Editions du Griffon - Multiples & limited editions
currently out of stock
Limited edition of the legendary reference monograph, with the musical piece Spatiodynamisme by Pierre Henry on a 45RPM vinyl record, and with an original lithograph, dated, numbered and signed.
Ars nova meets dark folk, aural cinema, contemporary music, drone and much more... An astonishing album gathering three extended pieces that unfold the works of medieval musical genius Guillaume de Machaut, the greatest and last of the troubadours.
Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.
The first ever solo release from electronic music pioneer and innovator Laetitia Sonami, featuring a new composition especially written for her interface/instrument, the Spring Sprye, by her former teacher the legendary Éliane Radigue.
A split album as part of the GRM Portraits series bringing together two pieces by Jessica Ekomane (explores the multiple possibilities of polyphonic writing) and Laurel Halo (for piano and electronics).
Two works recorded 14 years apart, registering the behaviour and characteristics of environmental and instrumental sound resounding within multiple parking garages.
The story of Jesus, or that of a fin-de-siècle anarchist, by the sapphic poet Renée Vivien (1877-1909), accompanied by a new piece by Nurse With Wound on CD.
A project exploring the sounds of glaciers, captured in crevasses, glacial torrents or moraine folds using microphones, hydrophones and seismic sensors.
An overview of Agnès Varda's work, from her films to her visual works: collages, video art, installations and photographs (especially those made in Portugal in the 1950s).
A split album as part of the GRM Portraits series bringing together two pieces by French sound artist Eve Aboulkheir, and by Lasse Marhaug, a figure from the Norwegian experimental scene.
Basse saison combines photographs taken by the artist mainly during the winter of 2020, while staying in her native region, La Grande Motte in southern France.
A series of works by the duo of painters Les Sœurs Siamoises, who work the images together "like a decomplexed table tennis game, with Indian cactus in the pin-up colors of the forests of the kingdom of Siam".
In a long conversation about the guitar(s), Philippe Robert and Noël Akchoté sift through the history of the instrument and its practice, from the Renaissance lute to the 12-string, from the Stratocaster to the tabletop guitar surrounded by utensils and effects, from the blues to free improvisation.
A long narrative poem punctuated by 12x2 drawings, a montage of statements and notations in which a poetess (fat and old) keeps a kind of diary in which the destruction of the private body is articulated to that of the social body.
This 4 CD box edition collects all concert musics by French composer of electroacoustic music Michèle Bokanowski, eleven visionary and avant-garde works composed in 1974 and 2020.
This book commemorates the long collaboration between couturier Azzedine Alaïa and photographer Arthur Elgort, who, working together, shaped the 1980s and actively contributed to the renewal of the representation of women.
A digital library of a contemporary world, shot by French fashion photographer and director, Axel Morin: an archive of "urban poetry," as seen through the lens of several generations of iPhones.
The most accomplished tale of Jean Lorrain (1855-1906), decadent dandy, ardent erotomaniac and corrosive pen, accompanied by a new piece by Nurse With Wound.
With their sixth studio album, Oiseaux-Tempête unveils a new facet of its mythology through a dense work that carries darkness towards the light of day, that rumbles, calms down and warms up again. Like the silhouette of a lighthouse that reveals itself as its torch rises and shines, the powerful beauty of What On Earth (Que Diable) radiates into an expanding musical cosmos.
The result of a remarkable editorial work whose graphic design is signed by Syndicat and Lucien Pelen, this first monograph brings together fifteen years of photographic and video production, unpublished contributions, texts and the making-of of the actions carried out by the artist.
This first meticulous revision of the artistic work by Guadeloupean artist Minia Biabiany points the reasons why her practice has become unavoidable to reflect on the continuous process of Caribbean colonization, by destabilizing colonial structures within the territory, body and language.
