A curatorial project about concepts of hospitality and the triggers of hostility in hospitality.

Four essays and one conversation with contemporary artists and curators from different backgrounds and origins (Jerusalem, Lebanon, Kuwait, USA, Egypt) discussing their experience of becoming mothers as professionals in the arts, its reality and effects.

Through a set of artistic proposals and a fictional conversation, this publication explores the ways in which individual and collective identities manifest and reconfigure themselves in the digital age and the health crisis.

Issue dedicated to the iconic Parisian club Les Bains Douches.

Julius Eastman's major yet long-forgotten ensemble piece from 1974, dense and hypnotic, played by Ensemble 0.

A selection of works on paper by Swiss visionary outsider artist and healer Emma Kunz (1892-1963), close to geometric abstraction.

Feathers presents a collection of notes written by the Swiss artist during the conception of an aborted documentary in 2005. Taking the shape of a diary, it offers a unique gateway into Manon's daily life, interweaving memories and reflections on her artistic practice.

This book is a moving tribute to Jörg Binz's work, a selection from a great many paintings, especially portraits, and from his secret sketchbooks. It contains startling, bizarre, sublime works interspersed with literary and biographical texts that engage in an ongoing conversation with the paintings.

A series of cutouts from drawings made in graphite on 46 by 61 cm size paper, and which are part of the Fumées Sombres series (2020).

This publication brings together the source material that has informed Marclay's visual practice over the past few years. It gathers nearly 600 black & white Xeroxes of found image collages compiled with the help of graphic designer Laurent Benner.

First French translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

First English translation of the seminal essay on type in architecture by Spanish architect Carlos Martí Arís.

Four artist's posters.

Jupiter is the monograph of the artist Andreas Sell by the curator Joel Mu and the outcome of their collaboration. It includes a selection of Andreas Sell's work of the last fifteen years, an essay in five parts by Joel Mu, and a poem by Alice Heyward.

A rereading of the work of the great Franco-Swiss graphic designer, pioneer of minimalism and precursor in terms of typography.

Alan Michael, Jesse Wine, Beth Collar, Peter Fend, Tau Lewis, Robin Peckham, McKenzie Wark...

An extensive overview of Olivier Mosset's six-decade painting practice.

Artist's book.

An exquisite study in dreamlike abstract ambience, a kaleidoscope of sounds and tones that engage the head and the heart.

Artists' book.

Issues 27 to 30 of the critical review dedicated to graphic design.

A look back at social and intimate history of the automotive industry in the 1960s and 1970s, between the USSR and Italy.

Cemetery. Journeys to the Elephant Graveyard and Beyond compiles a selection of the visual and research materials accumulated during the development of the film and project Cemetery (2009–2019).

A photographic series that portrays details of the clothes of passers-by glimpsed along the streets of Manhattan (artist's book).

The early work of the doyen of Italian photography paint a striking portrait of Italy in the 1950s.

Julian Charrière's filmic journey to some of the most inhospitable areas of our planet.

New monograph, documenting a large-scale installation that reflects the artist's dreamlike aesthetic, his ongoing exploration of notions of movement, transition and vulnerability, and mythological narratives, offering a rare glimpse into Clemente's forays into the field of sculpture.

A rich selection of archival material along with critical essays and the series of paintings and spatial intervention that Fredrik Værslev especially produced for his exhibition at the Kunstnerforbundet in Oslo.

Dieter Roelstraete deciphers the series of national flags painted by Norwegian artist Fredrik Værslev.

An overview of the Israeli artist's photographic production.

The radical feminist practice of the Italian art historian, art critic, poet, and feminist Carla Lonzi (1931–1982) and its potential relationship to both historical and contemporary art practices offers the contextual framework for the publication Deculturalize.

First comprehensive monograph.

An analysis of Mike Kelley's work as a position in materialist philosophy, which appears as the feature that is most at stake in his artistic practice, focusing on the pieces he produced around the issue of memory––his leitmotiv from 1995 onward.

The first comprehensive publication to cover the artist's output from the last ten years.

An unusual vantage on the history of cinematic production in the twentieth century.

New monograph / catalogue.

This catalogue demonstrates the complexity of Diego Perrone's practice with a thorough analysis of his work from the beginning to the present day.

An in-depth introduction to the artistic practice of Lea Porsager.

An artistic research on the political construction of representations of socialist and capitalist modernity during the Cold War, through a history of exhibitions.

First comprehensive monograph.

This monograph showcases Elisabeth Wild's kaleidoscopic and vibrantly colored collages titled Fantasías.

An exhaustive documentation on ZimmerFrei's eponymous trilogy of short films.

An illustrated portrait of Laurent Le Deunff through interviews with various personalities, artists, filmmaker, philosopher and art critics.

"1 Million Roses for Angela Davis" traces Davis' immense influence and legacy as activist and scholar on contemporary artists today, while simultaneously teasing out the contradictions her presence and agenda posed to the GDR's interpretation and application of Marxism.

A journey of invention and experimentation through more than 200 pieces by international artists, observing the diversity not only of forms and decorations, but also of manufacturing processes of ceramic.

The never released before piece Un Monde Lacéré by electroacoustic music pioneer Pierre Henry, a stunning special tribute to Jacques Villeglé and his work, recorded in 2008 in studio Son/Ré.

A vast expanse of intricate ambience, texture, and tone that encounters Stephen O'Malley exploring quiet, introspective depths.

A piece made with materials from four artists (Arne Deforce and Deborah Walker, cello; Erik Drescher, flute; Dafne Vicent Sandoval, bassoon), recorded in Marcus Schmickler's studio in Koln, with a Brauner microphone.

The fertile exchanges between French and American poetry since 1968.

Italian composer Mauro Lanza delivers a masterful and radical work of electroacoustic artistry with his contribution to Matière Mémoire's MMXX Series, between electronic and acoustic tactics, pushing the boundaries of experimental and avant-garde music.