Sound arts

Charlemagne Palestine's most contemporary music work.

The sound of a 4.3 meters high wind chime recorded in the dome of Secession in Vienna.

First monograph on Céleste Boursier-Mougenot, conceived by the French artist/musician, adapting in the book format his sound installations.

An extensive essay, Varieties of Audio Mimesis is many things: an investigation of the metaphoric relationship between music and landscape, a study of the poetics of onomatopoeia, and a theory of sound in the arts.

Third volume of the ultimate collection of archives of all the avant-garde in Belgium from Magritte to Broodthaers, from James Ensor to Christian Dotremont.

The book reunites some of the performer, musician, visual artist and filmmaker's most important films and projections to date, with five important essays and an interview by Michael Snow.

Monograph on the berliner artist / musician (Noto / Alva Noto / Raster Noton).

First monograph.

Second volume of the ultimate collection of archives of all the avant-garde in Belgium from Magritte to Broodthaers, from James Ensor to Christian Dotremont.

Super 8 films of the Ecart group, founded by John Armleder, Patrick Lucchini, and Claude Rychner.

Reference monograph: an overview of a sound art pionner's career through documentation of seminal projects, including a CD of works ranging from early performance experiments to current digital projects.

First volume of the ultimate collection of archives of all the avant-garde in Belgium from Magritte to Broodthaers, from James Ensor to Christian Dotremont.

John Armleder's 404 Team yellow pages.

Site Specific Sound documents a series of sound installations from 1998 to 2002 by sound-artist and writer Brandon LaBelle, exploring the relationship between sound and space.

The first critical edition treating a fundamental text by one of the principle actors of Fluxus.

This first monograph in French on the Swedish artist Lars Fredrikson, situated at the intersection of art history, sound studies, and media studies, seeks to shed light on the distinctive features of his work by highlighting its dialogue with the history of painting, kinetic and electronic arts, music, and sound practices in art, as well as the epistemologies and material cultures of science and technology.

This edition by Walter and Jan Verwoert pairs an 7" record featuring 6 pieces of sound poetry with facsimiles of the 6 collages used as scores for the recordings.