Renewing our understanding of Ruscha's art.

Renewing our understanding of Ruscha's art.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

An anthology of texts devoted to cinematographic editing (Eisenstein, Tarkovski, Bazin, Godard, Wiseman, van der Keuken, Deleuze, Agamben...), from the beginning of the 20th century to today (new expanded edition).

Invited by Erik Verhagen, a group of artists from both sides of the Atlantic share their views on François Morellet's work.

This card game invites artists and/or researchers to use divination arts to practice the methodology known as research-creation, in a horizontal and friendly way.

An artistic inquiry into "future nostalgia".

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

Aesthetics of breathing: new ways of getting to know the air we breathe and developing a sensitive culture of air qualities.

This book explores the secret territories that formed the City of Thelema, from which Rudy Ricciotti—an internationally renowned architect—built his work.

This book explores the secret territories that formed the City of Thelema, from which Rudy Ricciotti—an internationally renowned architect—built his work.

First personnal catalogue of Kwame Akoto.

The 33rd issue of the cross-generational literary journal, focusing on the theme of ghosting and disappearance.

The relationship between art, agriculture, and biodiversity.

New monograph.

Invited by Mara Hoberman, nine artists from both sides of the Atlantic reflect on Joan Mitchell's life, work and enduring impact.

A selection of René Berger's lectures and the proceedings of a symposium he had organized around art, technology and communication, offering a closer insight into his thinking on video art and new media.

A monograph covering more than thirty years of creative work, MONO ICONO GRAPHIE traces the unique career of Delphine Coindet, an artist at the crossroads of sculpture, image, and text, offering for the first time an unprecedented overview, both critical and visual, of a major body of work.

A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

An overview of the early days of video art in Europe, drawing on a network of some fifty researchers.

A seminal exploration into screens' crucial functions and profound impact on human culture.

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

Espace art actuel # 142, focusing on the theme of "prophecies" in contemporary artistic practices.

Álvaro Urbano by Javier Montes, Togar by Hung Duong, Kerry James Marshall by James Meyer...

Red Rubber Road; Fatena Abu Mostafa; Inner Lifts (Sissel Vera Pettersen, Randi Pontoppidan, CTM, Sissi Rada, Meriheini Luoto, Berlinde Deman, Claire M Singer, IKI, Bridget Ferrill); Erell Latimier; Claire Serres & les Sirènes; Xavière Fertin & Louis Frères; Seijiro Murayama; Sophie Agnel; Tom Johnson (1939-2025)...

Index #8 features all e-flux's commissioned pieces from March–May 2025. It includes contributions from 142 authors, artists, architects, filmmakers, poets, and educators, organized into eleven thematic snapshots.

A spectacular journey through 80 major works of modern and contemporary art (by Picasso, Kandinsky, Joan Mitchell, and Hockney to Manal AlDowayan, Etel Adnan, and Imran Qureshi) in AlUla, an oasis located on the ancient incense route, taking the image of the "garden in the desert" as a starting point for artistic reflection on the evolving relationship between humans and nature.

This book brings together three texts on Arnaud des Pallières' documentary Disneyland, mon vieux pays natal (Disneyland, My Old Homeland), extending the critical thinking engaged by this hybrid filmic object on spectacle and late capitalism.

A cross-disciplinary and critical reflection on the philosophical stakes of so-called "artificial intelligence", from an epistemological, political and cultural point of view, beyond naive fascination and ignorant rejection.

First monograph devoted to the artist's research on the materiality of images through an exploration of the conditions of visibility of secretions.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

A mapping of the international landscape of technological archives.

The "doing" in art and design research.

An anthropological-acoustic study of the aftermath of war.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

The totally remastered version of the fourth album by Belgian band Univers Zero, recorded in 1984.

The totally remastered version of the fourth album by Belgian band Univers Zero, recorded in 1984.

Centered on the emblematic figure of Pontus Hultén (1924–2006), this issue of Revue Faire explores the director's publishing work during his time at the head of the Moderna Museet in Stockholm, from 1960 to 1973.

Pierre Bastien deepens his exploration of “elsewhere,” as well as the materiality of sound, through the machinery of his vast Mecanium.

Morten Søndergaard (co-editor); interviews with panGenerator, Charles Stankievech, Mélia Roger, Adelin Schweitze; articles: Geofónie, Sonic Reorientations; reports: Electric Dreams, The Vinyl Factory: Reverb, Art Must Be Artificial.

Taking its title from the seminal book by the priest, philosopher, and historian Michel de Certeau, this publication, which accompanies the eponymous Capc exhibition, bears witness to unique ways of being in the world through the transformation of materials, tools, and everyday practices, inscribed directly onto the pages of a regional daily newspaper.

The luxurious annual publication in large format Magma aims to return to the artistic, intellectual, and graphic standards of the avant-garde "revues d'art " from the previous century. The 3rd issue brings together 25 artists, writers, filmmakers, and composers from around the world, and showcases around 100 previously unpublished artworks and texts.

The design research journal devotes its 59th issue to contemporary forms of graphic design transmission.

The Cahiers du Collège International de Photographie (CIP) put into practice a form of thinking rooted in photographic experience—on the margins of both academic and professional worlds. This first issue seeks to weave together all parts of the photographic ecosystem in a living reflection on the crisis of sensibility that runs through our societies.

Off The Record by French collagist Roméo Poirier is an amusing romp through the discarded history of recording studios. It contains fourteen miniatures based on accidental recordings of studio talk, revealing things that were never meant for the public.

Yoann Sarrat presents a collection that showcases his practice of performative writing combined with tattooing (with and without ink—which he calls “dermographic poetry”) and dance.

Monograph dedicated to the famous designer's early work.

This book takes as its starting with the question "What is a good poster?"' and then gradually drifts away from it as it unfolds, confronted with the complexity of this question that pertains to the truth, accuracy, functionality or even the good taste of a graphic work.