Women (female artists)

The reprint of Pati Hill's 1979 book, composed of images and texts by Hill through which she intended to contextualize and explain her working methodology to Jill Kornblee, her New York gallerist.

First monograph.

Retrospective monograph documenting the exceptional yet little-known journey of Cathy Josefowitz (1956-2014), painter, designer, dancer and musician.

Monographic catalogue: for more than a decade, Israeli installation and performance artist Naama Tsabar subverts the gender roles associated with art and music, with a particular emphasis on rock'n'roll.

A project by Éva Le Roi & Pierre Burquel (drawings and sketches of São Paulo); hand drawings by Éva Le Roi.

A collection of 360 postcards of cities from all around the world, made with screenshots from 3D software Apple Maps and Google Earth.

A lexical survey on compositional practice in contemporary dance.

This catalogue embodies the entire creative career of Marisa Merz (1926-2019), the only female artist from Arte Povera. Commissioned texts and selection of her most iconic works accentuate a recurrent theme in the artist's work: the exploration of the face and the human figure.

Catalogue of the exhibition gathering a set of eighty works, on canvas or paper, in small and very large formats, that Anna-Eva Bergman created in the wake of her two travels to northern Norway, in 1950 and 1964, from which emerges a plastic language that signs the whole of his future work.

A collection of texts, notes and drawings from Alina Popa (1982-2019), edited as a tribute publication by her longtime accomplice, the artist Florin Flueras. A political and theoretical work that questioned both the intimate and social mechanisms of the contemporary.

Cable cuts, energetics, and gunk: moving back and forth between a group of core subjects, Reflexologies converts the past five years of Nina Canell's sculptural work into a 384-page book.

Catalogue.

New monogaph.

Bringing together art, science, and humanities, and focusing on environmental phenomena that directly influence our lives, the project for the 58th Venice Biennale by Ane Graff, Ingela Ihrman, and artist duo Nabbteeri is themed around the complex and varied relations between the human and nonhuman, in an age when climate change and mass extinction are threatening the future of life on Earth.

New monograph, featuring American–Canadian artist's latest work, in dialogue with a museum collection.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

Kali Malone's critically acclaimed album "The Sacrificial Code" is a major work featuring almost two hours of concentrated pipe organ pieces with profound emotional resonance.

Artist's book.

Cura. 31 is devoted to 22 women artists—among the most representative of the new generation—and explores the plurality, diversity, and complexity of today's artistic practices. This issues continues the previous investigation on the powerful presence and key role of women artists within the contemporary art scene, re-affirming and pointing out the basic rights of equality and pluralism.

Artist's book.

Art and feminism in Italy in the Seventies.

This publication of Maryanne Amacher's 1991 piece Petra marks her first commercially available instrumental work as well as the first time her music has ever been available on vinyl— a unique example of Amacher's late work.

New monograph.

A reflection on the genealogy of objects (artist's book).

A study by Elisabeth Lebovici on the late contemporary artist and IFP co-founder Philippe Thomas. Lebovici's essay examines Thomas's strategy to cede and fictionalize authorship through the multiple lenses of gender, reproduction, subjects' multiplicity, and the artist's tragic disappearance.

A collection of texts by the French-American photographer and filmmaker in which she reflects on her artistic practice and discusses her collaborations with other filmmakers, artists, dancers and choreographers such as Marina Abramović, Chantal Akerman, Trisha Brown, and Yvonne Rainer.

This double LP is released in an edition of 300 and includes two solo vocal pieces by Flux artist Takako Saito, two more vocal pieces in which Saito's voice interacts with the sounds of an everyday event, and two non-vocal sound pieces. It is housed in a full-color sleeve and includes one insert with liner notes by Saito, a poster, and four postcards.

Powerful instrumental music performed by Robert Rauschenberg, Kat Epple, and Bob Stohl on electronics, and a series of musical metal sculptures called Strategic Structures.

The long-awaited facsimile publication of Dorothy Iannone's 1969 cookbook.

Recipes from all over the world: an illustrated cookbook by Anna-Eva Bergman, published for the first time.

Félicia Atkinson and Jefre Cantu-Ledesma have thought of this new collaboration as a series of soundscapes filled with literary and cinematographic references, from Sylvia Plath's poetry to the films of Hal Hartley and Wong Kar Wai. The album carries a strange echo of the 1990s, materialized in Julien Carreyn's cover photograph.

The score composed and recorded by KTL (Stephen O'Malley & Peter Rehberg) for the dance piece ‘The Pyre', written and directed by Gisèle Vienne. A tensed composition haunted by the voice of Dennis Cooper.

This publication presents a comic strip made by a 20-year old Nathalie Du Pasquier in remembrance of a six months journey in Gabon. Inspired by a clipping from a Gabonese daily, the cartoon tells the colorful story of a clumsy Don Giovanni. This edition features an introductory text by the artist, the translated strip, and a facsimile of the comic book in original French version.

This publication provides the first overview of Christiane Pooley's work to date: a landscape painter unveiling the instability of social structures, the Chilean artist has developed a universe which summons the sublime, the melancholy and the political. With texts by Marie Maertens and Laura Morrison.

Conceived as rendering of a live concept the Berlin based duo of Tony Buck and Magda Mayas have been developing during one year or so, featuring multi-speaker and multi-layered audio, the essence of Stereo sees SPILL performing in the studio, improvising and reacting to previously recorded improvisations and pre-structured, pre-recorded elements.

Produced on the occasion of Janssens' first exhibition in the Nordic countries, in Kiasma, this monograph focuses on an essential aspect of her practice: the exploration of luminous matter. It brings together installation views from the last twenty years as well as essays on the artist's examination of visual perception in her work.

Publication focusing on Cantor's final project Pinochet Porn (2008–16)—an epic experimental film taking the form of a soap opera about the intimate life of people under the military dictatorship of Chile. A dramatic, transgressive and explicitly feminist work, embodying and radically extending Cantor's multifaceted artistic practice.

This publication accompanies two exhibitions of recent sculptural work by the artist Magali Reus: “Hot Cottons” at Bergen Kunsthall and “As mist, description,” at the South London Gallery. Featuring an essay by writer and curator Laura Mclean-Ferris and a poetic response by writer and poet Quinn Latimer as well as a fully illustrated overview of Reus's work, this catalogue provides an in-depth exploration of the artist's recent sculptural practice.

The films of Ana Mendieta.

Pauline Oliveros's early and rare electronic works in a strictly limited edition on silver vinyl—with no reprint.

This catalogue presents documentation and texts from the British artist's first exhibition in the United States, which combines a series of color photographs of hands touching objects with a scale-model freight train and track.

How is the social importance of VIPs defined, and what is an art institution's attitude towards this? The Korean artist Haegue Yang addressed this issue in developing the VIP's Union project, which she started in 2001. This catalogue reviews the work's development over the years, and includes iconographic documentation, genealogy, essays and an interview with the artist.

Monographic study dedicated to director, video artist and photographer Clarisse Hahn. Edited by Nicole Brenez, the publication gathers writings encompassing the variety of her work, from contemporary art to cinema, guerilla groups, and eroticism; conversations with Clarisse Hahn, artists, and art historians; and a series of reproductions of her artworks, photographs, photograms, and videograms.

A compilation of Lina Bo Bardi's tenure as director of Habitat, a publication self-dubbed “the magazine of the arts in Brazil”. Between 1950 and 1954, Habitat documented Bo Bardi's early thoughts on Brazilian culture, as well as reflecting her very personal take on modernism. Edited and designed by Julia, with contributions by Tamar Guimarães, Claudia Leisinger, Tony de Marco, Lara Viana and Tuca Vieira.

This catalogue surveys the work of object design creator Ineke Hans.