Women (female artists)

For the first time, Gisèle Vienne presents all the dolls she has staged throughout her career.

A selection of critical writings that blend sociological procedure, technological metaphor, visual and theoretical apparition, indexing the material and linguistic problems of making art.

An exploration into the wild and wonderful world of Luísa Correia Pereira (1945–2009), an obscure jewel of late modernism and "enfant terrible" of the Portuguese art scene.

A survey of Latinx and Latin American women artists that used mail art, postal networks, messages, and distribution in their work.

A comprehensive overview of the artistic and conceptual work of Henrike Naumann, one of the most influential voices of her generation, who died at the age of 41 shortly before the opening of her project for the German Pavilion at the 61st Venice Biennale.

A meeting of Hervé Zénouda's musical world and Anne Van Der Linden's visual one (set includes a vinyl record, a CD, 10 risograph prints, an 8-page booklet, and a postcard).

Outta Love documents Angela Brandys's new series of large-scale textile works, conceived in 2024–25 and made from her own wardrobe—designer clothing torn apart, reduced to their baseline fabric, and reassembled into images drawn from the Renaissance tradition.

Reference monograph.

An art book by Adama Delphine Fawundu that celebrates life through the female figures—grandmothers, mothers, daughters, artists, caregivers, storytellers, and cooks—who have shaped the artist's cultural and personal history.

At the intersection of art, technology, and humanitarian inquiry, this book provides insight into Ghost Agency's desire for agency across artistic reasearch, institutions, and civic life in the digital age.

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

The first book devoted to the late African American writer and actress, Dorothy Dean (1932-1987), one of the few prominent African American women of New York City's bohemian heyday, close to Andy Warhol and Robert Mapplethorpe (new expanded edition).

Through a series of manipulated and recontextualized images, Aletheia Casey reflects on the environmental and personal impact of the unprecedented wildfires that ravaged New South Wales, Australia, and examines the relationship between colonialism and climate change.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

Comprehensive monograph.

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

The most comprehensive publication on Ser Serpas' work to date, Loogie traces the first decade of the artist's multidisciplinary practice anti-chronologically, bringing together 650 illustrations alongside newly commissioned texts.

Comprehensive monograph.

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

Photographer Julie Glassberg documents the misunderstood alternative culture based around brightly-coloured and neon-lit decorated trucks in Japan.

Kate Carr's new album explores a vertical trajectory through the UK capital, re-imagined from top to bottom in a suite of elegant and mysterious field recordings.

Brunhild Ferrari's new work L'oreille voleuse (The Thieving Ear) and an extraordinary live reinterpretation by Eiko Ishibashi and Jim O'Rourke, recorded in October 2025 in Paris.

Brunhild Ferrari's new work L'oreille voleuse (The Thieving Ear) and an extraordinary live reinterpretation by Eiko Ishibashi and Jim O'Rourke, recorded in October 2025 in Paris.

An original publication bringing together Esther Ferrer's performance scores and a previously unpublished long-form conversation on creation, language, freedom and action.

A visual history of the Folly Cove Designers (1941-1969)—one of America's longest-running block printing collectives.

First monograph.

Painter Merike Estna's new artist book, accompanying the Estonian pavilion at the 61st Venice Biennale.

Unfolding through accumulation and overprinting, this book focuses on the materiality and the drawings at the heart of Tolia Astakhishvili's practice.

The first catalogue raisonné of a Lettrist artist: a comprehensive collection of the 464 works (paintings, objects, multiples, works on paper) produced by Maggy Mauritz (born in 1941)—a pioneering artist in graffiti art and Lettrism—over more than six decades, featuring approximately 600 color illustrations.

The Camargo Foundation hosted artist Lara Tabet in Cassis for a residency in 2024-2025. Her project Enter Corridors explores the complexity of the port and coastal environments of La Ciotat, as well as that of the Calanques National Park.

Beneath the dome of the Bourse de Commerce – Pinault Collection, within Tadao Ando's concrete cylinder, Fujiko Nakaya's Fog Sculpture appears as a landscape of mist drifting beyond the Rotunda's boundaries – thickening and dispersing in response to shifting air currents and visitors' movements.

Anniversary issue celebrating Mousse's 20th anniversary.

An investigation by the Italian artist into obstetric violence, drawing on her family history.

Published on the occasion of Nilbar Güreş's exhibition presented at the Türkiye Pavilion during the 61st International Art Exhibition of La Biennale di Venezia, this volume explores themes of the body, space, belonging, migration, and subtle transformation.

The first reader of essays devoted to the work of the renowned artist and media pioneer Lynn Hershman Leeson.

Salomé Lamas' selected works from 2017 to 2025.

Aeolian Suite is a publication that offers a porous extension of Jenna Sutela's work presented at the Pavilion of Finland at La Biennale di Venezia 2026, where meaning drifts, gathers, and slips away. Accompanied by a vinyl record featuring excerpts from the work's original score, it brings together the project's dispersed elements of sound, movement and atmosphere in a form that can be held yet remains in flux.

An artist's book based on Laila Hida's long-term project exploring fantasized representations of palm trees, the desert, and oases in Western popular culture.

Julie Vayssière explores the potential of a list of words taken from a dictionary.

An artist's book conceived as a film, bringing together 1,111 photographs collected over several years, in which the colors blue, yellow, and red play an important role, offering a humorous and poetic portrayal of the world we live in.

Based on a new exhibition project in Venice, this monograph traces six decades of the renowned American feminist artist’s career.

This illustrated volume investigates the cinematic, documentary, and video output of women artists and filmmakers operating in Italy in the 1960s and 1970s, situating their research at the intersection of artistic experimentation, politics, society, and technology.

The first monograph by acclaimed fine-art photographer Lara Porzak, The Chemistry of Memory presents over 140 photographs, many previously unpublished, in a single definitive volume.

The Tenant is a monographic critical essay by Marie Canet. It is the first text to directly address the connections between McKenzie's work, pornography, and special effects.

An exploration of the subversive work of Gabriele Stötzer, a leading figure in the GDR's underground art scene, through her photographic archives (experimental photographs, Super 8 films, performances, and actions in public spaces), over which the artist superimposes new drawings.

The Tenant is a monographic critical essay by Marie Canet. It is the first text to directly address the connections between McKenzie's work, pornography, and special effects.

Claire Tenu's photographic landscape studies.