Contemporary art

A volume about artistic processes and practices that do not pursue an explicit political or critical agenda, yet nevertheless have a unique potential for intervention.

The fifth issue of the annual magazine that promotes know-how and technique in design, craft or industry looks at the act of blowing: an issue about breath, wind, lungs, pneumatics, instruments, birds, balloons, crystal, bouncy castles, and all kinds of other things that come to life with air.

The graphic, spatial and temporal possibilities that emerge from the use of grids, from linear perspective to 3D modelling.

Anna Homler by Rachel Hahn, Gabriele Stötzer by Elisa R. Linn, Cao Fei by Pablo Larios, AI for Modernists by Mario Carpo...

Comprehensive monograph.

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

The most comprehensive publication on Ser Serpas' work to date, Loogie traces the first decade of the artist's multidisciplinary practice anti-chronologically, bringing together 650 illustrations alongside newly commissioned texts.

Comprehensive monograph.

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

Through his sculptures in black-stained wood, set with fragments of stone and bitumen, Theo Guicheron Lopez traces, across the remains of ancient stone, a sensory landscape for a poetics of the ground.

A.I.L.O (Atelier d'Immersion Lumineuse et Obscure), founded by Anna-Eva Berge with Fabrice Leroux, has created a work of light and sound for Pile Pont Expo, inviting visitors to move through and engage with the work, the architecture, and its soundscape. Optical effects offer a new experience of this space, reminiscent of a concrete cathedral.

The artist duo Sarah Laaroussi and Matteo Magnant (Atelier Bicéphale) are writing a new chapter in the performative and participatory project Habiter la pente, and explores the relationships we maintain with our environment and its evolution.

The donation by Elisabeth and Alain Clément of a group of paintings, sculptures, and gouaches on paper enriched, in 2024, a body of work already held in the collection of the Carré d'Art – Musée d'art contemporain de Nîmes, creating a journey through the artist's work.

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

A series of previously unpublished interior paintings by Karen Kilimnik.

The new edition of the cult bestiary by Amsterdam-based artist and graphic designer Rop van Mierlo.

A companion to Kosovar artist Brilant Milazimi's exhibition for the Republic of Kosovo Pavillion at the 2026 Venice Biennale that reflects on waiting, clenching, sovereignty, perseverance, and teeth.

A meeting of Hervé Zénouda's musical world and Anne Van Der Linden's visual one (set includes a vinyl record, a CD, 10 numbered risograph prints, an 8-page booklet, and a postcard).

A philosophical perspective on photographic images.

In the staccato, nervous, vivid and even resonant language of the flea markets that Oriol Vilanova frequents, Le prix des choses discusses economics as a flow—that is, the exchange of goods for monetary value.

Yalda Afsah, Tolia Astakhishvili, Alvaro Barrington, Dora Budor, Mimmo Haraditiohadi, Lap-See Lam, Vladislav Markov, Armineh Negahdari, Lydia Ourahmane, Ewa Poniatowska, Thomas Ruff, Martín Sabyno, Maria Toumazou, Bruno Zhu...

What counts as reality when images can be generated, manipulated, and circulated with unprecedented ease? The Future of Reality asks filmmakers and scholars to respond to a contemporary reality framed and filtered by algorithms and synthetic media.

The origins, scope, and legacy of Duchamp's revolution in the visual arts.

First monograph.

An exploration of the relationship between art and science through a cross-disciplinary journey featuring some 100 works of art and scientific artifacts by approximately 30 artists, from the Renaissance to the present day.

New monograph.

The search for identity by Stefan Oberbrünner, a German Jewish lawyer who fled to France in 1934, was interned under the Vichy regime, and was then deported on Convoy No. 51 to Sobibor in 1943. A narrative woven from archival materials, evocative drawings, and reflections on memory.

Erik Verhagen brings together seven artists from both sides of the Atlantic, who offer their perspectives on François Morellet's work, bearing witness to the enduring vitality of his legacy.

Museums of Tears extends Francesco Vezzoli's 2024 exhibition at Museo Correr, Venice, combining historical works and new commissions to explore antiquity, emotion and illusion. Conceived as an artist's book rather than a catalogue, it transforms the museum guide into a hybrid archive and portable museum of memory, beauty and mourning.

Reference monograph.

An original publication bringing together Esther Ferrer's performance scores and a previously unpublished long-form conversation on creation, language, freedom and action.

The fourth volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination, on the topics of accessibility in the arts and ableism.

The fourth volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination, on the topics of accessibility in the arts and ableism.

A comprehensive overview of the artistic and conceptual work of Henrike Naumann, one of the most influential voices of her generation, who died at the age of 41 shortly before the opening of her project for the German Pavilion at the 61st Venice Biennale.

An exploration of the role of fashion and clothing in the creation of idealized images of the Other in colonial and postcolonial contexts.

A portrait gallery of creators on the margins of folk art and art brut gardens, houses and environments, of which Francis David has compiled a monumental photographic inventory since the late 1970s.

New expanded edition featuring 75 drawings/watercolors by Sigismond de Vajay.

An artist's book conceived by Jorge Macchi as a return—both literal and conceptual—to the city of Buenos Aires as a field of investigation.

All 693 images in a series created by Luc Delahaye over several years using details from photographs cut out of newspapers, marking a turning point in the evolution of this great photographer's work, which bridges documentary and artistic practices.

The seventh volume in the collection published by the Antoine de the Galbert Foundation, dedicated to the French artist Benoit Huot.

A card game designed by Matthieu Raffard and Mathilde Roussel to play, think, and create together, designed to help artists and researchers break through barriers in their research and creative work!

An aesthetic and political reflection on contemporary monumental and commemorative art, at a time of critical revision of history.

Jonathan Crary decisively relocates the problem of aesthetic contemplation within a broader collective encounter with the unstable nature of perception—in psychology, philosophy, neurology, early cinema, and photography.

The French translation of a seminal work considered to have sparked the "affective turn" in philosophy and cultural theory.

First monograph.

Camouflage theorized as an expanded ecological and choreographic tactic.

Painter Merike Estna's new artist book, accompanying the Estonian pavilion at the 61st Venice Biennale.

Following the Italian art collective’s gallery on four wheels.

A photographic narrative centered on a series of performative banquets conceived by Luca Trevisani across France, Switzerland, and Croatia in 2025, unfolding through the activation of a group of stoneware sculptures developed from a research process focused on the Toirano Caves.

Unfolding through accumulation and overprinting, this book focuses on the materiality and the drawings at the heart of Tolia Astakhishvili's practice.