Women (female artists)

First monograph.

Belgian soprano Sarah Defrise dedicates her first new music album to the American mezzo-soprano Cathy Berberian, featuring exclusively a capella pieces which were written for Berberian by some of the most prominent composers of her time.

The artist Denise Bertschi highlights the little-known Swiss presence between the two Koreas in the aftermath of the war in 1953, and questions the supposed neutrality of the country.

Artist's book.

Mesmerising 1992 performance from the Dhrupad master vocalist Amelia Cuni, accompagnied by renowded vina player Gianni Ricchizzi and Helmut Waibl on pakhawaj.

A caustic diagnosis of the situation of the current art, by one of its major protagonists.

The first photographic book by agnès b., reinterpreting two portraits by Claire Tabouret, displayed in the fashion designer's garden.

The first artist monograph featuring the work of Swiss-Guinean artist Namsa Leuba.

On the occasion of Natures Mortes, her carte blanche at the Palais de Tokyo, the artist Anne Imhof is the guest editor-in-chief of issue 31 of the magazine PALAIS.

A crazed narrative of entasy, a free-fall plunge into the vortex of digital introspection and poetic-cum-militant blackness.

Artists, scholars, filmmakers, and writers revisit the films of Danièle Huillet and Jean-Marie Straub.

Archival documents and new writings on the intermedia collaborations of avant-garde jazz trumpeter Don Cherry and textile artist Moki Cherry.

The first-time vinyl edition of CC Hennix's 2014 piece "Blues Alif Lam Mim in the Mode of Rag Infinity/Rag Cosmosis," intended to reveal the blues' origins in the eastern musical traditions of raga and makam.

The life and work of Maryanne Amacher are as vast as they are as yet unknown. Situated at the very onset of serious study of her papers, Amy Cimini and Bill Dietz offer a heterodox and idiosyncratic selection of largely unpublished documents spanning the bandwidth of the still unprocessed contents of the Amacher archive (new softcover edition).

A collection of iterative cello performance that foregrounds shaking as a generative subject and explores the harmonic pulses of the instrument.

Two pieces for cello and humming written specifically for Judith Hamann by composers Sarah Hennies and Anthony Pateras alongside Hamann's own “Humming Suite” and “Study for cello and humming.”

Two contrasting pieces by French composer Michèle Bokanowski, recorded a decade apart, which nevertheless demonstrate her unique style.

A split album as part of the GRM Portraits series with two electroacoustic pieces by Florian Hecker (computer-generated multiphonic sounds and resynthesized recordings of localized textures) and Okkyung Lee (an acousmatic piece written for computer-generated sounds, pre-recorded materials and cello that was developed for the Acousmonium sound diffusion system during a residence at Ina GRM, Paris, in January 2019).

An issue dedicated to Éliane Radigue's ground-breaking compositional work, OCCAM Ocean as seen through the eyes of her chevaliers de Occam, the performers who, in collaboration with Radigue, have brought the sprawling musical eco-system to life.

One of Andrée Putman's latest home designs, from the plans, drawings, and pictures of an amazing apartment in San Sebastián (Basque Country, Spain).

Newly remastered by Rashad Becker for this vinyl edition, “Echo” finds Félicia Atkinson synching her feelings into a watercolour suite of solo keys, voice and field recordings, unfurling 40 minutes of new breathtaking music.

New monograph.

The Milanese photographer and long-distance traveler captures the light (and visual contrasts) of Rome while walking through the city.

A selection of works on paper by Swiss visionary outsider artist and healer Emma Kunz (1892-1963), close to geometric abstraction.

Four essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) discussing their experience of becoming mothers as professionals in the arts, its reality and effects.

The drawing practice of Kara Walker.

A series of recent drawings by London-based artist Faye Wei Wei.

Julia Rommel's eponymous monograph gathers a decade of her painterly obsessions, with texts by the artist and writer Rebecca Bengal.

A somnambulant modern masterwork, Kali Malone's 2017 debut full length album is made available again on vinyl some four years since its limited private press of just 100 copies co-released by XKatedral and Bleak Environment.

The most complete and complex manifestation of Australian composer Lisa Lerkenfeldt's craft to date.

The life and work of Maryanne Amacher are as vast as they are as yet unknown. Situated at the very onset of serious study of her papers, Amy Cimini and Bill Dietz offer a heterodox and idiosyncratic selection of largely unpublished documents spanning the bandwidth of the still unprocessed contents of the Amacher archive (hardcover edition).

Thulani Davis' collection of poetry about music.

Giovanna Silva explores the architectural heritage of the Philippines, illustrating the relationship between architecture and history, through the architectural exuberance of a power long marked by corruption and nepotism.

The first publication to provide an overview of Kusama's early performative activities, with unpublished photos and forgotten works from private collections.

Artist's book.

Two attuned location-based pieces that sit somewhere between conceptual composition and magical realism.

Reference monograph.

From Audre Lorde and Adrienne Rich to Basma Alsharif and Pauline Oliveros, Deux Soeurs brings together a chorus of voices that explore representations of parenthood, friendship, and disobedience.

Two pieces that evolve with grace and inspiration in the vast domain of the sound world, each with their own agenda.

Aurel Schmidt's drawings.

The reprint of Pati Hill's 1979 book, composed of images and texts by Hill through which she intended to contextualize and explain her working methodology to Jill Kornblee, her New York gallerist.

First monograph.

Retrospective monograph documenting the exceptional yet little-known journey of Cathy Josefowitz (1956-2014), painter, designer, dancer and musician.

Monographic catalogue: for more than a decade, Israeli installation and performance artist Naama Tsabar subverts the gender roles associated with art and music, with a particular emphasis on rock'n'roll.

A project by Éva Le Roi & Pierre Burquel (drawings and sketches of São Paulo); hand drawings by Éva Le Roi.

A collection of 360 postcards of cities from all around the world, made with screenshots from 3D software Apple Maps and Google Earth.

A lexical survey on compositional practice in contemporary dance.

This catalogue embodies the entire creative career of Marisa Merz (1926-2019), the only female artist from Arte Povera. Commissioned texts and selection of her most iconic works accentuate a recurrent theme in the artist's work: the exploration of the face and the human figure.

Catalogue of the exhibition gathering a set of eighty works, on canvas or paper, in small and very large formats, that Anna-Eva Bergman created in the wake of her two travels to northern Norway, in 1950 and 1964, from which emerges a plastic language that signs the whole of his future work.