Women (female artists)

Eleven years after the publication of the first volume of Feminine Futures in 2011, this sequel explores the dance history of abstraction in the feminine, during the first half of the 20th century and continuations today, unfolding new research perspectives with a new body of rare or unpublished original photographs.

An exploration into the wild and wonderful world of Luísa Correia Pereira (1945–2009), an obscure jewel of late modernism and "enfant terrible" of the Portuguese art scene.

Photographer Julie Glassberg documents the misunderstood alternative culture based around brightly-coloured and neon-lit decorated trucks in Japan.

First comprehensive monograph on American artist Ann Leda Shapiro (b. 1946), including previously censored and rarely seen works, contextualized within feminist art histories.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

Comprehensive and previously unpublished documentation on the unproduced magnum opus of American composer Maryanne Amacher (1938–2009).

For the first time, Gisèle Vienne presents all the dolls she has staged throughout her career.

The "suspensive" artist Chloé Mogli invites authors, illustrators and researchers to write with her what the gesture of standing above the void generates as perceptions and thoughts, and invites us to suspend our perceptions of reality.

Readers are invited into an immersive, oceanic way of seeing—where the boundaries between body, technology, and environment dissolve into continuous transformation.

Outrageous Intimacy delves into the artistic practice of Lea Porsager, documenting her work with a particular focus on her earthworks, texts, and use of readymades.

Invited by Mara Hoberman, nine artists from both sides of the Atlantic reflect on Joan Mitchell's life, work and enduring impact.

A monograph covering more than thirty years of creative work, MONO ICONO GRAPHIE traces the unique career of Delphine Coindet, an artist at the crossroads of sculpture, image, and text, offering for the first time an unprecedented overview, both critical and visual, of a major body of work.

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

Portuguese artist Joana Vasconcelos engages in a dialogue with the city of Rome, the world of haute couture, and the work and legacy of Valentino (1932-2026).

First monograph.

For her long awaited second monograph, Liz Johnson Artur follows the legendary London club scene PDA and the community that created it.

Over a decade’s worth of essays: movies of America in parallax view.

The first English-language catalogue dedicated to the Guangzhou-based artist.

First monograph devoted to the explosive and colorful abstract paintings of the Iranian artist.

Published on the occasion of the Chilean artist's first institutional survey exhibition in Europe, this monograph is dedicated to Sandra Vásquez de la Horra's experimental practice and focuses on her spatial, energetic, and global thinking.

Lina Pallotta's much anticipated Tongue on Flames captures the underground poetic energy that pulsed through New York from the early 1990s to the early 2000s in poetry and performance clubs that have become legendary, featuring Pallotta's immersive photographs and texts by key figures from that scene.

A wide-ranging series of portraits of women from Lebanon, visually telling their story and their relationship with the country, 50 years after the beginning of the civil war.

Lorenza Longhi unfolds her strategies of subversion/reappropriation of the visual signs and codes of the society of control and consumption in the spaces of the Kunst Museum Winterthur.

This vinyl record brings together three pieces that play mischievously with the voice as a sound source, narrative source or diverted object: "Huellas Entreveradas" (2018), "La Baballe du Chien Chien à la Mé-Mère" (2001) and "Deux Dents Dehors" (2007).

A long conversation about the work and life of Portuguese artist Ana Jotta, accompanied by 60 previously unpublished photographs of her homes (in Brazil, Morocco, and Zanzibar) and her years in theater in the late 1970s.

A photographic reflection on place and borders (artist's book).

The latest, massive volume in the Solution series of collected all-new and most recent landscape paintings by Aleksandra Waliszewska.

Created for instrumental ensemble, electronics and film, Castle Terraces in Barry Lyndon is a spacious and quietly enigmatic work by composer and writer Zeynep Toraman, bringing together clarinet, cello, violin, electric guitar and electronic textures with a subtly unfolding visual layer.

The autobiography, translated into French for the first time, of Ré Soupault (1901-1996), trained at the Bauhaus, photographer, filmmaker, stylist, writer and traveler, translator of Dada and Surrealism, major protagonist of European artistic, literary and intellectual life, and companion of the avant-garde throughout the 20th century.

Interview with one of the great figures of art photography today, in which Sophie Ristelhueber reflects on her own carrer and practice.

A series of pencil drawings by Japanese artist Emi Ueoka depicting youth in their everyday urban environment.

The meeting between Fred Frith's guitar strings and percussionist Karen Stackpole's gongs.

The first comprehensive monograph dedicated to the filmic works of the British-born Nigerian artist and film director Karimah Ashadu, winner of the Silver Lion for Promising Young Artist at the 2024 Venice Biennale.

First monograph.

The first monograph dedicated to the Neapolitan feminist and pacifist artists' group.

This publication aims to provide a critical and profound reading of Alice Neel's humanism, constructing a journey through her artistic and personal life. The book includes texts by academics and artists, enriched by an extensive number of illustrations, archival photographs and documents.

An artist's book composed of fragments of texts from different eras and contexts—literary, science fiction, philosophical, scientific—all centered on the theme of the subterranean.

Retrospective monograph / artist's book.

Published in the Noor's Heroes children's book series that celebrates inspiring figures from the Arab world, this volume explores the creative life of Saloua Raouda Choucair, a pioneering Lebanese artist who challenged norms through geometry, abstraction, and sculpture.

Looking at the white gaze on Black life, art, and being, Chipo Chipaziwa's first book explores five years of her past performances without any photographic depictions of her body. Instead, she relies on the written word—with texts penned by herself, as well as by Denise Ferreira da Silva and Olumoroti Soji-George—and on art: paintings, drawings, and prints by Margaret Joba-Woodruff, Sophia Lapres, and David Ezra Wang.

First monograph, featuring the artist's long-term research on the colonial and neo-colonial relations between Italy and Libya through a critical engagement with the Italian "archive of coloniality" and its structural violence.

By the Means at Hand offers a look into Vlatka Horvat's eponymous project, presented at the Pavilion of Croatia at the 60th International Art Exhibition—La Biennale di Venezia in 2024.

A collection of poems by artist Tiziana La Melia.

Studies on Squats is an evocative exploration of embodied resistance and political movement that uses the multifaceted posture of the "Asian Squat" as a lens through which broader concepts of migration, illness, and resilience are examined.

The first monographic publication dedicated to the collected works of artist Margherita Moscardini.

German artist Leila Orth deals with the question of what places of remembrance there are and can be.

The portfolio of the unique retrospective conceived by the Jeu de Paume reveals the singular vision of photographer Madeleine de Sinéty (1934-2011).

New monograph by Paris-based British artist Charlotte Moth, conceived as part of her exhibition at MAMC+ Saint-Etienne.

Nathalie Du Pasquier presents still lifes bringing together objects, drawings, books, and photographs—assembled like fragments of an intimate language.