A caustic diagnosis of the situation of the current art, by one of its major protagonists.

Mark Leckey finally presents the soundtrack to his autobiographical allegory 'O' Magic Power of Bleakness', a mind sluicing fantasy/autobiographical narrative inspired by folklore and half-remembered tales of teenage life growing up in the Wirral, a personal history woven into screwed 808s, ringtones, sacred chimes, smudged synths, sirens and levitating ambience that sounds like nowt else.

Terrine, Gabi Losoncy, Nour Mobarak; focus Bruisme Festival; Augustin Bette; 20 Italian records; interviews: Thurston Moore by Jacques Debout & Michel Henritzi ; Michel Chion by Jérôme Noetinger; John Tchicai by Gérard Rouy; Pole Ka; books and records reviews...

The use by artists of objects coming from the collections of museums of art, science, and society.

An essay by the distinguished philosopher and theorist of art and media on the current evolution and possible future of museum collections practices and strategies.

Issues 31 to 34 of the critical review dedicated to graphic design.

An analysis of the spatial representations using new digital location and mapping technologies, in the light of the political issues that accompany their multiple interpretations.

The second volume of the Wattis's annual reader, ​A Series of Open Questions.

A hybrid publication that gathers 18 architecture projects from the student collectives of Roberto Gargiani's Superstudio at the École polytechnique fédérale de Lausanne, 2020–2021, and a series of 13 theoretical, practical and historical reflections on (antagonist) rationalism in architecture.

An in-depth research project by Elena Mazzi in dialogue with the Mapuche spiritual leader, silversmith and activist, Mauro Millán and Argentinean artist, Eduardo Molinari, about the cultural resistance of the Mapuche people to neo-colonialism in Chile.

Published on the occasion of Cyprus' participation at the 17th Architecture Biennale in Venice, Anachoresis: Upon Inhabiting Distances gathers a collection of texts and visual material from a multidisciplinary group of Cypriot and international practitioners, including architects and designers, curators and writers, sound and movement artists.

A series of essays and visual contributions critically reflecting on the questions of hospitality safety, security and care.

Momentography of a failurebrings essays, timelines, film, photography, and a series of conversations together to deal with Ethiopia's controversial urbanisation and the transformative space of the city.

The first issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, explores the identity, role and position of the Professor (contributions by Uli Aigner, Lili Reynaud-Dewar, Jörg Heiser, Christian Nyampeta, Vivian Slee and Marjorie Senechal).

A collection of texts by the artist and quotations through which Jaana Laakkonen develops reflections on her own practice and on the challenges of her work.

A retrospective of the last ten years of the Italian artist's graphic and sculptural work, often deployed in extensive programmatic ensembles concerned with memory and archaeology, a sense of history and passing time, that highlights his major contribution to the reconstruction of a trans-Mediterranean imaginary.

The catalogue of the 2021 Belgrade Biennale, exploring the space of dream as a metaphorical space of freedom, capable of re-reading categories, rules, and the most common certainties.

Critical re-edition in French of an absolutely precursory and fundamental work for the inclusion of social and environmental issues in the design process: the manifesto of a radical reconfiguration of the field of design, of its forms but above all of its mission.

The first artist monograph featuring the work of Swiss-Guinean artist Namsa Leuba.

Artist's book.

A portrait of the Belgian architecture office Baukunst founded by Adrien Verschuere.

Mehdi Belhaj Kacem and Bernard Stiegler talk about what links them to philosophy.

A look back in text and images at AA Bronson 's (collective) production between 2013 and 2018.

A dialogue between the philosopher and the art historian around the encounter.

Portraits and landscapes from the cinematographer famed for his work with Sam Mendes and the Coen brothers.

First monograph of the French-Swiss artist Delphine Renault, presented by a critical essay by Karine Tissot.

A counter-plunge into the thousands of annotated books in the personal library of the painter Jean-Luc Poivret.

An ongoing series of figurative oil-on-canvas paintings by Swiss-born London-based artist Mathis Gasser, decontextualizing in the same gesture characters of the popular culture and figures of the history of the art.

A search for the founding narratives of graphic design and typography (as there were such narratives in antiquity about art, painting, and sculpture) among Atlantist type designers of the 1930s, starting with the American typographer Beatrice Warde.

Portraits in 22 tableaux based on the works and words of Bertolt & George Brecht.

The history of Arabic calligraphy.

The catalogue of the 12th edition of Sonsbeek, centered around labour, and its sonicities, connects a millenary history crossing times and geographies to the present moment, through a multitude of voices, sounds, and ripples.

This reader is a culmination of direct and tangential deliberations on notions of labour, appreciated across geographies and mediums. Newly commissioned textual manifestations in a multilogue with historical positions.

Mediterranea 19 – School of Waters imagines a Biennale as a temporary school inspired by radical and experimental pedagogies and the way they challenge artistic, curatorial, and research formats.

The Roman period (1974-1976) of the Swiss artist Hannah Villiger (1951-1997), some decisive years where she developed the sculptural approach to photography that would shape all of her later work.

Industrial production processes applied to literary translation and cultural creation.

Drawing as a sculptural medium.

First monograph.

New large-scale paintings and site-specific floor poster installation relating to youth culture movements, revolving around the states of bewilderment, uncertainty, and alienation, as well as enthusiasm and hope, that accompany the process of growing up.

Retrospective monograph.

Liu Xiaodong's series of paintings from the Texas-Mexico border.

The facsimile edition of the visionary sketches and notes of the surrealist master for Brian Gibson's horror film Poltergeist II.

A series of over 1200 close-ups of advertising posters in Zürich photographed by Anna Stüdeli.

The masterpieces of classical antiquity revisited by Daniel Arsham: pursuing his fictitious archaeological approach, the American artist offers through his reappropriation of the Venus de Milo or Michelangelo's Moses a reflection on our relationship to time.

A new set of sculptures created by Daniel Arsham from the vast collection of molds produced by the Ateliers d'Art du RMN - Grand Palais.

A reference book containing all the transcripts of Simone Forti's News Animations.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.

Morceaux choisis is the first seminal overview of Saâdane Afif's artistic practices. The publication features 48 exhibitions or performances organized in 28 separate sections, covering a period of 14 years.