Giovanna Silva paints a sinuous, compulsive, dizzying and poetic portrait of the city of Milan through several hundred series of detailed photographs of modern and contemporary building facades.

Over the last four decades, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority. With contributions from Erika Balsom, Elena Gorfinkel, Tendai Mutambu, John David Rhodes and Shola von Rheinold, Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema.

A book-exhibition that brings together the practice of three artists from the contemporary publishing scene around the figure of Mary Ellen Solt (1920-2007), an American artist whose works of concrete poetry enter into graphic and conceptual resonance with the three artists' own publications.

First monograph.

A study of Tadini's position in the early post-war cultural debate, with a large documentation of paintings, photographic studies, drawing and collages, based on an unpublished manuscript.

The first curatorial project dedicated to Post-Performance Video with a special look at the works of four artists working in Los Angeles or having trained in this city: Coleman Collins, Rodney McMillian, Nathaniel Mellors, and Anna Wittenberg.

Histories Read Across, Fluentum's inaugural issue that opens the publication series In Media Res, examines how (his-)stories are told, narratives are conceived, and knowledge is produced.

Art and the economics of the digital age.

This volume presents Laura Aldridge's recent and older works, and features an interview and three original essays about her practice.

Artist's book.

An unconventional invocation of Michael Stevenson's practice over the past 35 years.

This small volume features drawings created by by the famous Swiss illustrator for Basler Rabattmarke BKG Liga.

An artist's book paying tribute to Angoulême and comics, to Joy Division and the Situationist International at the same time.

Conceived entirely by the artist on the occasion of the homonymous solo exhibition at MAXXI, Rome, this volume documents Thomas Hirschhorn's research on Pixel-Collage, an impressive cycle of works realized between 2015 and 2017.

New monograph.

French edition of Valerio Olgiati's and Markus Breitschmid's widely acclaimed manifesto for a new approach in architecture in a world free of ideologies and, therefore, references: a must-read for anyone interested in architecture today.

Flipbook.

Ronan Bouroullec's ceramic bas-reliefs.

99% Darkness is a compilation of recent collaborative paintings and drawings, featuring the night sky. Short scattered texts take inspiration from the cold vast emptiness of space, with applied human longings and hopes.

The script of Peter Greenaway's latest film.

Two pieces based on Milan Knízak's canonical text Aktual University, dating from 1967, containing ten short lectures outlining the university's character—On Conflict, On Dreams, On Revolutions, On Love, On Belief, On Art, etc. These lectures were to serve as inspirational schemes for lectures, seminars and discussions held at an ideal university.

A sound creation based on the texts and voice of Giampiero Cane performed by himself and manipulated by the composer Daniela Cattivelli, who electronically projected them into a chaotic flow.

An essay on the climate crisis by Erri De Luca.

Peter Piller's peripheral excursions around Bremen.

Philipp Mueller's photographs of the emerging techno scene in Switzerland in the early 1990s.

New series of paintings by the Swiss artist, that examine the role of humankind in nature and within its social fabric on a philosophical-anthropological level.

A set of photographs of the back covers of Jonathan Monk's books presented turned over. A play of transparency reveals the captions written on the back of each page.

Thomas Crow on Billy Apple; Allen Ruppersberg on Margo Leavin; Amy Taubin on Apichatpong Weerasethakul; Anna Shechtman and D. A. Miller on Pedro Almodóvar; Michael Lobel on Romare Bearden in the 1930s; Patric Dicaprio shares his Top Ten; Daniel Marcus on Hannah Wilke; Mostafa Heddaya on art and comparison; Devan Díaz on Drake Carr; Four contributors take stock of "Jasper Johns: Mind/Mirror"...

The purpose of this issue "Experts / Non Experts. Participative Knowledge Construction in Popular Music: Controversies and Historiography" is to offer a retrospective and critical reflection on popular music studies' initial vocation, to bring to light repertoires that are seldom studied and even sometimes discredited.

The 2020 edition of the Tour de France was canceled before being eventually postponed. Tour is a series of 101 photographs shot by Louis Canadas on the race's official route, during this period of uncertainty. Words are from Fanny Taillandier.

A performative publication by author and choreographer Sara Gebran aiming to immerse readers in a world of social intimacy.

Dedicated to the widely loved character of Jack McCoy, portrayed by Sam Waterston in Law & Order, For McCoy finds Eiko Ishibashi further exploring the unique space she has carved out in recent years, bringing together musique concrète techniques, ECM-inspired jazz, lush layers of synths and hints of pop into immersive and affecting structures.

Autobiography by Alessandro Pessoli is a mix of drawings and written words created specifically for the publication. The handwritten texts belong from some of the songs the artist is used to listen while at work.

Twelve articles by Michael Bierut, translated into French and annotated, complemented by a selection of his most emblematic projects.

Facsimile scores and documents about the work recorded by Luc Ferrari during summer 1977 and premiered in 1979 during Festival d'Automne at Centre Pompidou, Paris.

In Sculptor's Notebook, originally written in 1985, the artist Pushpamala N evaluates the artistic practice that she had been developing until then.

An unpublished text by Luc Ferrari from 1982, in which he expresses some of his hopes and concerns about what would become La Muse en circuit that same year. Forty years later, the present director Wilfried Wendling wrote a text in echo.

A speculative arc, spanned with hints from different epochs of occidental music, with poetic and personally coloured texts that deal with the world (of art).

A text by Merle Kröger inaugurating the "Howdunnit" series, part crime literature and part archival research, exploring how different modes of investigation converge and diverge.

A photographic dive into the avant-garde of a New York at the height of its decadence and cultural importance.

Reference monograph on the work of one of Belgium's most discreet, yet most important, female artists.

Facsimile edition of Stephanie Oursler's 1975 artist's book.

Yves Scherer's Tatami mats series.

A history of southern surrealism, between Monaco and Alexandria: a journey that defies established cartographies, far from the nationalistic landmarks of a European-centric history of modernity.

The new magistral piece from Phill Niblock, played by the Arditti String Quartet, David Watson and the Phoenix Ensemble Basel.

An attempt to explain the reason for the dimensions of a photographic image, of a print (the book is illustrated with works from the collection of the FRACs of the Nouvelle-Aquitaine region laid out in their respective scale ratios).

The BOM DIA weekly planner for 2022.

With six songs in forty-five minutes, Blend The Horse! adds new influences (Broadcast, Radiohead, Tropical Fuck Storm) and brings together opposites dear to The Snobs: electric and electronic, melodic and hypnotic, noisy and pop.

The third collaboration between Félicia Atkinson and Jefre Cantu-Ledesma—their first album produced together in the same studio: an electroacoustic, poetic, fluid and sensitive dialogue between the two experimentalists.