This issue addresses the shiver and explores the affective dimension in the field of art. With: Aseman Sabet on Stendhal syndrome; poetic images and waking dreams in contemporary art; the aesthetic shudder, from Nietzsche to Castellucci; Anicka Yi; Myriam Lefkowitz; interview with Sophie Jodoin; the Venice Biennale and Manif d'art 8; reviews and selected publications…

New monograph, documenting 21 installations conceived by Haegue Yang during the past decade.

For three years Rico Scagliola and Michael Meier have been taking candid photographs of people from all walks of life and of every age in public and semi-public urban spaces: on streets and city squares, in cafés and bars, train stations and airports, stores and shopping centers. Combined with genuine words taken from the internet or heard in the street, this photographic series is a comédie humaine of the present day and age.

The conclusion of Saloman's musical trilogy for contemporary dance, this time inspired by a work by choreographer Vanessa Goodman. The bowed guitar, militant percussion and searing guitar eruptions, are joined by distorted guitar, minimalist piano attacks, melancholy guitar melodies, a patina of harsh noise, and a more contemporary approach to drums and bass. (download code included with one additional track).

Double album compiling all 3 volumes of the Movement Building serie, dedicated to Gabriel Saloman's music for contemporary dance.

Conceived as a "bio-monograph", this catalogue offers a unique insight into the life and work of the French artist, sculptor and ceramist Valentine Schlegel (1925-2021). It features a large iconography, archives, and texts by sculptor and Schlegel specialist Hélène Bertin (new expanded edition with English texts).

Ricocheting quietly between photographic landscapes, drawn abstractions and poetic recollections, this artist's book assumes the form of a deferred performance. Serving as a kind of response to the French artist and experimental musician's recent sonic and visual output, the book comprises a series of film stills shot during her travels to New Mexico and Arizona, overlaid with a collection of at once crude and delicate drawings made in Australia.

First artist's book: 25 poetic notes on love written on a memorandum.

A collection of texts written between 1983 and 2016, enabling us to comprehend the singularity of Sivan's work. Prefaces in opening section offer insights into this unusual poetry, pointing the links between Sivan's poetic universe and those of Denis Roche, Raymond Roussel, Charles Olson, Maurice Roche, Marcel Duchamp…

This luxurious, silk-bound limited edition in a brushed aluminum box set presents highlights from Sugimoto’s Theaters series.

Eric La Casa continues his series dedicated to Paris with the reedition of the classic AIR.ratio, a study of the sounds generated by ventilation systems in various Parisian buildings.

Catalogue documenting an eponymous exhibition inspired by the Oulipo's literary strategies and the notion of potentiality. Nine artists presented a series of artworks in a display that changed continually according to the choice of the spectator.

Tricks brings together a new selection of works from the early 2000s through 2017 by Dutch photographer Bart Julius Peters. The book's starting point is a series of photographs taken in the spring of 2008 depicting the green landscape and the empty pavilions at the Venice Biennale's Giardini.

A biological investigation of a Nordic man-made beach landscape through a series of cameraless photographic registrations of the site's flora, fauna, and particles.

For two years, Laurence Rasti photographed Iranian homosexual refugees who transit through the city of Denizli in Turkey, waiting to join a host country where to live their sexuality freely. The resulting photographic series explores the sensitive concepts of identity and gender, while juxtaposing the gravity of the situation with lighter and hopeful moments.

Addressing the current upswing of attention in the sciences, arts, and humanities to the proposal that we are in a human-driven epoch called the Anthropocene, T. J. Demos critically surveys that thesis and points to its limitations, trough a series of cases study taken from contemporary visual culture.

Catalogue of the first Orleans Biennale of Architecture: introduced by a series of texts on Guy Rottier, Demas Nwoko and Patrick Bouchain, the publication offers an intersecting vision from over forty contemporary architects working on building a shared world. The concluding part presents a mapping of the research in architecture.

First in Mari Shaw's series “The Noble Art of Collecting,” this publication is dedicated to book collecting. With examples of unexpected collectors and serendipitous outcomes, Shaw investigates the obscure desires that shape art collecting and the public goodwill that results from it.

This artist's book presents a recent series of works by Emil Michael Klein. These large-scale oil paintings on canvas, executed from 2013 to 2016, are transformed here by the medium, format and reduced size of the printed book. Designer Teo Schifferli has brought together the artist's own selection of 30 high-quality art prints of his paintings, including different takes and angles on those canvases, as well as other stand-alone works by Klein.

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

Artist's book based on Schultz eponymous work, a video project based on the German artist's sculptural installation at the Kunstverein Braunschweig, and filmed by a flying robot camera.

An investigation on the performative future of cinema, followed by two studies on Lettrist's cinema and on the end of the projectionist.

On the occasion of her carte blanche at the Palais de Tokyo from 18 October 2017 to 7 January 2018, French artist Camille Henrot is the guest editor-in-chief of this issue 26 of the magazine Palais, devoted entirely to the exhibition “Days are Dogs.”

Cura's new issue connects the different sections with one common thread: the machine as a possibility or as a threat. The magazine also extends its “Inside the Cover” section with three essays on this issue's cover artist, Max Hooper Schneider. Plus: Sam Lewitt on Michael Asher's 1991 exhibition at Le Consortium in Dijon ; interviews with John Bock, Korakrit Arunanondchai, Kenric McDowell, Bailey Scieszka ; David Horvitz in conversation with Margot Norton ; Nicolas Deshayes' sculptures ; Pakui Hardware ; Haroon Mirza's visual essay ; Bruno Zhu…

Los Angeles 1989 Tokyo 1991 brings together a collection of images from two of the most complex and undefinable metropolises on the face of the Earth, the social and urban form of which is ceaselessly reshaped by the minimal existence of millions of people in movement. Lombardelli's photographs are also cinematographic homages to the works of Wim Wenders and Yasujirō Ozu.

Collection of black & white photographs celebrating Italian actress and filmmaker Asia Argento in Paris. The volume is risograph-printed and enclosed in a silk-screened slipcase. With a quite striking foreword by no-wave priestess Lydia Lunch.

This recording is the outcome of two sound projects—a performance and an installation—started in 2010 and 2012. Using a recording device as a sound producing source, the Slovene artist investigates the spatiality of sonic manifestation.

Publication documenting the pilot episode of a series of video works by Invernomuto that avails itself of the structure and production processes of a TV series. This episode deals with the true story of a conflict between natives and settlers in New Zealand during the eighties.

Collection of handwritten sentences revealing a lesser-known side of Jean-Pierre Raynaud's personality and of his relationship to art.

Collection of handwritten sentences revealing a lesser-known side of Jean-Pierre Raynaud's personality and of his relationship to art, with an original collage signed by the artist.

A well documented bilingual (English / Japanese) publication presenting ten recent paintings by the artist, and highlighting the special relationship between Pierre Soulages and Japan, where his work was exhibited very early in his career and quickly enjoyed significant recognition. A unique catalogue, published on the occasion of the opening of Perrotin Tokyo.

The publication Passing Time by Fouad Elkoury looks back at 60 years (1960-2017) of photographs taken in Lebanon by the artist. Most of the images have never been published.

The publication Passing Time by Fouad Elkoury looks back at 60 years (1960-2017) of photographs taken in Lebanon by the artist. Most of the images have never been published.

Photographic book celebrating the collaboration between the “UrbEx” photographer Francis Meslet and the “Mind Travels” Series—a series of albums dedicaded to ambient, neo-classical, and industrial music produced by French music label Ici, d'ailleurs. Meslet's photographs of abandoned places give a special echo to the musical approach of the series. The publication is sold with an audio compilation of selected musical pieces taken in the “Mind Travels” Series.

At an Uncertain Distance from the Ground by Jordi Mitjà is structured around a series of notes, sketches and photographs taken by the artist between 2010 and 2015.

Graphic artist and illustrator Tim Lahan publishes a series of drawings focusing on the impermanence of the physical things: a follow up on Dalí's Surrealist representations of space and time.

The third issue in a series of publications revolving around the materiality of language: a collection of 18 works and texts by international artists and scholars who examine the physical act of writing.

This study offers a reflexion on the complex temporality in the series Breaking Bad. The author develop her theories through examples coming from the show's various visual elements and masterful temporal and narrative structuring.

How to talk about his art as an artist? A series of discussions with Jan Verwoert and artists and composers of the Graduate School at the Berlin University of the Arts. In parallel, the book presents a careful selection of original artistic contributions by the participants.

The American illustrator's new series, field with characters that operate in a kind of abstract epic or post-Columbian codex that blurs pure myth and daily life. Leines' output reflects the 80's pop culture, modern art and a global range of graphic influences.

The tenth volume of Rémy Zaugg's complete writings (1982-2004): the publication gathers texts, interviews, and correspondences on ethics, as well as a series of interviews on cross-cutting themes and projects. It features also a chronology, a list of exhibitions, and a bibliography.

This publication comprises a series of interviews with contemporary artists, musicians, and writers who are in dialogue with Beirut and Cairo.

Artist's book documenting works produced by Tom Humphrey between 2009 and 2016 using industrially manufactured ceramic plates as a support medium. This extensive volume reproduces four hundred and twenty works from this series at a one-to-one scale, in precisely rendered photographs.

The fifth volume of Rémy Zaugg's complete writings (1980-2005): a series of texts of utmost importance, related to the great pictorial and philosophical researches of the 1980s. Alongside these texts, the publication features a collection of interviews and letters to friends, colleagues, art dealers, curators, and art collectors.

Ancient Light and the Blackcore was originally published in 1995 as part of Sub Rosa's “Utopian Diaries” series. It gathers 5 tracks of hallucinatory music and extraordinary recordings of shamanic ceremony from the Yanomami communauty. Includes the text Subworld by David Toop. First vinyl issue.

Drawing on Gilles Deleuze and Félix Guattari's concept of the “girl,” this series of essays brings together a team of contributors to forge a radically inclusive definition of subjectivity in modern philosophy.

Catalogue of the 15th Geneva Biennial, dedicated to artists' film and video. The publication documents 27 commissionned works through a series of interviews with participating artists by international curators and producers (from November 9, 2016, to January 29, 2017).

The first title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Paul-Armand Gette, the first artist ever to exhibit at Maison Bernard.

Catalogue presenting a series of watercolours in which artist Sophie von Hellermann re-interprets artworks by Alex Israel, Sergej Jensen, Karen Kilimnik, Sarah Lucas, Marisa Merz, Kelley Walker, etc., all from the Cranford Collection.

A polyphonic work of creative resistance, this publication by sound and visual artist Israel Martínez reflects on the present state of Mexico and its regime of narco-politics through artistic works, interviews, notes, images, and collaborations with fellow writers, curators, activists and artists.