Women (female artists)

For the first time, Gisèle Vienne presents all the dolls she has staged throughout her career.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

An exploration into the wild and wonderful world of Luísa Correia Pereira (1945–2009), an obscure jewel of late modernism and "enfant terrible" of the Portuguese art scene.

A survey of Latinx and Latin American women artists that used mail art, postal networks, messages, and distribution in their work.

Testing the Waters is a long-form electroacoustic composition unfolding through episodic movements that together trace a sonic dérive.

First monograph.

A special edition bringing together three issues of the journal of architecture criticism under a single title: "Dixit: Switzerland!". Six prominent figures with links to Switzerland (Hélène Binet + Elli Mosayebi; Tiphaine Abenia + Alia Bengana; Carlotta Darò + Raphaël Kadid) are invited to discuss common and topical issues.

The second book in the "Brookinette" children's book series (published by Brook), We Look Alike is a book for little ones and older children alike that tells the story—through the drawings of Dutch artist Kinke Kooi—of encounters, friendship, and little mistakes, featuring a cast of snails, flowers, fruits, and ladybugs.

New monograph.

An immersive journey through the woven metal and linen sculptures created intuitively by the Belgian designer and textile artist.

A.I.L.O (Atelier d'Immersion Lumineuse et Obscure), founded by Anna-Eva Berge with Fabrice Leroux, has created a work of light and sound for Pile Pont Expo, inviting visitors to move through and engage with the work, the architecture, and its soundscape. Optical effects offer a new experience of this space, reminiscent of a concrete cathedral.

A selection of critical writings that blend sociological procedure, technological metaphor, visual and theoretical apparition, indexing the material and linguistic problems of making art.

Outta Love documents Angela Brandys's new series of large-scale textile works, conceived in 2024–25 and made from her own wardrobe—designer clothing torn apart, reduced to their baseline fabric, and reassembled into images drawn from the Renaissance tradition.

Reference monograph.

An art book by Adama Delphine Fawundu that celebrates life through the female figures—grandmothers, mothers, daughters, artists, caregivers, storytellers, and cooks—who have shaped the artist's cultural and personal history.

At the intersection of art, technology, and humanitarian inquiry, this book provides insight into Ghost Agency's desire for agency across artistic reasearch, institutions, and civic life in the digital age.

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

La Gauchère is an illustrated book that chronicles several years of research on left-handedness. It calls for left-handedness to be viewed as a creative force, beyond the pejorative connotations commonly attributed to the term and to those who are mal à droite (uncomfortable with right-handedness and awkward).

Lydia Ourahmane’s first monograph, documenting a project developed through immersion during a several-month residency in Venice, as part of the 61st Venice Biennale.

This book showcases the research work of designer Mathilde Pellé, who explores design through subtraction in a sensitive yet radical way. It brings together a body of documentation and an inventory of prototypes and objects created over the course of a decade.

The first book devoted to the late writer and actress Dorothy Dean (new expanded edition).

Through a series of manipulated and recontextualized images, Aletheia Casey reflects on the environmental and personal impact of the unprecedented wildfires that ravaged New South Wales, Australia, and examines the relationship between colonialism and climate change.

Jeanne Hubert explores a place of passage—the shoreline—through her drawings.

A visual history of the Folly Cove Designers (1941-1969)—one of America's longest-running block printing collectives.

Comprehensive monograph.

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

The most comprehensive publication on Ser Serpas' work to date, Loogie traces the first decade of the artist's multidisciplinary practice anti-chronologically, bringing together 650 illustrations alongside newly commissioned texts.

Comprehensive monograph.

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

A series of previously unpublished interior paintings by Karen Kilimnik.

A meeting of Hervé Zénouda's musical world and Anne Van Der Linden's visual one (set includes a vinyl record, a CD, 10 numbered risograph prints, an 8-page booklet, and a postcard).

Photographer Julie Glassberg documents the misunderstood alternative culture based around brightly-coloured and neon-lit decorated trucks in Japan.

The search for identity by Stefan Oberbrünner, a German Jewish lawyer who fled to France in 1934, was interned under the Vichy regime, and was then deported on Convoy No. 51 to Sobibor in 1943. A narrative woven from archival materials, evocative drawings, and reflections on memory.

Kate Carr's new album explores a vertical trajectory through the UK capital, re-imagined from top to bottom in a suite of elegant and mysterious field recordings.

Brunhild Ferrari's new work L'oreille voleuse (The Thieving Ear) and an extraordinary live reinterpretation by Eiko Ishibashi and Jim O'Rourke, recorded in October 2025 in Paris.

Brunhild Ferrari's new work L'oreille voleuse (The Thieving Ear) and an extraordinary live reinterpretation by Eiko Ishibashi and Jim O'Rourke, recorded in October 2025 in Paris.

An original publication bringing together Esther Ferrer's performance scores and a previously unpublished long-form conversation on creation, language, freedom and action.

A comprehensive overview of the artistic and conceptual work of Henrike Naumann, one of the most influential voices of her generation, who died at the age of 41 shortly before the opening of her project for the German Pavilion at the 61st Venice Biennale.

First monograph.

Painter Merike Estna's new artist book, accompanying the Estonian pavilion at the 61st Venice Biennale.

Unfolding through accumulation and overprinting, this book focuses on the materiality and the drawings at the heart of Tolia Astakhishvili's practice.

The first catalogue raisonné of a Lettrist artist: a comprehensive collection of the 464 works (paintings, objects, multiples, works on paper) produced by Maggy Mauritz (born in 1941)—a pioneering artist in graffiti art and Lettrism—over more than six decades, featuring approximately 600 color illustrations.

The Camargo Foundation hosted artist Lara Tabet in Cassis for a residency in 2024-2025. Her project Enter Corridors explores the complexity of the port and coastal environments of La Ciotat, as well as that of the Calanques National Park.

Beneath the dome of the Bourse de Commerce – Pinault Collection, within Tadao Ando's concrete cylinder, Fujiko Nakaya's Fog Sculpture appears as a landscape of mist drifting beyond the Rotunda's boundaries – thickening and dispersing in response to shifting air currents and visitors' movements.

Anniversary issue celebrating Mousse's 20th anniversary.