François Havegeer and Sacha Léopold (Syndicat) invited Aurélien Mole, Jérôme Dupeyrat, Mathias Augustyniak (M/M Paris) and Thierry Chancogne to express their views on art posters, artist posters, posters made by artists, posters made with artists, posters made for artists, and the occasional participation of graphic designers (special issue of the critical review dedicated to graphic design).

Issues 19 to 21 of the critical review dedicated to graphic design.

A picaresque tale of Clara Schulmann's often collective experiences.

This book tiptoes between aesthetics and ethics; it proposes to rethink trauma in its necessity as well as impossibility to be represented and understood.

Monographic catalogue: for more than a decade, Israeli installation and performance artist Naama Tsabar subverts the gender roles associated with art and music, with a particular emphasis on rock'n'roll.

This anthology gives voice to seven curators who discuss the conception of shows they organized that marked curatorial history thanks to their structural innovation in terms of exhibition siting.

The catalogue of the 33rd Ljubljana Biennial of Graphic Arts, curated by art collective Slavs and Tatars, examines the relationship between graphic arts and satire.

New catalogue.

Catalogue of the Estonian Pavilion at the 58th Venice Biennale.

Second volume of a publication dedicated to the artist's novel, this metafiction follows a detective investigating the conditions of production of a novel within an artistic framework.

This catalogue documents a project for which Steegmann Mangrané intends to reframe the history of abstraction, inviting us to re-evaluate the traditional division between nature and culture. It features a selection of works inspired by the artist's readings, from Roger Caillois to Merleau-Ponty.

This publication extends an exhibition program that examines the environmental challenges facing the art world and its institutions, drawing on the concept of “destructive plasticity” theorized by philosopher Catherine Malabou.

Retrospective monograph documenting the exceptional yet little-known journey of Cathy Josefowitz (1956-2014), painter, designer, dancer and musician.

Retrospective catalogue spanning Morris's early years, covering the 1960s and 1970s through a selection of works, historical essays, interviews with collaborators, and texts by the artist.

An anthology of texts by the influential American critic and curator. The publication includes essays on artists, exhibitions, and curating, catalogue texts, and interviews.

The pleonectic comes from a neologism that means: have-more. The challenge of this major book by Mehdi Belhaj Kacem is to identify the ontological principle from which to question the afflictions in which our world is struggling.

A book of photographs and texts showing young people in their precarious work uniforms, drawing up a sensitive social chronicle of the precariousness of work among this generation.

A collection of poems first published in 1972 by the French companion of the Beat Generation.

In this course, Reiner Schürmann develops the idea of a distinctive Medieval Renaissance, connected with the rediscovery of Aristotle. His analysis is drawn from readings of St. Thomas Aquinas, William of Ockham and Meister Eckhart's works.

This volume of Reiner Schürmann's lectures unpacks Nietzsche's ambivalence towards Kant, in particular positioning Nietzsche's claim to have brought an end to German idealism against the backdrop of the Kantian transcendental-critical tradition.

A retrospective look at the work of our contemporary art godfather.

Two thinkers of different generations discuss the question of sexuality and philosophy.

Four compositions by the electronic musician from Quebec, conceived during his studies at the Conservatoire de Musique de Montréal, from 2017 to 2019.

The performative aspect of the British artist's practice in the form of scores, transcriptions, and photographs (limited box set edition).

This publication presents an extended interview with the French architect Claude Parent (1923–2016) by curator Mai Abu ElDahab and visual artist Benjamin Seror that took place between 2013 and 2015. It features a wide selection of drawings by Parent.

A score of performative gestures, drawn from the conceptual art and body art scenes from Central and Eastern Europe in the 1970s and 1980s.

An in-depth history of the landmark situationist international periodical edited by artist Jacqueline de Jong from 1962–67. This lavishly illustrated publication features many previously unseen archival material, historical texts and new commissioned contributions.

This March in Artforum Chloe Wyma on the art of cover artist Agnes Pelton, J. Hoberman on Corneliu Porumboiu's The Whistlers, Hannah Black on Kandis Williams, plus Alex Jovanovic introduces an artist portfolio from Chason Matthams, James Meyer on Hans Haacke and exhibition reviews from Paris, Stockholm, Doha, Moscow, and more. 

Another pictureless, pocket-size book by Beni Bischof in his series. It is Bischof's personal presentation of his rich collection of catchy headlines and slogans, absurd comments and off-the-wall remarks. His text archives are a trove of inspiration for his pictures and titles.

Artist's book.

A collection of photographs of former border regions around the globe and down through the course of human history.

A return on Mark Geffriaud's film installation (artist's book).

A research on the verbal transcription of sound and an inventory of the first sound productions of Alice, the daughter of Camille Llobet (artist's book).

This artist's book is a written rendering of monologues included in The Zone, a performance based on a series of narratives staged within the exhibition space of the Iberê Camargo Foundation in Porto Alegre in 2018.

New monograph.

This artist's book is the book-form of a work by Matt Mullican, "The Meaning of Things (who feels the most pain?)" (2014), con sisting of 676 collages and texts on sheets of standard printing paper.

The two volumes of the publication dedicated to the artist's novel (two-books set special offer).

The first of a two-volume publication dedicated to the artist's novel, this theoretical essay aims to elucidate the pressing questions posed by the emergence of this new artistic medium with a number of key case studies and interviews.

A political view of international contemporary creation seen from the Gulf region, where wars and diplomatic tensions have constantly determined the history of the early 21st century (exhibition catalogue).

First monograph.

A selection of erotic paintings by the American artist, produced between 1969 and 1971: an ecstatic and mystical celebration of the sexual act.

An accordion and two turntables for an abstract musette.

This February in Artforum poet Simone White and writer Ciarán Finlayson respond to the recent Pope.L exhibitions that spanned multiple institutions across New York. Plus, Joan Jonas, Ugo Rondinone, and others on the life and art of John Giorno (1936-2019), a special artist's project by Christine Sun Kim, Daniel Marcus on Charlotte Perriand, and exhibition reviews from Paris, Cologne, Milan, Tallinn, and more.

This issue of Flash Art explores a sort of archeology of images, aiming to reflect on issues of appropriation and authenticity in their most contemporaneous sense, whereby any original or preexisting artwork, image, or product can be invested with a multiplicity of meanings.

Co-editors: Nicolas Maigret and Maria Roszkowska, intervioews with Špela Petrič, Tega Brain, Joyce Hinterding, Kat Austen, Thomas Thwaites, Melle Smets; The Sound of Disappearance and The Sonic Sublime; reports of ISEA 2019 Lux Aeterna, 58th Venice Biennale and Liechtenstein Brunch, 18th Media Art Biennale WRO “Human Aspect”.

How can we today situate the artist or, more broadly, the act of creation using artificial intelligence?

Box set comprising five books, a vinyl and a supplementary dust jacket, each highlighting different practices and transformative developments occurring in the realm of writing and speaking today as triggered by digital communication.

Conceived for the 12th Edition of the Bamako Encounters this book captures thoughts and responses of writers, poets, and artists to the curators' proposition to think the practice of photography in Africa and its diaspora through the notion of the “stream of consciousness.”