Aesthetics and politics of architecture of logistics.

First monograph dedicated to the American artist, offering an in-depth investigation of his work. The book assembles more than 65 artworks and three essays, by Kenneth Goldsmith, Jo Melvin and Balthazar Lovay, as well as an interview with Gene Beery by Gregor Quack.

Horizons presents a group of approximately seventeen large-scale works from the last thirty years by British abstract artist Ian Davenport, from the earlier pieces made with industrial materials of the '80s, till the more complex multicolored works of the last years.

Magic Centre revolves around the Indonesian publishing company of the same name, which was mostly active in the 1960s. It serves the artist as a lens through which he examines the social and political changes that reshaped his country during the years Magic Centre was in business.

The catalogue of Alban Muja's project for the Kosovo Pavilion at the 58th Venice Biennale.

An extensive overview of Scott Reeder's production from the 1990s until today.

Light Boiled like Liquid Soap is an immersive installation by Wilfrid Almendra featuring radio transmissions and a series of sculptural elements made of copper, plaster, and silicone in various states of dematerialization. Combining found and repurposed materials, the works attest to notions of desire, circulation, and flux, from protective spaces of retreat to global economies of exchange.

Published on the occasion of the 58th Venice Biennale and edited by curator Hesperia Iliadou de Subplajo-Suppiej, Maleth / Haven / Port is inspired by the Odissey and provides a contemporary reinterpretation of our timeless need of seeking Haven, most strongly experienced in times of crisis.

Published on the occasion of the 58th Venice Biennale and edited by Magalí Arriola, Acts of God by Pablo Vargas Lugo reflects upon faith beyond the confines of religion, and finds its traces, in different forms, in our contemporary world.

Commissioned by the Ruya Foundation for Contemporary Culture in Iraq and published on the occasion of the 58th Venice Biennale, Fatherland presents the work of Kurdish Iraqi artist Serwan Baran and his investigation of the concept of “fatherland” as opposed to what we traditionally understand as “motherland.”

Large format catalogue documenting a multichannel installation by Florian Hecker at Kunsthalle Wien, transformated into a resonating space, with texts by curators, researchers, theorists, and art historians.

Published on the occasion of the 58th Venice Biennale and curated by Hyunjin Kim, History Has Failed Us, but No Matter explores the history of modernization in East Asia through the lens of gender and the agency of tradition.

Fanzine / artist's book.

Catalogue of Driant Zeneli's multidisciplinary film and sculpture installation for the Albanian Pavilion at the 58th Venice Biennale.

This book traces Jennifer Caubet's work during her residency at the Centre International de Recherche sur le Verre et les Arts plastiques (Cirva), from 2017 to 2019.

This book is a three-part report on the long-term collaboration between artist Pope.L and curator Dieter Roelstraete which revolves around issues of connectedness, home, and migration, while addressing art's relationship to knowledge.

A curated collection of essays by art critics, philosophers, curators, designers, researchers and conservators, whose considerations address the transformations in the contemporary landscape of fruition and production of art.

New monograph, featuring American–Canadian artist's latest work, in dialogue with a museum collection.

Bringing together art, science, and humanities, and focusing on environmental phenomena that directly influence our lives, the project for the 58th Venice Biennale by Ane Graff, Ingela Ihrman, and artist duo Nabbteeri is themed around the complex and varied relations between the human and nonhuman, in an age when climate change and mass extinction are threatening the future of life on Earth.

Post-empire in the new Middle Kingdom: what once was America is now China. After his Insert Coins project (2016) about the decline of Las Vegas, Swiss photographer Christian Lutz set off to explore the world's new gambling capital, Macao, where everything revolves likewise around money, luxury, surfaces.

Travis Jeppesen's Bad Writing is a collection of interconnected essays and “fictocriticisms,” many appearing in print for the first time, that etches a pathway for a truly radical “bad” modernism in art and literature. Erudite, witty, and occasionally controversial, Bad Writing reinvigorates the too-often staid medium of art criticism as an iconoclastic and inventive literary art form.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

The French musician, poet, and visual artist blends cut-up poetry, ASMR, Satie, Ravel and Debussy, on her new album.

New monograph, presenting over thirty new works produced specifically for a large-scale curatorial project, with an in-depth essay by Tristan Garcia.

A face to face between the great works of Gustave Courbet and new paintings by contemporary artist Yan Pei-Ming, specially created for the bicentenary of the birth of Courbet.

An artist's book that reflects Sophie Jodoin's ongoing preoccupation with the interaction of language with images.

Artist's book: a catalogue of Alex Hanimann's photographic explorations over the past twelve years, with interview by Hans Ulrich Obrist and two essays.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman, The Arcadia Center is published in conjunction with the exhibition of work by Ben Thorp Brown, which calls for an architectural experience inspired by ancient mythology and the fields of psychology and neuroscience.

Haiku originated in New York City in 1964, when Beat Generation poet Diane di Prima gave West Coast assemblage artist George Herms a series of seasonal poems that would lead him to create a suite of woodcuts illustrating them.

The catalogue of the Italian Pavilion at the 58th Venice Biennale investigates and develops the theme chosen by the curator Milovan Farronato for the exhibition: the labyrinth.

First monograph.

New monograph: an overview of Andrea Pichl's sculptural, drawn and photographic work, with four essays.

Accompanying the first retrospective exhibition of the artist at Mudam Luxembourg – Musée d'Art Moderne Grand-Duc Jean, this monographic publication surveys Bert Theis' entire career.

A collection of essays and lectures that aim to provice insights, analysis and reflections about global identity dynamics, with particular attention to cultural production, the hybridization of languages and postcolonial narratives.

New monograph.

New monograph.

The Santos Silva / Zetterberg / Lindwall trio's second album takes the musical creation a step further by adding live electronics for real time sound treatment to an unique conceptual approach to composition & improvisation rooted in both free jazz and contemporary classical music.

This catalogue documents Claudia Comte's project for the 2016 edition of the Printemps de september, based on a selection of 600 parts from the aeronautics industry.

Masayuki Takayanagi's legendary “lost” album.

In this brilliant intergenerational dialogue curator Camila Marambio and Cecilia Vicuña, one of the most intriguing Indoamerican artists of our times, converse about mestizaje/miscenegation, ecological disaster, eroticism and decolonization in their multilingual, subversive and irreverent humorous slang.

The Japanese master's new large-format artist's book: a graphic hallucination on 40 pages of Bichrocolor collage drawings.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.

Artist's book.

The script of Harmony Korine's new movie The Beach Bum.

The ten essays in After the Wagnerian Bouillabaisse offer original critical discussions of some of the major European artists and movements of the twentieth century.

Art, destruction and creation.

Comprehensive monograph.

Anniversary special issue: a return on 25 years of reviews.

Art beyond good and evil.