Contemporary art

Reflections on the conditions of contemporary exile, refugeehood, migration, and community building at the margins of society.

An artistic exploration of the political and emotional stakes of translation in the context of asylum law, through the lens of rarely heard testimonies: those of interpreters.

A monographic publication featuring multilingual text-film transcripts engaging with the legacy of the German colonial project in Cameroon and Germany, as well as broader questions of border crossings, asylum, and exclusion.

Gender is Over is a story about Warsaw's queer art scene at the turn of the 2010s and 2020s, written from the inside.

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.

The first in a series of four books in children's book format, composed as a series of tragic children's stories that Jérôme Zonder knows so well how to write and draw.

An exploration into the wild and wonderful world of Luísa Correia Pereira (1945–2009), an obscure jewel of late modernism and "enfant terrible" of the Portuguese art scene.

A diverse compendium of writing and visual art that addresses pertinent issues found in the work of artist Hiwa K.

The Swiss artist and writer studies a place at beetle height.

The artist's photographic view of the folk tradition that celebrates Swiss tobacco culture by introducing young children in Appenzell to smoking.

An artistic inquiry into "future nostalgia".

The possibility and conditions of a "de-Berlinized" world order that overcomes a 140-year history of colonial violence.

The origins, scope, and legacy of Duchamp's revolution in the visual arts.

A transdisciplinary reevaluation of the dialogical character of humanism.

An artist's document that sheds light on the relationship between drawing and sculpture in the work of Clément Bagot.

First comprehensive monograph on American artist Ann Leda Shapiro (b. 1946), including previously censored and rarely seen works, contextualized within feminist art histories.

The first major monograph dedicated to Dutch artist Charl van Ark.

Performance in the United States as told by those who practiced and theorized it (texts by Al Hansen, Allan Kaprow, Anna Halprin, Carolee Schneemann, Emmett Williams, George Brecht, John Cage, Jonas Mekas, Robert Watts, Yvonne Rainer).

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

A portrait gallery of creators on the margins of art brut gardens, houses and environments, of which Francis David has compiled a monumental photographic inventory over a period of fifteen years.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

For the first time, Gisèle Vienne presents all the dolls she has staged throughout her career.

An unapproved Wikipedia draft authored under the conceptual label Jeff Wall Production, initiated by curator and essayist Pierre Bal-Blanc.

The relationship between art, agriculture, and biodiversity.

The 33rd issue of the cross-generational literary journal, focusing on the theme of ghosting and disappearance.

The definitive publication on Carl Cheng's genre-defying work.

Leading contemporary artists and thinkers elaborate on how our increasingly networked societies are shaping—and shaped by—exchanges among people and machines.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

Readers are invited into an immersive, oceanic way of seeing—where the boundaries between body, technology, and environment dissolve into continuous transformation.

The work of Sámi architect and artist Joar Nango, investigating indigenous spaces and their critical value in a contemporary cultural discussion.

Fatima-Zahra Lakrissa revisits a sequence of Morocco's cultural history: the encounter of two anthropologists and the intersecting history of their approaches to popular and traditional art objects.

Complete documentation on the exhibition conceived by Michael E. Smith for the underground spaces of Palazzo Bentivoglio in Bologna.

The guide and extension of the third edition of the Diriyah Contemporary Art Biennale (2026), featuring 67 international artists.

Painting as a space for political resistance, irony, and philosophical reflection.

Outrageous Intimacy delves into the artistic practice of Lea Porsager, documenting her work with a particular focus on her earthworks, texts, and use of readymades.

Catalogue of the 2025 Islamic Arts Biennale, combining ancient heritage and contemporary art.

A broad overview of the evolution of the Saudi art scene from the 1950s to the present day.

Launching a series of children's books published by Kaph in Beirut, Saud's Adventure in the Art World recounts the initiatory wanderings of a child lost in a museum.

The first print edition of Daftar, the online media edited by Afikra, a platform focused on the history, debates, and cultures of the Arab world.

Invited by Mara Hoberman, a group of artists from both sides of the Atlantic share their views on Joan Mitchell's work.

A portrait of a unique artist family.

New monograph.

An exciting exploration of the imaginary world of Belgian artist Panamarenko, who became internationally renown for his groundbreaking creations connecting art with science and technique.

First monograph.

This book documents 4 years of an ongoing project which the Tokyo-based collaborative artist unit C&K have realized in collaboration with the Otsuka (Tokyo) based commercial gallery, MISAKO & ROSEN.

The American photographer appropriates the objects that populate the Italian painter's work.

A transversal and analytical reading of Éric Baudart's entire body of work.

A counter-history of contemporary art, where experience becomes form, and aesthetics is redefined as a radical relationship with the living.