identity and identification through traditional Romanian motifs, such as the mask. Eight contemporary artists explore how folklore is intrinsically linked to modernity.

A journey covering several episodes of Situationist International.

The catalogue of the first exhibition of works by artists and chefs, curated by Nicolas Bourriaud and Andrea Petrini: assembling 25 chefs and 20 artists from around the world, Cookbook'19 explores through a large panorama the relationship between the future art of cooking and the edibleness of art.

Ascending from the Liquid Horizon focuses on the possibilities and potentials once proposed by speculative narratives about the future, and reflects on the realm that is currently emerging from the intersection of science, corporate interests, and ecology. Vast developments in technology, advancing hand in hand with rapid climate change, predict a situation far more complex than the current one, defined by an environment where technology levels nature and notions of the biological, natural and terrestrial need to be revised.