A collection of walking and writing exercises to put our perspective about self and what is other to self, as well as the relations between things, even beyond the human, into question.

The inaugural issue of Flash Art's yearly review dedicated to design at large and an in-depth analysis of market relevant issues, titled Anti Composition, provides an aesthetical upgrade at world scale sources and phenomena (featuring Michael E. Smith; Peter Fischli; Anne Imhof; Paride Maria Calvia; Armature Globale; Joshua Brinksman; Mishima House, Tokyo; Winter House, London; Hopkins House, London; Wolf D. Prix; Bruce Graham Residence, Chicago; Sci-Arc, Los Angeles; The Met, New York; Scad Museum Of Art, Savannah; Bottega Veneta...).

Inter 143 invites you to explore Mad art, Crip art, disabled art, deaf art, raw art, edible art, situated art and inclusive art: all ways of perceiving, thinking and creating by people with different abilities (physical, intellectual, cognitive, mental, sensory, learning, language and communication skills) or functional diversity.

A philosophico-cinematographic journey through Fassbinder's filmic oeuvre, from the avant-garde daring of 1968 to the fallout of the leaden years ten years later.

Accompanying Abdullah Al Saadi's eponymous solo exhibition at the National Pavilion UAE at the 60th International Venice Biennale, this publication invites an immersion into the artist's singularly subjective universe.

A new poem composed by the legendary dancer, artist and choreographer Simone Forti.

This critical biography guides readers through artist Magda Stawarska's practice via a series of journeys—from the streets of Istanbul to the canals of Venice and across the waters of Zanzibar.

Eight pieces of free vocal improvisation by the duo of Jason Kahn and Alice Hui-Sheng Chang, who have been working together since 2015.

Three pieces spanning free improvisation, noise and extended saxophone technique with Ulrich Krieger, one of the masters of contemporary experimental music.

The first monographic publication dedicated to Souleymane Keïta (1947-2014), a major figure in Senegalese art.

New monograph.

Jean-Michel Alberola's series 1965-1966-1967 (Details), a group of drawings, engraving and oil on canvases.

An interdisciplinary investigation by French-Bulgarian visual artist Iglika Christova, an explorer of the microcosm, into the relationship between the mechanisms of the living world and drawing.

Known for his braided canvases, French artist François Rouan presents his latest "photographic-tableaux", a group of forty previously unseen pieces.

An overview of the career of Amerindian composer and artist Raven Chacon.

This monographic essay explores Iris Clert, an unclassifiable and emblematic figure of the 1960s artistic avant-garde.

Challenging dominant histories of the genre, this book focuses on translocal and transcultural connections, and seeks to generate, expand knowledge on different narrations of the beginnings of Performance Art.

MUdec United, the publication of the MUDEC – Museo delle Culture di Milano, one of the Italian leading institutions, is a book-zine dedicated to interdisciplinary research on world cultures. The second issue questions the quintessential symbolic device of the museum machine: the showcase—a tool of preservation, mummification, and desire, with many stories to tell.

The catalog for 2024 Diriyah Contemporary Art Biennale, under the artistic direction of Ute Meta Bauer, featuring some one hundred artists of different generations: a testament of a unique moment within a changing Saudi Arabian cultural ecosystem.

Ghislaine Leung, Vaginal Davis, Joan Jonas, Vera Molnar, Vanessa Conte, Raven Chacon, Teruko Yokoi...

Extensive survey of the politically outward-looking Conceptualism emerging from Art & Language in the UK. Especially considering its critique of the norms of Modernist art practices in contemporary art, particularly practices of art education.

What Can Theatre Do invites artists and thinkers to explore the potential of the performing arts, the political role of theatre and its ability to imagine alternative realities and future scenarios, ranging from essays to artistic interventions.

Initiated by Tunisian artist, architect and scenographer Chedly Atallah, whose practice explores geopolitical changes in the Arab world through history, architecture and mythological narratives, Matar, Matar, Matar is an artistic investigation into the time of representation and memory, with water as a metaphor for remembrance.

A contemporary artistic reinterpretation of a vanished craft.

Catalogue.

An island photographic wandering (a series of photographs taken on a small island in the Aegean Sea, Kastelorizo, focusing on its hollow spaces and silent atmospheres).

In the first monograph on the feminist conceptual artist collective Claire Fontaine, political theorist and somatic practitioner Anita Chari explores the artist's theoretical and political innovations to illuminate a more haptic, embodied approach to the practice of critical theory.

The result of a collaboration in the fields of architecture and photography, Glasraum explores the deliberate ambiguities embedded in a seemingly aloof approach to the construction of both space and image.

A comprehensive overview of Makiko Furuichi's work, focusing on her special installation for the Musée d'Art Moderne et Contemporain in Les Sables-d'Olonne.

How does the world—and the world of visual culture in particular—creates itself in a creative act that knows no economic return.

The story/manifesto of an architect's life: a re-reading of Gilles Perraudin's career by himself, enabling us to retrace the path of a thought in perpetual motion.

Jacques Ponzio recounts in text and images Thelonious Monk's 10-day stay in Paris in the spring of 1954.

An artist's edition by Miljohn Ruperto comprising three flipbooks and an accordion-fold booklet, that examines different forms of time.

This book on the films of Anton Vidokle features essays and conversations by theorists, curators, and artists exploring the themes of technological immortality and resurrection informed by Cosmist philosophy.

The portfolio of the exhibition conceived by the Jeu de Paume, offering a chronological look at the evolution of sporting practices since the end of the 19th century, through photographs by some thirty authors (René-Jacques, André Kertész, Jacques Henri Lartigue, Paul Nadar, Marie-Paule Nègre, Bruno Réquillart, etc.).

The eleventh issue of the journal-collection that brings together academic writings, interviews with artists, critical essays and artists' interventions in the form of inserts: Jeffrey Perkins, Sophie Lapalu, Billy Sullivan, Liz Magor, Moyra Davey, Zoe Beloff, Paul Thek, a long previously unpublished conversation between Paul McCarthy and Sabrina Tarasoff...

Interviews with Michel Dector et Jean-Baptiste Farkas, Alice Dourlen, Apichatpong Weerasethakul, Jim O'Rourke, Steven Stapleton, Andrea Laszlo De Simone; Johanna Went and Dame Darcy by Nicolas Ballet; Mickael Vis; Yûichi Yokoyama; SMITH; Marcel Broodthaers; Current 93; IKHÉA©SERVICES; Alan Dunn; Oskar Schlemmer; Blaine L. Reininger; Martin Le Chevallier; Ludovic Chemarin©...

ToiletAlex PaperPrager is the new edition of Toilet Paper magazine, born from a collaboration with american artist Alex Prager: a vibrant dialogue between visionary minds, where the ironic style of Toilet Paper meets the dark humor of Alex Prager, a parade of familiar yet strange images, suggesting a timeless world placed somewhere between dream and reality.

A presentation of the fascinating architectural legacy of the Tokyo Olympic Games through two iconic buildings, the Yoyogi Olympic Gymnasium and the New National Stadium, highlighting the two world-renowned Japanese architects behind these projects: Kenzō Tange and Kengo Kuma.

CURA. turns 15 and celebrates this important milestone with We Monsters, a special "horror" issue dedicated to the exploration of the revolutionary role of monsters in modern civilization, and contemporary art.

Inspired by how rivers bend and curve connecting ecosystems, Meandering is a case study for community-oriented artistic research into the cultural, spiritual, and ecological trajectories of waterways.

The continuation and culmination of a vast project, articulated between an exhibition and a symposium, imagined by South African curator Ntshepe Tsekere Bopape (Mo Laudi), inviting 17 artists from Africa and its diaspora and a group of researchers to evoke black aesthetics and propose an alternative vision of a world without borders.

The continuation and culmination of a vast project, articulated between an exhibition and a symposium, imagined by South African curator Ntshepe Tsekere Bopape (Mo Laudi), inviting 17 artists from Africa and its diaspora and a group of researchers to evoke black aesthetics and propose an alternative vision of a world without borders.

The 13th issue of the annual magazine of the ECAL (Lausanne University of Art and Design), with interviews with Paul Hirsch, Sébastian Strappazzon, Matthieu Gafsou, Lorenza Longhi, Gabriele Garavaglia, Loucia Carlier.

An account of artist Io Burgard's experience in the town of Ugine (archives, concert, residency, exhibition), part fanzine, part punk, part white cube.

An audacious account of the ways in which the arts in the Americas were modernized during the first half of the 20th century.

An extended meandering conversation between Swiss art historian, critic and curator Jacqueline Burckhardt and curator/art historian Juri Steiner, accompanied by numerous texts, documents and artist inserts.

A chronicle of the recent transformations of art schools, from the point of view of a teacher, at a time when these spaces are both threatened by increasingly fragile and uncertain public policy management, and at the same time more than ever spaces where the word opens up, practices change and art finds itself in direct contact with the most avant-garde movements in society.

A comprehensive overview of the Emirati artist's practice, with numerous archive documents.

Ronan Bouroullec's daily drawings.