On the occasion of the 10th anniversary of MuMo (Musée Mobile), this fourth volume traces the journey of a new museum truck, designed in 2017 by designer Matali Crasset to circulate the works of the Fonds régionaux d'art contemporain (Frac) and the Cnap – Centre national des arts plastiques.

In an echo to appeals in the collective exhibition Ubuntu, a Lucid Dream—calls for revolt, as well as for wisdom and reparation—this issue of the magazine Palais is published on the occasion of a season of exhibitions at the Palais de Tokyo, which foregrounds artists whose practices cross borders and restore the capacity for action, to ideas, forms, and cultures which are more nomadic than static.

First translation into French of a work by the Japanese sociologist and feminist Chizuko Ueno, who questions the relationship of women to historical tragedies, violence, war and terrorism, rejecting all forms of violence, both state and domestic, as well as domination.

The first translation into French of a work by the Japanese philosopher, this book, based on photography and cinema, in dialogue with Cassirer, Heidegger, Marx and the authors of the Frankfurt School, proposes an aesthetic of resistance and rebound that is inseparable from the body and the struggles it involves.

Part children book, part exhibition catalogue, Fake Star is a book about an exhibit in a National Pavilion in the Paris World Exposition 1900.

Remember the Details is a piece of first-hand political reportage told through the story of images: Skye Arundhati Thomas reflects on the Indian protest movement that began in mid-2019 against anti-Muslim and casteist citizenship laws, writing the history of this important cultural and political moment.

Amazonia: Anthology as Cosmology is devoted to Amazonia, its peoples, allies, and nonhuman spirits, and their myriad material and immaterial practices, from certain cosmopolitics and visual languages to past and present forms of resistance.

The third issue of the annual publication dedicated to sound and music experimentation, co-published by Shelter Press and Ina GRM – Groupe de Recherches Musicales, around the topic of artificial intelligence (contributions by Keith Fullerton Whitman, Steve Goodman, Florian Hecker, Robin Mackay, Bill Orcutt, Akira Rabelais, Lucy Railton, Jean-Claude Risset, Sébastien Roux...).

The catalog of the international exhibition initiated at Les Abattoirs reveals a little-known story that was a milestone in 20th century psychiatry and its new links with art brut and modern art, taking as its starting point the career of the Catalan psychiatrist François Tosquelles (1912-1994).

Cura. #37 intertwines the themes of After Language and Post Society, and explores the way in which the radical change in the economic, political, cultural, linguistic and emotional structures that define our present is called upon to identify alternative and functional models for the advancement of "new."

Artist's book.

Artist's book.

The soundtrack from Chris Marker's Sci-Fi short drama "La Jetée".

The birth and evolution of graffiti writing in Italy.

First monograph.

The use by artists of objects coming from the collections of museums of art, science, and society.

Rethinking the role of the museum today.

A caustic diagnosis of the situation of the current art, by one of its major protagonists.

An analysis of the spatial representations using new digital location and mapping technologies, in the light of the political issues that accompany their multiple interpretations.

From the observation of a society of capuchin monkeys and thought experiments borrowed from theater, Zaven Paré, artist and researcher in interaction design, specialist in theater and robotics, attempts to dismantle the pitfalls of anthropomorphization, in an attention that seeks to preserve the irreducible character of an interspecific copresence.

The first comparative study of artistic culture in Europe under Soviet influence following the Yalta Accords, tracing the complex relationship between art and politics and the tensions between the avant-garde and traditional practices on the other side of the Iron Curtain.

The images of exile, escape, wandering and exclusion in art history, from classical painting to the most contemporary production.

An essay on the Argentine director Hugo Santiago that questions the very definition of cinema.

Reference monograph of Georges Mathieu (1921-2012), a major figure of mid-20th century abstraction, founder of Lyrical Abstraction, inventor of performance art, pioneer of Action Painting, speed and risk, dripping, early inspirer of street art.

An absorbing sound collage album that emerged out of the production material of the film, The Works and Days (of Tayoko Shiojiri in the Shiotani Basin) by C.W. Winter & Anders Edström, with musical excerpts from Tim Berne & Bill Frisell, Tony Conrad, Graham Lambkin, Mary Jane Leach, Alvin Lucier, Phill Niblock, Folke Rabe, Éliane Radigue, and Akio Suzuki.

A limited edition artist's book, Mnēmē presents the work of the Tunisian artist Nidhal Chamekh through thirty-four independent drawings collected in a luxurious boxed portfolio.

The complete Ceremonies (2013-2020) by Béatrice Balcou, testing our visual and experiential approach to artworks, confronting us with the basic status of material objects before actually revealing their identity.

Tetsuo Furudate's new album, featuring Keiko Higuchi and Olga Magieres.

An essay by the distinguished philosopher and theorist of art and media on the current evolution and possible future of museum collections practices and strategies.

Retrospective monograph.

Attempting to explore the transdisciplinary aspects of artistic practice, this book revisits a tipping point in art history: the invention of preconceptual and minimal art forms by George Brecht, a chemical engineer and artist.

The Italian edition of Flaubert's account of his trip to Egypt, illustrated by Nathalie du Pasquier.

Two compositions conceived mainly from researches on the inaudible and the unspeakable, as part of a series devoted to the representation of infraliminary sound phenomenons of the reality, of everyday life.

Algorithm as material and writing.

The meeting between the artist and the philosopher, working together to create a common space.

Josh Sperling's first catalogue raisonné: this carefully produced publication (cloth-bound cover, different papers) is a comprehensive record of paintings produced thus far by the prolific artist, featuring an accompanying essay by Kyle Chayka.

Bernard Chambaz, Bertrand Dezoteux and David Redon review the complex history of the construction of the Guiana Space Center, the French space launch base in Kourou, in the 1960s.

A multiformat release inspired by and channeling the culture and traditions of the Aeta, an indigenous group from the Zambales region in the Philippines, some of the most ancient nomadic and hunter gathering cultures. A sonic exorcism filled with ancestral frequencies, haunted ghosts, and other animistic spirits from the Pinatubo forests, going from the realms of the real to the imaginary, from transcription to syncretism, from concrete to abstract.

A reflection treating the game of football as an expression of both individual and group "identity".

Microbial oceanography as a means to better understand the conditions of life (and survival) in the Anthropocene era.

Forty-one contributions by artists, scholars, scientists, and ocean activists in response to the current dramatic evolution of the oceans.

Terrine, Gabi Losoncy, Nour Mobarak; focus Bruisme Festival; Augustin Bette; 20 Italian records; interviews: Thurston Moore by Jacques Debout & Michel Henritzi ; Michel Chion by Jérôme Noetinger; John Tchicai by Gérard Rouy; Pole Ka; books and records reviews...

Robert Longo, Ed Atkins, Pattern and Decoration, The Velvet Underground, Mona Hatoum, Jay DeFeo, Huguette Caland...

A series of interdisciplinary contributions around the political and social dimensions of ecology and its implications in the humanities and social sciences, artistic practices and design.

Between a film diary and a manifesto on the creative process, this book is a wild and enchanting journey in Karen Dalton's footsteps, the cult singer and her breathtaking voice, friend of Bob Dylan and forgotten muse of the '60s, and offers an investigation combining texts, photographs, drawings and archives, at the crossroads of the worlds of art, music and cinema.

The collaboration of two American greats: master of metafiction Robert Coover and graphic legend Art Spiegelman.

Through short poetic texts that are both humorous and insightful, Quebec artist Annie Descôteaux speaks to her ever-evolving art practice and relationship with the physical world, while also incisively critiquing the institution.

In an age characterised by the increasing dematerialisation of cultural production and transmission, Database, Network, Interface explores architecture's historical role in representing and organising information and knowledge.

Catalogue / artist's book with twenty-one colour illustrations of German artist Maximilian Kirmse's paintings, as well as several drawings.

Machines & Fictions is a monograph on the work of Spanish artist Félix Luque Sánchez over the last twelve years, in collaboration with fellow artists Damien Gernay and Íñigo Bilbao. The book includes texts by leading scholars, curators, and art critics who discuss Félix Luque Sánchez's artistic projects.