With her debut chapbook, award-winning author and curator Legacy Russell returns to poetry with her GAY POMPEII, a collection of lyric poems that begin at the end of the world.

A look back at the approach and programming of the Basel-based modular independent art space, between living, working and exhibition space.

A project curated by American artist Oscar Tuazon, which explores water as a metaphor, as an element that resists any attempt at shaping, and as an essential medium for artists: a pure mirror.

The four seasons as a thematic underpinning to present a rich selection of Norwegian and international contemporary art from the Christen Sveaas Art Foundation.

This reader brings together artistic and theoretical contributions on the instertitial nature of sound. This issue is addressed through a variety of prisms, such as format, language, politics, or new technologies.

The first major monograph on Swiss-Uruguayan artist Jill Mulleady, whose paintings feature humans and animals enacting their instinctive psychological reactions to ever-present threats of danger.

First monograph.

The Um Slaim School forms part of a propositional pedagogy for contemporary urbanism in Riyadh, expanding on the National Pavilion of Saudi Arabia at the Biennale Architettura 2025, and the work of Riyadh-based practice Syn Architects (Sara Alissa and Nojoud Alsudairi).

A joint exhibition by the Austrian artist and the Belgian artist and writer.

PROVENCE UNCONSCIOUS deep dives into the cosmological pool that shapes the collective unconscious and takes a look at the relevance of Jung's ideas in relation to contemporary art and fashion.

Eight sound pieces delicately handcrafted like a game between inside and outside.

The first total survey of Jef Geys' work.

This enchanting convening of texts and images, diaries and epistles celebrates a unique voice and ongoing dialogue around the erotics of art.

Vaginal Davis offers insights into her collaborative practice of making music in art-punk bands in Los Angles and Berlin.

Artaud's last unpublished work.

24 transcribed public conversations led by Xavier Le Roy with artists and cultural workers, creating a space where Le Roy's work meets the experiences of his guests.

International curator Cristina Ricupero uses the figure of Frankenstein as a common thread to explore and share her curatorial practice.

Gilles Aubry's composition "L'Makina" is a haunting soundscape that combines AI-generated sound textures with modular synths. Structured in two parts, the piece explores the spectral possibilities of a virtual sound model developed using a machine learning algorithm, in collaboration with Moroccan musicians Ali Faiq and Idr Basrou.

The first monograph, lavishly illustrated, with a preface by Martin Scorsese and numerous texts, devoted to the work of the astonishing American photographer who resurrects forgotten techniques to revisit the aesthetics of the early days of photography (and capture all its uncanny strangeness).

A selection of previously unpublished photographs from the Bolol project conducted by Eva Diallo since 2018 on the trail of overland migration routes from Africa to Europe.

Jérôme Game, a poet working at the intersection of words, sounds and images, has invited two of his stage partners, Chloé and Jean-Michel Espitallier, to create a duo piece with him for this sound poetry album, between beat inspiration, krautrock motorick and literary glitch.

Andrzej Karałow's piano metamorphoses in the cogs of Jérôme Noetinger's tape recorder, multiplying and playing with its distorted mirror: a journey through imaginary landscapes haunted by a ghostly presence.

A double CD with Suite blanche, a musique concrète composition by Anouck Genthon (violin, sound recordings) and Lionel Marchetti (synthesizers, electroacoustics, sound recordings), and Angelica, a concert by the duo.

Four texts by Teri Wehn Damisch, attending to the conception of her films on artist Robert Morris, photographer Gisèle Freund and anthropologist Françoise Héritier.

A publication that directs dialogue and points of exchange among art, science, and environmental justice in the Americas.

People Like Us, the project of artist Vicki Bennet returns to Discrepant with a special vinyl release of "Copia". This album marks the first new musical material since 2018, delving into the profound realms of existential collage and sampling, celebrating these forms as expressions of timeless connectivity.

The relationship between quantifiable and experiential knowledge as entanglement of multiple temporalities.

In Meta Cars, Beni Bischof transforms found images of cars into visual distortions. Through digital manipulation and radical simplification, the original shapes are abstracted—reduced to ghostly and ridiculous silhouettes that feel both familiar and alien.

Slavs and Tatars, Stephanie Comilang, Ho Tzu Nyen, Sohrab Mohebbi, Lauren Cook, Édouard Glissant, Mira Dayal, Elvira Dyangani Ose, Dani Blanga Gubbay, Ruoru Mou, Virginia Ariu, Bagus Pandega, Ceidra Moon Murphy, Oshay Green, Shafei Xia, Christian Rattemeyer, Lamm & Kirch...

A contemporary cabinet of curiosities, comprising the singular collection assembled by Jean Chatelus (1939-2021) over the course of his life: sculptures, installations, paintings, photographs, drawings by the greatest figures of the 20th century, as well as by outsider artists and "enfants terribles", pieces of non-Western art and objects from popular traditions, reflecting diverse aesthetics and voices.

A reflection on two essential formats in photographic production: the book and the exhibition space (featuring Christian Aschman, Julien Carreyn, Bertrand Cavalier, Wade Guyton, Pierre Hourquet, Aurélien Mole, Katja Stuke & Oliver Sieber, Batia Suter, Rebecca Topakian, Wolfgang Tillmans, and Ruth Van Beek).

Drawing together together numerous travesti writers, voices, performers, artists, and historians, this collection amounts to a narrative of survival.

Interviews with Dan Ploeger, Derek Curry & Jennifer Gradecki, Liz Pelly, Barnaby Francis & Bill Posters; Poetic Terrorism & Brand Sabotage; reports: xCoAx 2024, Konton-ni-Ai!, 7th International Digital Art Biennal...

Céline Guichard; Dalia Taha; on autodidacticism in music, by Fanny Chiarello; towards intercultural listening, a conversation between Kristoff K. Roll and the Mexican collective La Lleca; interviews with Alexandra Spence and Ayami Suzuki; Noises at Pompidou: a conversation between Marion Camy-Palou, Kasper T. Toeplitz and Nicolas Ballet; creating in psychic precariousness, by Aude Romary; book and record reviews..

The fifth issue of the annual publication dedicated to sound and music experimentation, co-published by Shelter Press and Ina GRM – Groupe de Recherches Musicales, around the topic of voice (with François J. Bonnet, Marja Ahti, Scott Arford, Nicolas Debade, Michael Gatt, Tim Ingold, Rolf Julius, Jules Négrier, John Richards, Marina Rosenfeld, Hildegard Westerkamp, Randy Yau...).

The 2025 Villa Medici residents catalogue.

From submerging as emerging: a cross-disciplinary perspective of the medial, aesthetic, and material aspects of submerging, as well as its methodological qualities as a resistant practice and figure of thought.

To a Dead Hare collects images from trajectories around photography, created by mentormentor over the past few years for S.M.A.K. Moves, a programme centred around inclusivity, with art as a universal language.

This anthology presents and discusses current tools, methods, and analytical frameworks to address artistic interventions, taking a multidirectional approach that accounts for the positionality of perspectives and highlights the nondirectional formation of the interventions at hand.

The links between feminized labor, technological advancements, and their associated languages: a very special publication including a softcover book and 19 booklets with artists' imagery in a box. Accompanying the exhibition curated by Maurin Dietrich and Gloria Hasnay at Kunstverein München.

Designers and researchers question the notion of resources (being material, human or intellectual) and our everyday habits to explore the ways in which design can respond to contemporary issues by rethinking production, consumption and innovation (the catalogue of the 13th Saint-Étienne International Design Biennial).

For Summer 2025, Spike is getting freaky with the truest image of our time: Vulgarity.

The final issue of the annual graphic design journal Composite.

An in-depth look at nearly two decades of artistic output by the Palestinian artist and filmmaker Basma al-Sharif.

An urban investigator has been commissioned by a global corporation to determine how cities worldwide are being engulfed and destroyed by the wastelands that are mysteriously appearing in their heart. They are being "wastelanded," generating turmoil and catastrophic technological meltdown in every global megalopolis.

A moment in bird territory: a musical piece created live in an aviary fitted out with musical instruments, in which visitors are invited to stay in the company of some sixty live Australian finches, hopping quietly (and harmoniously) on 12 tuned electric guitars that have become perches.

A fictional text by Geneva based artist Timothée Calame aka T. Freakson Calame: a collection of short stories that follow the urban wanderings of a protagonist through a series of unlikely events and encounters.

An artist's book by architect, forester and refuge keeper Wim Cuyvers, examining the changing climate and the very definition of architecture through a photographic investigation of the landscape.

The reproduction / reconstruction of Lautréamont's extremely rare text by artists Vincent Labaume and Jean-Luc Moulène, who, with the help of photocopying, photography and digitization, continue a century-old tradition.

Cross remixes by two emblematic figures of the contemporary electronic and experimental scene.