The guide and extension of the third edition of the Diriyah Contemporary Art Biennale (2026), featuring 67 international artists.

First monograph.

British artist James Bloom uses AI to render the human body's movements dysfunctional as he generates them, and records the sequence in the form of a flip book.

Painting as a space for political resistance, irony, and philosophical reflection (an overview of the pictorial work of Basque artist Juan Pérez Agirregoikoa).

Outrageous Intimacy delves into the artistic practice of Lea Porsager, documenting her work with a particular focus on her earthworks, texts, and use of readymades.

Complete documentation on the exhibition conceived by Michael E. Smith for the underground spaces of Palazzo Bentivoglio in Bologna.

Portuguese artist Joana Vasconcelos engages in a dialogue with the city of Rome, the world of haute couture, and the work and legacy of Valentino (1932-2026).

Baukunst explain the singular logics behind their projects in an interweaving of architecture, philosophy, representation and technology.

The 9th issue of the magazine that explores minor practices in art and architecture brings together a reflection on the ebb and flow between affirmation and denial as well as material-conceptual operations with dirt.

Petrit Halilaj and Danh Vo in conversation; Forensic Architecture (Eyal Weizman, Nour Abuzaid, and Elizabeth Breiner); Gabrielle Goliath; Edward W. Said; Shumon Basar; Dani Blanga Gubbay; Yvonne Rainer; Thomas Eggerer and Jochen Klein; Tobias Pils; Travis Jeppesen...

Retrospective monograph.

Artist's book.

The definitive publication on Carl Cheng's genre-defying work.

Jos de Gruyter & Harald Thys' 2026 artist's calendar.

Fatima-Zahra Lakrissa revisits a sequence of Morocco's cultural history: the encounter of two anthropologists and the intersecting history of their approaches to popular and traditional art objects.

Invited by Mara Hoberman, nine artists from both sides of the Atlantic reflect on Joan Mitchell's life, work and enduring impact.

Lee "Scratch" Perry's photographic works and writings, inventoried in the legendary Black Ark studio in Kingston, one of the cradles of reggae and dub.

An exploration of the intermedial potential of literature, extending beyond the book format (into the fields of visual arts, theater, performance, cinema, and music), developed in and around the catalog of the publishing house P.O.L.

A spectacular journey through 80 major works of modern and contemporary art (by Picasso, Kandinsky, Joan Mitchell, and Hockney to Manal AlDowayan, Etel Adnan, and Imran Qureshi) in AlUla, an oasis located on the ancient incense route, taking the image of the "garden in the desert" as a starting point for artistic reflection on the evolving relationship between humans and nature.

A wide-ranging series of portraits of women from Lebanon, visually telling their story and their relationship with the country, 50 years after the beginning of the civil war.

Reflections by Alexandra Midal, Thierry Chancogne, and graphic design duo Syndicat on books and printed surfaces, based on the hundred or so publications produced by MAC VAL over two decades of commitment to contemporary graphic design.

The prospects opened up for architectural education by the pioneering initiative of the Um Slaim school in Riyadh.

The catalogue of the manifesto exhibition that seeks to lay the foundations for the conceptualisation of 21st-century extra-terrestrial art.

A retrospective tracing seventy years of work by Mario Ceroli (born in 1938), a central figure in 20th-century Italian sculpture.

An overview of the French artist's film remakes over a decade.

The first English-language catalogue dedicated to the Guangzhou-based artist.

First monograph devoted to the explosive and colorful abstract paintings of the Iranian artist.

This first monograph on Italian artist Emilio Prini (1943–2016), a key figure of Arte Povera, explores his radical approach to art across five decades of work through texts, archival research, and artist interventions.

Reference monograph: a large retrospective of the work of Norwegian painter Leonard Rickhard (1945-2024) spanning more than half a century.

Published on the occasion of the Chilean artist's first institutional survey exhibition in Europe, this monograph is dedicated to Sandra Vásquez de la Horra's experimental practice and focuses on her spatial, energetic, and global thinking.

Recorded live at Amsterdam's Oude Kerk during the 2024 Sonic Acts Festival, The Organ is the World's Greatest Synthesizer finds Charlemagne Palestine returning to the Staalplaat catalog. Taking its title and cover from a drawing made by Palestine during the performance, the work expands his singular mythology of sound and spirit (hand screenprited cover).

Interview with one of the great figures of art photography today, in which Sophie Ristelhueber reflects on her own carrer and practice.

When considered in parallel, Sigmund Freud's study of Michelangelo's Moses and his private collection of antique statuettes reveal elements of visual psychoanalysis that contradict the supposedly iconoclastic nature of this science.

Stéphane Blanquet's new facsimile sketchbook: drawings made on trains, public transport, notes, drawings everywhere.

On the occasion of Seasons, Maurizio Cattelan's exhibition at GAMeC, art historian Lisa Parola, investigates how contemporary art can redefine the idea of the monument.

A long conversation about the work and life of Portuguese artist Ana Jotta, accompanied by 60 previously unpublished photographs of her homes (in Brazil, Morocco, and Zanzibar) and her years in theater in the late 1970s.

Lina Pallotta's much anticipated Tongue on Flames captures the underground poetic energy that pulsed through New York from the early 1990s to the early 2000s in poetry and performance clubs that have become legendary, featuring Pallotta's immersive photographs and texts by key figures from that scene.

The catalog of a curatorial project devoted to Wolfgang Tillmans' books and magazines: an inventory as an invitation to literally take a different look at Tillmans' work, in print.

Red Rubber Road; Fatena Abu Mostafa; Inner Lifts (Sissel Vera Pettersen, Randi Pontoppidan, CTM, Sissi Rada, Meriheini Luoto, Berlinde Deman, Claire M Singer, IKI, Bridget Ferrill); Erell Latimier; Claire Serres & les Sirènes; Xavière Fertin & Louis Frères; Seijiro Murayama; Sophie Agnel; Tom Johnson (1939-2025)...

The new information regimes and document uses created by four major figures in the art world between the 1960s and 1970s—Germano Celant, Lucy R. Lippard, and Carla Lonzi, curators and art critics, as well as Seth Siegelaub

Artist's book printed in risograph in a limited edition of 250 copies.

La ville pour tous is a collection of writings by the great architect Paulo Mendes da Rocha, offering an overview of his work and of Brazilian society in the second half of the twentieth century.

"Para- hosting" as a cooperative methodology for arts institutions.

A photographic reflection on place and borders (artist's book).

An invitation from Mudam Luxembourg to consider the place, role and future of cultural institutions in the twenty-first century.

Studies on Squats is an evocative exploration of embodied resistance and political movement that uses the multifaceted posture of the "Asian Squat" as a lens through which broader concepts of migration, illness, and resilience are examined.

The catalogue of the exhibition for the Cyprus Pavilion at the 60th Venice Biennale.

An artistic and research project focusing on issues of travel, exile, migration, welcome and hospitality in a globalized world.

The legacy and posterity of the Tashkent Festival for Asian, African and Latin American Cinema, which was held between 1968 and 1988 in Uzbekistan.

Published in the Noor's Heroes children's book series that celebrates inspiring figures from the Arab world, this story introduces the legendary Egyptian singer Umm Kulthum.