The 2016-2017 edition of most complete paper pocket guide to the art world. A selection of art events, an art fairs agenda and listings from more than 50 countries.

This artist's book contains a collection of recent collages assembled from found book pages, in which the artist specifically seeks a relationship between the abstract and the figurative, and thereby creating new narratives.

Recordings of musical performances by Blondes, James Campbell, and I.U.D, inspired by paintings shown at Wade Guyton's exhibition at Kunsthalle Zürich in 2013. Acting as a catalogue, this edition includes 4 vinyl LP and a modelling of the exhibition installation.

Espace is a magazine dedicated to all art forms associated with spatiality. Its 114th issue focuses on the representation of the face in the arts. Contents include an opening text by Jacques Py, “The Native Mask as an Object to Read Identity” by Alexia Pinto Ferretti, “The Double-dealing of the Contemporary Face” by Marion Zilio, “Biometrics, Identity, and the Potential Of the Visage” by Vincent Marquis, “The Face: the Other Of the Portrait?” by André-Louis Paré, “Events” and “Public Artworks” Sections, exhibition reports and book reviews.

This catalogue gathers works from different periods of the artist's career, though giving particular prominence to his drawings in analog and digital form—the Pixel-Bildli and Hice for Weiss series, or his plastic mosaics. A foreword by Salvatore Lacagnina and a contribution by Arthur Fink introduce the reader to Bruhin's multifarious work, while a conversation with the artist helps unfold his eclectic strategies.

This publication is part of an artistic and performative project conceived by artist Raphaële Bidault-Waddington and critic Sylvain Menétrey. Part poetic neologism, part scientific concept, the semiospace, as a linguistic creation, seems to mirror Bidault-Waddington's practice—the creation of hybrid objects at once cognitive models borrowed from science, and exuberant fictions.

Selected from Bernstein's entire body of work, a compilation of graffiti-inspired charcoal drawings involving male external genital organs.

The illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi (reference monograph).

Reference monograph: the illustrated chronicle of the personal and aesthetic journey of Brazilian artist Maria Bonomi, with an original xylograph, numbered and signed, entitled The Key.

A musical essay exploring complex variety of digital rhythms patterns.

A musical essay exploring complex variety of digital rhythms patterns.

A collection of musical works from the seventies by the Canadian multidisciplinary artist.

This publication documents around 50 years of Nannucci editions, artists' books, multiples, prints, catalogues, posters, ephemera—edited as artist & editor—from 1967 to 2016. It includes an anthology of essays, two index of works, by category and in chronological order, a bibliography and a biography.

Art magazines as exhibition objects and spaces.

In the October issue of Artforum: a feature on cover artist Lillian Schwartz, a portfolio by Carmen Herrera, Homi K. Bahba on William Kentridge, Chris Kraus on Julie Becker and newly published writings by Donald Judd. Plus, Nikolas Gambaroff's Top Ten and exhibition reviews from New York, Brescia, Dublin, Beirut, Sydney, and more.

Collection of 657 “definitions/methods”—the emblematic pictorial statements first created by Claude Rutault in 1973.

L'Incroyable is a monographic magazine dedicated to an artist's teenage years and his cultural background. This second issue focuses on Jim Shaw's Californian youth between the late 1950s and the beginning of the 1970s.

This artist's book documents the wind and weather conditions around the German Pavilion of the 56th Venice Biennial, which were recorded over the period of Nicolai's exhibition by a weather station positioned on the roof (limited, numbered and signed edition).

A fragmentary reference volume that explores the chronology of architecture-relevant legislation, focusing on Zurich, but looking at controversial legislation across Switzerland.

A Step Towards the Sea tells the relationship between the artist and Italy through a selection of installation views and video works. The accompanying DVD includes an unreleased film and a documentation on every actions carried out in Italy by Signer since the 1990s.

Arrivederci recalls the artist's personal journey in Sardinia to explore textile craftsmanship. Favini narrates the stories of each piece of fabric he gathered and used for his new body of work—from its origin to the exhibition display. The publication is enriched with photographic documentation and texts by curators and stylist Antonio Marras.

The artistic and pedagogical experimentations and the alternative networks developed in California from the late sixties.

Artist's book (photographs and texts).

A case study about concept cars and former modernist memories (artist's book).

Reprint of the multiple produced by Philippe Cazal in 1972.

Kate Cooper stages CGI female models in a parody of lookbook. Reproducing the patterns of hypercapitalist aesthetics, her images underlie a powerful reflection on gender, representation, and the potentialities of the digital world.

An overview of the fruitful long-standing collaboration between Amelia Cuni, specialist of Indian dhrupad singing, and minimalist experimental musician Werner Durand.

An entry point into the Swiss artist's imagery through a collection of 357 digital drawings in black & white.

The script for Joseph, the new film by Peter Greenaway, an ironic portrayal of the figure of Joseph, father of Jesus. Here, God—“the other father”—becomes, in Greenaway's words, “vulnerable to jealousy… since he has a rival on earth.”

An “anti-history” of the indecision in which Joseph Vogl probes the literary figures of Oreste, Wallenstein, Joseph K., Bartleby, or the man without qualities.

A series of interviews with artists, an art student and an art school director, which implicitly defines Céline Ahond's own artistic practice.

This reference monograph reveals the scope of Guillaume Bijl's thinking and art during the last four decades.

3 tales of childhood and disappearance by William Wordsworth, accompanied by the primitive and free metal music of French duo Talweg.

First major monograph documenting the artist's main projects and interests for in situ approach, urbanism, ephemeral structures, gesture and materials.

New CD edition of a classic from Sub Rosa's catalogue.

500 random notes collected by the artist and inspired by discussions, films and books.

Featuring: Medialabmx, The 3D Additivist Manifesto, Digital Technology and Stone Sculpture, interviews with Garnet Hertz, Darsha Hewitt, :vtol: (Dmitry Morozov), Dennis de Bel, Quayola, reports from Transmediale 2016 and Meta.Morf 2016, records and books reviews…

Artist's books and book history (new edition).

Interviews with Sarah Oppenheimer, Njideka Akunyili Crosby, Jen Bervin and Dianna Frid, Mel Chin, Marina Rosenfeld, Okwui Okpokwasili, Nell Zink, Laia Jufresa, “Artists on Artists” section with Audra Wolowiec by Emmalea Russo, James Esber by David Geers, Laura Owens by Claudia La Rocco, fiction and poetry, portfolio by Olga Chernysheva, books' reviews, end page by Jonathan Horowitz...

This artist's book gives a photographic account of the Creech Air Force Base—a Drone Base set in Indian Springs, Nevada, which carries out military actions in the Middle East. Picture alteration plunges the viewer into an eerie, dreamlike narrative recalling the universe of J. G. Ballard.

Fall 2016 exhibition previews, featuring 45 noteworthy shows worldwide. Plus, Kerry James Marshall on Marvel's Black Panther, Alan Licht on Martin Creed's “The Back Door,” the art of Willem de Rooij, Amy Taubin on the art of Bruce Conner, a special dispatch on art in Dakar, Jill Magid discusses her new work, and Hannah Black reviews the 9th Berlin Biennale…

In this issue: Donald Trump's furniture, the opening of the Bir Zeit's Palestinian Museum, how digital technology renewed the art of painting, South Africa's student protests target colonial art in Universities, Rio beyond the postcard view, 1960's New York in photographs, culture and refugee crisis in Germany, the paranormal in early cinema, interviews with Jenny Holzer and Asli, and a portfolio by Roman Stetina.

Designed to be an artist's monograph as well as an artist's book, Parages unveils Guillaume Robert's practice as a video maker and a visual artist throughout seven chapters, with contributions by artists Louise Hervé & Chloé Maillet, Rémy Héritier, Marcelline Delbecq and Jean-Xavier Renaud.

45 chapters of 45 sentences at 45 years.

The 2017 Toilet Paper wall calendar features photographs conceived by Maurizio Cattelan and Pierpaolo Ferrari taken from their image-only magazine.

The publication encloses a rich documentation on the design, construction and installation of an eponymous permanent work created by Liliana Moro for the seventh edition of “All'Aperto” (Outdoors) in Trivero, in the Piemonte countryside.

This publication documents a project initiated by Jay Heikes whose purpose is to reflect on collaboration as artistic practice.

A new artist publication coming in two different versions, revolving around Værslev's new series of “sunset” paintings.

The publication follows investigations lead by LOOP—a platform dedicated to the study and promotion of the moving image—and questions the act of collecting artists' films and videos.

Published on the occasion of the twenty-year anniversary of the non-governmental organization ART for The World, this publication presents the prestigious organization's activities during the period 1995 to 2016.