New paintings by New York based artist Mark Gonzales—an exploration into the artist's experimentation with color theory and mood inspired by classic portraiture.
Forms of Abstraction engages with abstraction not as a formal option in art, or as an airy theoretical speculation, but as an operational force that has redesigned our world, and continues to do so.
This artist's book is the achievement of the Ka Kualmaku project conducted in 2018 during a residency of Marc Buchy in Colombia, in Lugar A Dudas, during which the artist began to learn Namtrik, said to be a disappearing language. The book restores this learning as a Namtrik-French language guide.
A presentation of video installations, sculptures, site-specific interventions, performance and works on paper by the duo of Californian artists and choreographers.
This comprehensive publication focuses on the artwork and activism of Helsinki-based visual artist and researcher of Swiss and Haitian heritage Sasha Huber.
Yves Klein may be one of the first European artists to have taken an explicit interest in Aboriginal visual art. This catalog offers a poetic and completely new approach to his work, placed in perspective with the works of twelve Aboriginal artists.
First monograph on the work of German artist Ani Schulze, which explores the relationship between the human body and technology through sculpture, painting, drawing, sound and video.
Proof of Stake – Technological Claims reflects on the themes of technology, organization, and ownership to investigate how objects are framed as technological and are used to organize life.
Hardscapes / Here documents and brings together two exhibition projects by artists Nina Canell and Maria Hassabi. Produced on the occasion of the exhibitions of the same name curated by Samuele Piazza at the OGR Torino, the publication consists of two graphically specular books that merge into a single volume.
An exhibitions book including 2 CDs with new pieces by Phill Niblock performed By Stephen O'Malley, Deborah Walker, Kasper Toeplitz, Franck Vigroux, David Maranha and many others.
The first two volumes of the series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.
Les presses du réel – Contemporary art – Monographs
The first monograph of the painter Nicolas Ionesco, born in 1919 in Bucharest, active all his life in Paris, who occupied a prominent place in the art of the 1950s before being forgotten because of the direction he had taken his work: an opportunity to reconsider everything anew.
The Stoneware Jug is a collection of poem-comics by Stefan Lorenzutti (words) and John Porcellino (pictures), in which American comix legend Porcellino (King-Cat, Thoreau at Walden) "pours" the adapted poems into his pen-and-ink panels, as if into a handmade vessel.
Publication based on Roee Rosen's film Kafka for Kids, a cross-generic film combining a fiction drama with a documentary and a musical. The law as a central motif in Kafka's writings, and the fact that the film, supposedly, addresses children, lead to an exposition of the complex and troubling ways in which childhood is legally defined in the Palestinian occupied territories.
Sibyl's Mouths is the most recent in a series of publications by Pure Fiction, a writing and performance group with shifting members active since 2011.
A collection of reflections by pioneering scientists, artists, and thinkers about the ocean environment, fusing art, science, and education, offering a diverse and interdisciplinary perspective on those threatened ecosystems and the crucial role they play in our adaption to climate change.
Interviews with ten pioneering artists' book publishers: Simon Cutts, herman de vries, Michel Durand-Dessert, Leif Eriksson, Guy Jungblut, Yvon Lambert, Irmeline Lebeer-Hossmann, Hansjörg Mayer, Maurizio Nannucci, Maurizio Spatola.
Interviews with a group of pioneering artists' book publishers: herman de vries, Michel Durand-Dessert, Guy Jungblut, Yvon Lambert, Irmeline Lebeer-Hossmann, Maurizio Nannucci, Maurizio Spatola.
Recording of the evaporation of 785 grammes of water, namely the average quantity of water that a body loses during an office working day, according to Carrier thermal balance statistics.
An overview of the research projects performed over the last two decades at the Institute for Contemporary Art Research (IFCAR) of Zurich University of the Arts (ZHdK).
