First survey of the Canadian artist's writings, including a series of new and recent poems, scripts from his videos, and four fictocriticism texts published in IMPULSE magazine between 1980 and 1989.

This catalogue gives an overview of the works by German painter Matthias Dornfeld, who depicts traditional subjects of classical paintings—landscapes, portraits, still lifes—with a style inherited from naïve expressive painting.

Following the artists' previous series of life-size puppets in Die Schmutzigen Puppen von Pommern, this new publication presents a collection of one hundred sixty-four small puppets, each having a unique look.

Quoting excerpts from Keller Easterling's 2014 essay Extrastatecraft: The Power of Infrastructure Space, this coloring book tells the story of two characters, a fox (the artist) and a cat, and their special relationship, made of exotic travels, dreams and nightmares, struggles and desires.

Among Portugal's most interesting young filmmakers, Salomé Lamas explores the boundaries and circumstances of documentary filmmaking, working at the intersection of ethnography, history, storytelling, memory, and fiction. This publication documents her work since 2010, through contributions, video stills, and interviews.

A series of four geometrical and minimalist patterns drawn in red, blue, and black, inspired by a cognitive ability test, a quote from Guy Debord and the publications of Fluxus artist Emmett Williams. This artist's book is printed on light paper sheets so the patterns can be traced and used as a decoration for elbow pads and knee pads.

Eight slogans from the May 68 events in France, in duplex printing (artist's book).

Hopf's multidisciplinary practice addresses the paradoxes and ridicule that spill form high-minded attitudes toward art making and the faith in technology, professionalism, and efficiency. This catalogue gathers a significant sampling of her works, as well as two essays and an interview.

Following the experimental format of the Maljković's eponymous exhibition, A Retrospective by Appointment deconstructs the traditional format of a retrospective catalogue. Adopting a nonhierarchical presentation, the publication introduces the artist's key concerns, methods, and works, and proves to be a relevant critic of Zagreb's institutional landscape.

Most comprehensive monograph on the work of Nina Beier to date, Cash for Gold brings together eight essays drawing on the Danish's artistic practice and her investigation on the status of images in our contemporary reality.

Since 1991, Robert Milin has created artworks with guests invited to participate because of a practice they adopted in their daily life—as gardeners, cyclists, inhabitants of a village… In 2015, he decided to meet again with these people to give them the floor about this experience. The booklet features an interview with Robert & Delphine Milin and a chronology of the artist's works.

A literary portrait of Giacomo Casanova.

In the intimacy of France's 1980s underground: the life and time of art collective Frigo.

First monographic catalogue dedicated to the works of multidisciplinary artist Darja Bajagić who culls her imagery from fan-gore magazines, true-crime TV shows, fetish websites, obscure online forums, and hidden chat rooms tucked away in the darker reaches of the Web.

Belgian artist Carsten Höller has risen to the fore of the international scene with a practice that revolves around the search for new ways of inhabiting our world. This catalogue features 20 large-scale works––installations, videos, and photographs that play with optics and space.

A reference monograph resulting of a 10-year research on Italian sculptor and conceptual artist Paolo Icaro.

Reprint of a 2006 catalogue documenting the series of exhibitions and interventions curated by Hans Ulrich Obrist and Pedro Reyes at Casa Luis Barragán's in Mexico City (with Francis Alÿs, Daniel Buren, Gilbert & George, Dominique Gonzales-Foerster, Joseph Grigely, Rem Koolhaas, Lygia Pape, Anri Sala, Ettore Sottsass, Rikrit Tiravanija, Niele Toroni…).

This catalogue revolves around the transcript of a long length conversation between the French artist and art critic Irmeline Lebeer, structured as an illustrated abécédaire.

A collection of poems describing a post-human Earth. 2018 Swiss Literature Award winner.

A large collection of drawings (nearly 500 pages) documenting the artist's trip from Zurich to Japan through Siberia—with a special focus on books and trees.

The transcription of a lecture by Marjorie Micucci on the connections between two installations by Italian artist Rosa Barba.

Catalogue of works by Chinese painter Yan Pei-Ming, gathering a series of landscapes, portraits, and historical scenes exposing the tragedy of our contemporary world. Featuring exhibition views, a text by Xavier Douroux, and an interview with the artist by Pascal Pique (catalogue of the eponymous exhibition at Centre Régional d'Art Contemporain in Sète, France).

This collective publication questions the literary strategies at stake in the work of visual artist Yoan Mudry.

Series of collages based on guitar patterns found in album covers.

Interviews with Steffani Jemison, Amitav Ghosh & Curt Stager, Ron Athey, Stephin Merritt, Rita Ackermann, Bryan Hunt, David Levine, Hari Kunzru & Sjón, George Saunders, portfolio by Su Hui, novel excerpts by Mathias Énard, João Gilberto Noll, and Andrew E. Colarusso, poetry, comic book artist Austin English, reviews, and more.

Halfway between the catalogue and the artist's book, this publication introduces the work of Cindy Coutant. The French artist focuses on issues involving poetics and semantics, in connection with the new technologies and the Internet imagery.

Artist's book divided in two series of works elaborated from Gasser's own archives: an explosive combination of images drawn from art history, pop culture and current events, building up a retrofuturistic universe facing financial, ecological, religious and political distress.

A biographical essay which explores the origins and influences of Charlemagne Palestine, as well as themes related to his life and artistic practice—spirituality, music, performance, avant-gardism—together with an acute analysis of his main works. The study is followed by an interview with the artist, which provides a clever balance between personal anecdotes and reflection.

Featuring a cover by Wolfgang Tillmans; Art and resistance; General Idea; culture and critique in Beirut; Sky Hopinka and the Whitney Biennial; the rise of 3-D technology; Albert Serra; Kochi-Muziris Biennale; Kelly Akashi; Peter Voulkos; R. H. Quaytman; Richard Kennedy, and more.

In his “Book” George Brecht describes the specific nature of each single page, in a gesture that renders the printed matter a tautological object.

In Diary of a Leap Year, Lebanese artist produces 366 daily collages from political newspapers in Lebanon and the Arab World, as a protest to the violence taking place in this region.

This artist's book gathers an uncompromising collection of 200 found images and original work from Felicia Atkinson, composing a rasterized visual score.

This publication, conceived as an extension of the eponymous exhibition and its design, gathers scientific contributions from leading researchers and art and dance historians alongside in situ installation views, paying tribute to Léon Bakst, the greatest set designer of the modern era (new edition).

Four portraits depicted with four raw matters: the regular and expanded edition of a limited edition artist's book originally published in 2012.

Anniversary issue concerned with performance acts in relation to the body as sculpture. Featuring essays on immobility in 1990s performance art, the deadpan inertia of the sculpture-body, immobility in the works of Gathie Falk and Megan Rooney, dialogue between the works of Kimsooja and Emma Hamilton, the relationship berween the human body and the object, the “cadaverous sculptures”, an interview with Sylvie Tourangeau, “Event” section, exhibitions and books reviews…

Three-volume box set dedicated to Peter Campus's work, one of the most important pioneers of video art (Catalogue of the first monographic exhibition of the artist in France at Jeu de Paume; facsimile of an out of print exhibition catalogue from 1974; Augmented Reality book including all Campus's work since 1971).

Budapest-based composer Gábor Lázár debuts on Shelter Press with his second full length album, Crisis of Representation: these 8 tracks created from one single type of sound constitute a true example of experimentation in the field of extreme computer music.

Budapest-based composer Gábor Lázár debuts on Shelter Press with his second full length album, Crisis of Representation: these 8 tracks created from one single type of sound constitute a true example of experimentation in the field of extreme computer music.

Luc Ferrari's writings, most of them previously unpublished.

The words of Guillaume Belhomme inspired American musician Daniel Menche to create a 20-minute composition (mastered by Andrew Liles) which recalls the atmosphere of the French writer's text: a train on the move, a glass, the color of blood...

This catalogue brings together works and archival material from Lassnig's New York days. Along with her paintings, watercolors and drawings, the publication gathers documenation on animated films she created in collaboration with the Women/Artists/Filmmakers, Inc. group. It also includes a text by Elisabeth Bronfen, “A Mysterious Point of Certainty: Maria Lassnig's Body-Awareness Painting.”

Swiss-based artist Raffael Waldner is obsessed by car culture: its gloss, glamour and erotic undertones. In Salon, he focuses on motor shows, photographing—with superficial coolness––the hundreds of female models who act as car company ambassadors.

Special Music Issue (included a flexi disc by D.A. Spunt).

Filmed inside a series of empty museum galleries across Paris, Ali Cherri's Somniculus articulates the tension between the lives of dead objects and the living world that surrounds them—thus highlighting their ideological value. This publication accompanies and complete the Lebanese artist's video project.

First monograph.

First monograph.

Be Polite follows the exhibition of largely unseen works on paper by one of Australia's most visionary and critical artists, Gordon Bennett. Including drawings, acrylic/gouache and watercolor paintings, poetry, and essays—the exhibition and publication are the first to present the work of Bennett since his death, and to pay homage to a figure of the post-colonial thought.

Monographic catalogue showcasing the under-recognized work of Brazilian-Japanese artist Lydia Okumura, who, for almost fifty years, has explored the realm of geometric abstraction

This two-volume publication consists of an artist's book by Nathalie Du Pasquier with drawings, photographs, and reproductions of her paintings and a publication with photographic portraits of her works from the past decades by Delfino Sisto Legnani.