A rereading of Kurt Schwitters' Dada sound poetry by vocalist, singer and composer Anna Clementi and sound researcher, producer and multi-instrumentalist Thomas Stern (Mona Mur / Einstürzende Neubauten).

The ultimate edition of percussionist Lê Quan Ninh's famous text, which explores, in the form of an ABC, the singular experience of improvising and free improvisation.

Christina Kubisch's Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. Stromsänger is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.

The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.

The first album of this new digital-drone-rock-noise/ambient/electronica project created by two founding members of Tone Rec and DAT Politics (Claude Pailliot - Gaetan Collet). Inspirational collision of motorik avant rock and heavy electronics.

The second release by Stefan Prins on Sub Rosa brings together four recent, large-scale compositions in which traditional instruments—from bass woodwind trio to electric guitar and symphonic orchestra—merge seamlessly with electronics, feedback, and field recordings.

Winter Family's 4th album, beautiful and haunting, tells a lot of stories; that of the musicians themselves and their loved ones, those of their territories, of their life in Jerusalem, Paris or Lorraine; that of women, "witches", conspiracy myths; that of capitalist and colonialist Europe; that of the blindness and violence of Israeli society and the indoctrination of its population; that of the occupation of Palestine; that of eternal lockdown and a laboratory rat; and maybe yours, too.

Winter Family's 4th album, beautiful and haunting, tells a lot of stories; that of the musicians themselves and their loved ones, those of their territories, of their life in Jerusalem, Paris or Lorraine; that of women, "witches", conspiracy myths; that of capitalist and colonialist Europe; that of the blindness and violence of Israeli society and the indoctrination of its population; that of the occupation of Palestine; that of eternal lockdown and a laboratory rat; and maybe yours, too.

Canadian experimental artist Mark Templeton revisits and revives his sound archives with Andrew Pekler.

The second album by Rubbish Music (Kate Carr and Iain Chambers), the duo upcycling waste into immersive electroacoustic music.

Klara Lewis' latest offering is undoubtedly a heartfelt tribute to her friend, mentor and former label boss, Peter Rehberg.

Crys Cole's third solo release for the Black Truffle label, Making Conversation documents a different facet of her work, presenting three rigorously conceptualised commissioned pieces, each of which extend her signature approach to highly amplified small sounds into new directions.

The second album by the duo So Sner, composed of Susanna Gartmayer (bass clarinet) and Stefan Schneider (electronics), both stylistically cohesive and daringly uncompromising.

16 international sound artists and musicians explore the materiality, spatiality, technicality and diverse cultural, social and political forms of sound, questionning the relationship between improvisation and composition, between performance and installation, etc.

A musique concrète piece divided into five movements, based on the handling and editing of recordings captured within circuses between 1988 and 1993.

Two revenant stories by Léon Bloy (1846-1917), with music by Nurse With Wound.

An album recorded in different parts of the world, in which the Canadian composer and sound artist explores how quantum mechanics profoundly influences the perception of sound.

An exploration of sound, space and time using found objects and flute. (new remastered version by Lawrence English of the piece recorded by Akio Suzuki in Berlin in 1994).

2024 repress of KMRU's first release for Editions Mego.

The reissue of Chico Mello and Helinho Brandão's self-titled release from 1984, the first return to vinyl of this classic of Brazilian experimental music with its original cover art and complete track listing.

The first vinyl reissue of David Rosenboom's unique Future Travel, originally released on the short-lived Detroit label Street Records in 1981 and here presented in an expanded edition with an additional LP of wild, previously unheard live and studio material from the same period.

More than two years after the release of "Impressões de Outra Ilha", Discrepant's head honcho returns home under his birth name with the appropriately titled "Exotic Immensity". Conjured from the seeds of an exhibition of dioramas at Le Bon Accueil in Rennes, this double LP feels quietly epic in scope, a sprawling travelogue through imagined scenarios and what if possibilities.

Lisbon-based travellers Jibóia return to the Discrepant label with a new offering of globetrotting psychedelia.

Continuing his fruitful relationship with Discrepant, Tiago Sousa returns with two longform pieces for organ.

The long running vessel for Cameron Stallones' psychedelic excursions, Sun Araw, returns to Discrepant, using hydrophones and digital synthesis.

On "Cycle and Prayer," Indonesian experimental musician and instrument builder Wukir Suryadi expands the edges of his unique artistic world further, by digging in to meditative improvisation, art, and community building in his home workshop in the mountains of central Java.

Arbitrary presents the second in a series of 10" vinyl remix collaboration releases by Danish musician Mads Emil Nielsen and Chromacolor.

Two sides off shimmering, tense compositions—culminating as one of Alessandra Novaga's most creatively ambitious and conceptually rich outings to date—freely inspired by the life and work of the Russian director Andrej Tarkovsky and the music of Johann Sebastian Bach.

Four veterans of experimental music get together for a sunny studio improvisation.

The electro-experimental project of electronic musician Tanuki aka eRikm and author, cartoonist, illustrator and reader Caroline Sury.

A performance by Jérôme Lorichon (Buchla, electronics), Thierry Müller (electric guitar, iPad) and Quentin Rollet (saxophones), recorded live on May 5, 2016 at Le Détail, Paris.

A sonic adventure, where the Coax musicians' collective merges with the vibrant spirit of the Groupe d'Entraide Mutuelle de Montreuil, a mental health peer-help structure nicknamed "Les gens du 110". The ebullient, motley crew explores uncharted sonic territory, inspired by a series of workshops at the GEM, amid sculptures, frescoes, odds and ends, cries and laughter...

La Belle Brute's fourth release dedicated to "Art Brut" French artist Jean-Marie Massou, which delves his "novels", a series of sound fictions, created over the last two decades of his life, intertwining striking narratives via spoken text accompanied by collages of sound effects, music, and ambient sounds.

Jean-Christophe Thomas analyzes François Bayle's complete work in 52 recurring features (book augmented with 151 sound examples to download).

Sound artist and composer Alessandro Bosetti paints a series of portraits from a collection of conversations recorded in Italy over the course of a Summer.

Interplay is performed by five singers, from tenor clef to treble clef, recorded in different places at different times. Each singer had not listened to what the others had recorded before.

A new voice+electronics solo CD by Jason Kahn: voice, modular synth, mixing board, electromagnetic transducers, radio, spring reverb tank.