A chronicle of the punk wave in France in the late 1970s, as seen and experienced from the inside, weaving together the memories of Miss OD, the muse of the emerging Parisian punk scene, and FanXoa, at the dawn of the formation of Béruriers / Bérurier Noir, like flashes of a remarkable, dangerous, and out-of-control era that undoubtedly still has something to say about our present day.

A visual history of the Folly Cove Designers (1941-1969)—one of America's longest-running block printing collectives.

An essay on the figure of the writer-

Out of the Grid presents a critical selection of 100 Italian zines from 1978 to 2006 that display a broad spectrum of social, political, aesthetic, and technological changes in the use of language and communication strategies across the territory of self publishing (new edition).

Alexander Kluge by Ben Lerner, Hal Foster & Thomas Demand, Literalism: Art's Deadest End (Manifesta 16) by Kristian Vistrup Madsen, Marysia Paruzel's fairy-tale photos by Olivia Kan-Sperling, Tao Lin's private collection of ancient artifacts...

A dialogue between masterpieces from the collections of the Centre Pompidou, Kanal, and other significant Belgian public and private collections.

Clément Cheroux, Julie Peeters, Manuel Krebs, and Shirana Shahbazi reflect on their relationship to photography and books.

This publication is one of the catalogues accompanying Sharjah Biennial 16, each dedicated to the Biennial's curatorial propositions. Edited by Zeynep Öz, this volume explores the relationship between publication and exhibition-making.

Soft Photography examines the role of human emotions in the creation and reception of images produced using generative Artificial Intelligence (AI) or computer-generated imagery (CGI).

22 new dreamlike (or nightmarish) living tableaux by Maurizio Cattelan and Pierpaolo Ferrari.

The fifteen contributors to this issue of Azimuts, most of whom are artists, thus explore what the fake does to seeing, rather than solely to knowing.

Considered among the most important field recordings of traditional Ethiopian music ever made, the recordings made in Addis Ababa by Ragnar Johnson and Ralph Harrison in 1971 capture the full richness and diversity of the country’s folk music.

A collection of critical reflections on the role of digital tools in artistic practices, and on how networks are redefining our sensibilities, our imaginations, and our ways of living together.

This publication is one of the catalogues accompanying Sharjah Biennial 16, each dedicated to the Biennial's curatorial propositions. Edited by Megan Tamati-Quennell, Ihi expands on her curatorial framework, exploring Indigenous knowledge systems, ancestral relationships, and the ways in which contemporary artistic practices carry memory, identity and cultural continuity across time and place.

This publication is one of the catalogues accompanying Sharjah Biennial 16, each dedicated to the Biennial's curatorial propositions. Edited by Alia Swastika, this volume expands on Rossestrata, a curatorial framework named after the Rosetta Stone that explores how feminist perspectives and nonlinear readings of bodies and texts can reshape curatorial and educational practices.

A multidisciplinary perspective on illegibility as a cultural phenomenon (new edition).

A special edition bringing together three issues of the journal of architecture criticism under a single title: "Dixit: Switzerland!". Six prominent figures with links to Switzerland (Hélène Binet + Elli Mosayebi; Tiphaine Abenia + Alia Bengana; Carlotta Darò + Raphaël Kadid) are invited to discuss common and topical issues.

This first major monograph on Alfredo Aceto offers a comprehensive overview of his manifold practice, across sculpture, installation, video, photography, and drawing.

A collective photography project that explore the borders between artistic research and scientific investigation, with special reference to the study of dark matter and dark energy.

An in-depth record of Barrada's latest experiments in the fields of color, dyeing, language, mythmaking and material culture for the French Pavilion at the 61st Venice Biennale.

Originally developed as the sonic counterpart to an exhibition by visual artist Anastasia Bay, Mæstra Lacrymæ is an opera conceived and directed by Bay and written and composed by multidisciplinary artist Joseph Schiano di Lombo.

An audio anthology of the composer and choreographer Ernest Berk (1909–1993), a little-known pioneer of electronic and concrete music, creator of a prolific and visionary body of work, yet died in obscurity.

An audio anthology of the composer and choreographer Ernest Berk (1909–1993), a little-known pioneer of electronic and concrete music, creator of a prolific and visionary body of work, yet died in obscurity.

For its second album on the Sub Rosa label, released as a 3-CD box set, the Brussels-based string quintet BOW presents its most extensive document to date—an immersion into the heart of their practice, unfiltered and unhurried.

An ethnographic wander in the streets of Paris.

Through a series of manipulated and recontextualized images, Aletheia Casey reflects on the environmental and personal impact of the unprecedented wildfires that ravaged New South Wales, Australia, and examines the relationship between colonialism and climate change.

First reissue of Coil's seminal 1984 EP, originally released in 1984 on L.A.Y.L.A.H.

First reissue of Coil's seminal 1984 EP, originally released in 1984 on L.A.Y.L.A.H.

Mike Cooper returns to Discrepant with The Dream Island of Birds, a release that blurs the lines between memory, field recording, and reimagined sound.

An overview of the unique work produced by the studio for artists with disabilities that has been active in Fribourg since the late 1990s.

An account of a pilgrimage amid the sacred and the profane through the cemeteries of the Swiss Confederation, to pay tribute to the memory of illustrious figures from the worlds of poetry, literature, religion, painting, fashion, sport, philanthropy, cinema and psychoanalysis.

A personal selection of remarkable architectural projects in Belgium.

New monograph.

A programmatic book for rethinking and implementing montage as a medium in contemporary art.

In For I am a Sign, an artist's book for children, Ryan Gander collaborates with his non-verbal son, Baxter, to explore the intersection between verbal and non-verbal language.

Karenna Gore posits a future for the design practices that works within the living and intelligent design of Earth.

This first monograph, richly illustrated with images and texts, offers a broad overview of the diversity of Marie-Ange Guilleminot's work spanning four decades.

An immersive journey through the woven metal and linen sculptures created intuitively by the Belgian designer and textile artist.

An interview conducted on December 18, 1974, with photographer Peter Hujar about an ordinary day in his life, released to the public half a century after it was recorded.

The Zenne Quartet performs the quartets of contemporary Belgian composer Walter Hus.

Two sharp accounts by Ana Teixeira Pinto and Abeera Khan on the current ideological shifts and the subsequent forms of violence they produce.

Música para Plátanos takes its name—and much of its inspiration—from the group's recording studio, situated in the heart of a banana plantation on the humid north shore of Tenerife, Canary Islands. The ever-present sight of the green, sun-drenched fields surrounding their weekly sessions seeped directly into the music: improvised jams that are playful, layered, and deeply connected to place.

Stone Assemblies takes Jumana Manna's major public artwork for Oslo's Government Quarter as its starting point, opening up a collective reflection on the politics of stone, ruination, and dissent.