Five improvisational pieces in which the instruments of Bertrand Gauguet (alto and baritone saxophones) and Jean-Luc Petit (contrabass clarinet and sopranino saxophone) swap from one track to the next, with timbres and temperaments varying according to the time of day.
First Aristide Bianchi's monograph, focusing on a plastic gesture born at the turn of the century: the material opening of a sheet of paper meets previous traces to form the drawing.
"Labo d'objet", a research laboratory run by UR Design & Création at the Saint-Étienne Higher School of Art and Design, proposes a visual reflection by creating images that associate concrete with vehicles such as cars, motor homes, tractors and caravans, at the crossroads of industrial culture and creative experimentation.
All television images seem to be the same image. An artist and researcher at the Saint-Étienne Higher School of Art and Design, Lorenza Mannaioni, attempts to prove this with this book of felt-tip pen images.
L'Éclat de l'absolu is a crucial work for anyone interested in Alain Badiou's thought. Through interviews conducted by philosopher and editor Jana Ndiaye Berankova, readers are invited to immerse themselves in a rich and nuanced dialogue exploring the major philosophical influences—Plato, Hegel, Sartre, Althusser, Lacan and Deleuze—that have shaped Badiou's thought.
Irène Schwartz's notebooks enable us to follow the entire creative process that, between 1973 and 1983, led the artist to three actions in the field of body art or, more specifically, eat art.
Breathtaking a cappella interpretations of the Octonaires de la Vanité du Monde by Paschal de L'Estocart (1582) and pieces from the Geneva Psalter (1562) meet the reworkings of Sylvain Chauveau.
An album based on a cruel text by Moldavian writer Nicola Esinencu, somewhere in between a hybrid electronic – modern classical oratorio and a concept album.
An album based on a cruel text by Moldavian writer Nicola Esinencu, somewhere in between a hybrid electronic – modern classical oratorio and a concept album.
Following on from work carried out by artist Marianne Mispelaëre in schools, this book explores the diversity of languages that permeate our lives, as well as the political and social issues at stake.
As the most comprehensive monograph on Synnøve Anker Aurdal's work to date, Through the Threads writes a new, and sorely missing, chapter on the oeuvre and six-decade career of this textile pioneering artist.
The first examination of the practices of two French artists who were key exponents of the Nouveau Réalisme movement, highlighting two opposing and complementary aspects of their poetics.
A layered graphic novel, conceived as a video-game trailer, weaving together diverse imaginaries, from Flaubert's The Temptation of St. Anthony to H.G. Wells' short stories, from brutalist architecture to generative artificial intelligence.
Seven exhibitions on paper, curated by different curators, to look back at the over-thirty-years production of one of Europe's foremost contemporary artists.
A series of photographs of Naples, by Jim C. Nedd, blending and reinterpreting elements from diverse iconographic traditions, such as fashion photography, documentary, and tableau vivant.
Pisseurses brings together a series of oil pastel drawings and portraits of the artist and her comrades urinating outdoors in a variety of contexts. A brief science-fiction short story carries the whole into a utopian dimension that re-signifies the trivial act of miction.
Transformative Currents: Art & Action in the Pacific Ocean, edited by Cassandra Coblentz, brings together diverse writers, scientists, artists, activists, and thinkers to investigate social and environmental issues throughout the entirety of the Pacific Ocean.
