An account of artist Io Burgard's experience in the town of Ugine (archives, concert, residency, exhibition), part fanzine, part punk, part white cube.
The catalogue for Iva Lulashi's exhibition at the Albanian Pavilion of the Venice Biennale 2024, inspired by the sexual revolution advocated by Russian radical thinker and feminist Alexandra Kollonta.
The first volume in a series devoted to the archives of German artist, author and curator Marion von Osten (1963-2020), around the MoneyNations project, transversing between art, theory, and activism.
Machteld Rullens' second publication with Zolo Press documents three years of works, friends & family moments, and travels in Senegal, NYC, LA, and Vincent van Gogh's house…
An art project articulated around the issue of migration and diasporas from the Global South that sees the Mediterranean transformed into a place of waiting, suspension, and passing away, a solid space of embodying absence.
This second project released on Sub Rosa by the Japanese artist Kaoru Tashiro, manages to create a subtle dialogue between four composers, and four musical pieces, mixing a delicate blend of Japanese and European sensibilities. Those different approaches convergence thanks to the highly recognisable sensibility of Kaoru Tashiro's way to play.
Emblematic works by the Belgian-Polish sculptor and textile artist produced in the 1970s, revealing Tapta's attention to the tactility of her materials, the suppleness of structures, individual and collective practice, and the interaction between artwork, space, and viewer.
In the long interview that forms the body of this publication, Éliane Radigue talks about her work, her reflections and underlying research, as well as her historical context. The publication also contains a commented list of works and Radigue's programmatic text on The Mysterious Power of the Infinitesimal (new expanded edition).
Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.
Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.
Between an artist's book and a art publication, Greyzones is an attempt to grasp the scope and width of the work of artist duo Inge Nabuurs and Erwin van Doorn.
The "suspensive" artist Chloé Moglia invites authors and researchers to write with her, what the gesture of standing above the void generates as perceptions and thoughts. In this first issue of Les Feuilles (The Leaves), through verticality, dizziness and risk, it is a question of strength and consideration.
A collectible publication on Magali Reus' thinking of objecthood (an immersive and highly refined artist's book—three assembled volumes, different types of paper, transparency play on layers—based on three new series by the Dutch artist).
This publication by avant-garde artist and cultural icon Yoko Ono combines never-before-published texts and invitation pieces written in 2016–2018 with drawings from the “Franklin Summer” series she started in 1994 (new edition).
She Mad gathers materials and documentation on Martine Syms' seminal episodic project of the same name. Each episode of this series takes a different format, using various narrative formats, from sitcoms to TikTok videos, and includes filmed footage as well as research materials.
Gelenkstellen – Loose Joints opens a space for mental and physical movement by translating the motif of loose joints, which is central to Hella Gerlach's sculptural practice, into the format of a book.
Fan book parody, People Painting is an artist's book made up of a collection of found images of famous personalities (from the 1920s to 2020) painting or posing in their studios.
Dreaming Alcestis is an artist's book by artist and filmmaker Beatrice Gibson, conceived as an accompaniment to her holographic film installation of the same name.
Retrospective monograph: a journey through over two decades of intersectional and queering practices in film, performance, sculpture, community work, and textiles.
Combining archive material with a wide selection of photographs of
body paintings produced by the duo in the 1970-1980s, this publication
retraces the evolution of gender identities and the treatment of the
female body in visual culture from the 1950s to the present.
A complete documentation on a multimedia exhibition by Berlin-based artist Ixmucané Aguila, giving voice to voiceless descendants of victims of genocide in Namibia.
A cinephilic, emotional and memorial journey: page after page of cinema tickets—exhumed from the past, preserved until now and published here for tomorrow—retrace fragments of artist Marie-Douce St-Jacques' cinephilic itinerary, and tell the story of a discreet struggle against oblivion and indifference.
A sound performance inspired by Merce Cunningham, in which a group of speakers seek to escape from society, to retreat by mimicking the objects that surround us in the forest.
Virginia Woolf and Valerie Solanas inspired a reverie. From there, a text unfolded in slippery formulas and furtive references that sometimes imploded into graphic and visual signs.
Judith Bernstein's Active Figuration series (2000) consists of ink-on-paper drawings created through a trance-like process, exploring the subconscious. The gestural images address the political injustices of their time, depicting figures in existential angst and turbulent relationships. "It's fun, but it's dead serious".
Dealing with the hauntings and echoes of Austria's colonial past, Belinda Kazeem-Kamiński—visual artist, writer, and recipient of the Camera Austria Prize 2021—sets the stage for the what-if, while confronting viewers with the violence of the Western gaze.
The first monograph of the artist Christa Joo Hyun D'Angelo, Fatal Attraction covers over a decade of work spanning collage, video, installation, and sculpture.