Matera and Taranto; interviews with Abraham Poincheval and Siri Hustvedt; Nyege Nyege and underground music in Ouganda; Jonathan Capdevielle...

A collection of ten facsimiled Moleskine notebooks filled with works by Swiss artist Aldo Schmid.

Erin Manning expands her research on movement politics to the concept of minor gesture.

The reception of Charles Fourier's thought in Japan.

The soundtrack of an interactive project around phantom islands—islands that appeared on historical maps but never actually existed. A collection of fictitious soundscapes, between field recording and exotica music.

This anthology brings together rare documents pertaining to so-called occult phenomena, most of them taken from little-known archives. In the course of three volumes, this series traces an audio history of parapsychology. The first volume is an exploration of spiritualism and haunted houses. It features records of spiritual séances and medium trances, haunting spirits and haunted places, audios of Sir Arthur Conan Doyle, Harry Houdini...

This reader brings together artistic and theoretical contributions on the instertitial nature of sound. This issue is addressed through a variety of prisms, such as format, language, politics, or new technologies.

A long-term photographic study on the sociopolitical evolution of the Sahelo-Saharan region since 2008.

Günter Erbe on the Dandy in and outside society up until the digital age, Taslima Ahmed on how Putin's political culture has affected art, Masato Fukushima looking at multiple personae taken on by contemporary artists, a seminal essay by Andrés Gómez Emilsson's designing eight models of art for a scientific paradigm of aesthetic qualia, plus recent film reviews by A.S. Hamrah and a documentation of Michael Farin's search for a lost oasis in the Saharan Desert.

Candice Breitz, Meriem Bennani, Marianna Simnett, Elysia Crampton, Too Old to Die Young and essays by Pierre Bal-Blanc and Monique Roelofs, a selection of excerpts from Intervista, Flash Art's side publication on visual culture in the late 90's...

The artistic, social and political issues of manifestos.

The development of the ideology of transparency within aesthetic modernity and the importance of being able to circumvent it.

Peter Halley's multimedia installation for the Magazzino del Sale N. 3, a 15th-century warehouse in the Dorsoduro district of Venice.

A collection of all writings, in the form of slogans, which have accompanied Marcello Maloberti in almost thirty years of poetics introducing themes he finds meaningful.

A transdisciplinary history of exhibitions.

The complete writings of an influential figure.

Researcher Elena Vogman examines the unpublished archival material relating to the film adaptation of Karl Marx's Capital by Sergei Eisenstein. The analysis of these materials reveals the clear and ambitious idea that animated the Soviet filmmaker for this aborted project: to build a visual theorization of value.

There is no theory that is not aesthetic (collective publication edited by Dieter Mersch, Sylvia Sasse and Sandro Zanetti).

Dorata Sajewska proposes an innovative perspective for looking back at the formative process of Polish modernity, delving into repressed areas of experience connected with World War I and the ensuing emancipatory movements.

Rio, Tokyo, Paris: Oscar Oiwa, Brazilian artist of Japanese origin, draws from these three Olympic cities to which he is personally bound, a matter to question the world of today, inviting us to dive into his half-realistic mid-fantasy universe, where sometimes point humor and nostalgia.

A transdisciplinary study that sheds new light on the birth of modern architecture in France through its relations with the printed text, vector of the diffusion of the architectural ideal at the scale of the nation, and the emergence of the public sphere between the end of the 17th century and the French Revolution.

An anthology.

How to explain the intersection, during the twentieth century, of the ideology and theories on violence and creativity?

Hans Hartung and the cinema.

This publication presents the results of a research project which explored the transformation of informal structures within the road transport corridors connecting Eastern and Western Europe following the fall of the Iron Curtain.

A dictionary designed as a tool for analysis and resistance to the new realities of neurocapitalism. With 285 definitions stemming from the fields of political philosophy, media studies and neuroscience.

The republication in print form of the poems of Art Ensemble of Chicago's founding member breathes new life into a forgotten document of the Black Arts Movement.

L'Incroyable is a monographic magazine dedicated to an artist's teenage years and his cultural background. This third issue proposes an immersion into the young years of artist Nicole Eisenman in New York in the 1980s.

A very special overview of the work of a new media art pioneer: snapshots from all over the world, paintings, collages, graphic and ornamental works, and various artifacts from the artist's collections, which include everything from old magazines to fabric patterns.

Daniel Birnbaum and Sven-Olov Wallenstein analyze the significance and logic of Lyotard's “Les Immatériaux” exhibition while contextualizing it in the history of exhibition practices, the philosophical tradition, and Lyotard's own work on aesthetics and phenomenology.

Res·o·nant documents the namesake light and sound installation created by conceptual artist Mischa Kuball for the Jewish Museum Berlin. The catalogue comprises contributions by a prestigious ensemble of international thinkers, artists, and writers.

A collection of essays and portraits on one of the most influential art critic and curator of today.

Catalogue.

Artist's book.

Artist's book.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman for the Jeu de Paume and the CAPC, A False Weight is published in conjunction with the exhibition by Daisuke Kosugi, an intimate project on the disabled body, supported by a reflection on the architecture of the home.

The first part of a larger novel in several episodes: a text about the perception of time and how some places mark people's minds.

The seminal tale of Iannone's advocacy for sexual liberation.

The art of the tuning fork: the manifesto of the sound artist, performer and composer Nicolas Bernier.

This October in Artforum Lauren O'Neill-Butler on the art of Agnes Denes, Barry Schwabsky on Jean Dubuffet, and Jace Clayton on Christian Marclay. Plus, 4 artists and critics consider the legacy of Douglas Crimp, Amy Taubin on Steven Soderbergh's The Laundromat, exhibition reviews from Paris, Zurich, Basel, Vilnius, and much more. 

This catalogue offers diverse representations of everyday life in Algeria and its diaspora through film, paintings, photography and sculpture by twenty-five contemporary artists. It includes the first English translations of key theoretical texts on Algerian contemporary art.

Stemming from the Barthean spirit of the 2017 opening show of Brazilian gallery Mendes Wood DM's new space in Brussels, this catalogue gathers new works by a selection of artists who participated in the inaugural exhibition. It also features a fictional history of the gallery by Oliver Basciano, associated with photographs by Mauro Restiffe.

A very subjective and alternative cartography of Luxembourg (a social design, publishing and bottom-up creation project led by Dutch graphic designer Annelys Devet).

Superimposing different sources—background sounds, recordings of a charivari in the streets of Lyon, bird songs or rhythms and melodies of amateur or professional musicians—Paul Elliman's vinyl record can be experienced as a form of sound loitering, each track composed by the transformation of different audio materials into unique musical collages.

This publication looks back on Laure Ghorayeb's transition from writer to painter.

Thirty texts by cultural critic, auto/biographer, and lesbian icon Jill Johnston.

This first monograph looks back on French artist Alexandre Leger's production over the last 10 years.

First monograph dedicated to Musa paradisiaca, a dialogue-based project by Eduardo Guerra and Miguel Ferrão founded on temporary partnerships. This richly illustrated publication documents the variety of their works— sculpture, paintings, texts, and sounds—and includes new commissioned essays.