An invitation from Mudam Luxembourg to consider the place, role and future of cultural institutions in the twenty-first century.

The editorial extension of a long-term art and performance program in Cologne's public space, on and around its seven bridges over the Rhine.

Recorded live at Amsterdam's Oude Kerk during the 2024 Sonic Acts Festival, The Organ is the World's Greatest Synthesizer finds Charlemagne Palestine returning to the Staalplaat catalog. Taking its title and cover from a drawing made by Palestine during the performance, the work expands his singular mythology of sound and spirit (hand screenprited cover).

Rene Matić, Josiane M.H. & Emily Pozi, Olivia Kan-Sperling, Olivia van Kuiken, Tasneem Sarkez, alfatih, Ruoru Mou, Adam Patrick Grant, Siyi Li, Ruofan Chen, Megan Mi-Ai Lee, Tommy Xie, davi de jesus do nascimento, Zora Sicher...

Universality, multiplication of identities, and disappearance of otherness.

Retrospective monograph / artist's book.

New monograph by Paris-based British artist Charlotte Moth, conceived as part of her exhibition at MAMC+ Saint-Etienne.

A comprehensive overview of the unique work of the Italian artist born in 1931 and "discovered" late on the international scene, with numerous texts and an interview.

This publication aims to provide a critical and profound reading of Alice Neel's humanism, constructing a journey through her artistic and personal life. The book includes texts by academics and artists, enriched by an extensive number of illustrations, archival photographs and documents.

The first comprehensive monograph dedicated to the filmic works of the British-born Nigerian artist and film director Karimah Ashadu, winner of the Silver Lion for Promising Young Artist at the 2024 Venice Biennale.

Renowned Japanese photographer Takashi Homma observes his daily life through the poses of his cat.

The voice as a space of publication in itself.

The first monograph dedicated to the Neapolitan feminist and pacifist artists' group.

First monograph devoted to the artist's research on the materiality of images through an exploration of the conditions of visibility of secretions.

Nathalie Du Pasquier presents still lifes bringing together objects, drawings, books, and photographs—assembled like fragments of an intimate language.

An intimate exploration and meditation on Melvin Edwards' work (a zine produced in limited print run in the Palais de Tokyo's risography micro-publishing workshop).

The meeting between Fred Frith's guitar strings and percussionist Karen Stackpole's gongs.

An album entirely dedicated to the sound composition created by Éric La Casa for Luke Fowler's film A Grammar for Listening, based on recordings (images and sounds) made in Paris and Glasgow. A new stereo version from 2023 interacts with the original mono soundtrack from 2009.

This interview of Brandon LaBelle with curator, artist, and researcher Berit Fischer offers insight into her transformative approach to contemporary art practice that challenges conventional notions of empathy and ecological awareness.

The first monograph of American artist Spencer Lewis.

Studies on Squats is an evocative exploration of embodied resistance and political movement that uses the multifaceted posture of the "Asian Squat" as a lens through which broader concepts of migration, illness, and resilience are examined.

A contemplative series of images by Spanish photographer Jorge Perez Ortiz exploring the relationship between the human body, water, and resilience.

American surrealism meets popular culture meets political criticism: Jim Shaw's obsessive series of drawings devoted to Donald Trump.

The catalogue of the exhibition for the Cyprus Pavilion at the 60th Venice Biennale.

An artistic and research project focusing on issues of travel, exile, migration, welcome and hospitality in a globalized world.

This publication looks back on the Studio of the South residency, hosted in Arles by LUMA and Owens and undertaken by 23 international artists between September 2020 and July 2023.

Published in the Noor's Heroes children's book series that celebrates inspiring figures from the Arab world, this book traces the rise of Mohamed Salah, the Egyptian footballer who went from playing on dusty village fields to scoring for the world's biggest clubs.

In this moving story, published in the Noor's Heroes children's book series that celebrates inspiring figures from the Arab world, young readers follow Mahmoud Darwish, the celebrated Palestinian poet whose words became a voice for the displaced.

Published in the Noor's Heroes children's book series that celebrates inspiring figures from the Arab world, this volume explores the creative life of Saloua Raouda Choucair, a pioneering Lebanese artist who challenged norms through geometry, abstraction, and sculpture.

This volume traces the history and the political, cultural, and artistic legacy of the Mamluk Sultanate (1250–1517), one of the great powers of the medieval world, known both for its formidable military force and its flourishing artistic production.

This volume traces the history and the political, cultural, and artistic legacy of the Mamluk Sultanate (1250–1517), one of the great powers of the medieval world, known both for its formidable military force and its flourishing artistic production.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

Centered on the Al Ahsa region, one of the world's oldest and largest oases, Maghras: A Farm for Experimentation (accompanying the inaugural Saudi Pavilion at the 24th Triennale di Milano, marking Saudi Arabia's first participation in this global architecture and design platform) reimagines the farm as a site of collective inquiry, where environmental change, cultural memory, and community practices converge.

Conceived during a period of rapid and often unchecked technological development, this issue of Afterall aims at reconsidering and expanding our understanding of what 'technology' is.

The best of 2025: a renowned group of critics, artists, and curators from around the world take stock of the year in art.

A mapping of the international landscape of technological archives.

The 2026 wall calendar designed by Studio Manuel Raeder featuring contributions by Martha Hellion, Andreas Sell, Álvaro Urbano & Petrit Halilaj, Heinz Peter Knes, Anna M. Szaflarski, Pablo Schlumberger, Nick Mauss, Cosima zu Knyphausen, Ieva Epnere, Shirin Sabahi, Yoshie Sugito, and Mariana Castillo Deball.

The "doing" in art and design research.

Three years of exploring avenues opened up by eco-design: from physical environments to imaginary ones, from a focus on resilient uses to new collective narratives (box set containing the three volumes S'attacher, 2023, Produire, 2024, and Prendre soin, 2025).

Focusing on contributions that explore composites as forms of art and design, as research methodologies and practices, and/or as theoretical concepts, issue 60 of the journal Azimuts proposes look at composites as a way of presenting or representing realities.

How the right wing is ruining culture, part II; in Sicily, humanitarian flotillas bound for Gaza are on the US Army's radar; Alice Diop and the Black Venus; Iraqi singer Sajda Obeid unites the country; theater according to Sylvain Creuzevault; the British left reveals fascism...

An interdisciplinary and critical examination of the role of hope in contemporary art and activism.

An anthropological-acoustic study of the aftermath of war.

Maria Clara Araújo dos Passos examines the interplay of education, identity, and liberation in Brazil's travesti community.

First monograph.

First monograph.

Looking at the white gaze on Black life, art, and being, Chipo Chipaziwa's first book explores five years of her past performances without any photographic depictions of her body. Instead, she relies on the written word—with texts penned by herself, as well as by Denise Ferreira da Silva and Olumoroti Soji-George—and on art: paintings, drawings, and prints by Margaret Joba-Woodruff, Sophia Lapres, and David Ezra Wang.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

First monograph, featuring the artist's long-term research on the colonial and neo-colonial relations between Italy and Libya through a critical engagement with the Italian "archive of coloniality" and its structural violence.

By the Means at Hand offers a look into Vlatka Horvat's eponymous project, presented at the Pavilion of Croatia at the 60th International Art Exhibition—La Biennale di Venezia in 2024.