30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

A retrospective of Alfredo Volpi, a key figure of Brazilian modernism, covering the central themes of his work from the 1940s to the 1970s, his most prolific period.

Spike is turning twenty with a special double issue.

A poster-book based on a photograph by Vincent Menu and a protocol by Garance Dor.

Beni Bischof's zine created on occasion of the Bally fall / winter 2024 collection.

Over 200 drawings and paintings to explore the visionary, obsessive, and hypnotic qualities of Jacopo Pagin's work.

The ultimate edition of percussionist Lê Quan Ninh's famous text, which explores, in the form of an ABC, the singular experience of improvising and free improvisation.

Comprehensive monograph.

A tribute to Derek Jarman manifold and vital practice.

A tribute to Derek Jarman manifold and vital practice.

Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.

A book spanning Cosima von Bonin's work of the last decade, and a personal journey into her private world and references.

A very personal essay that provides a clear introduction to Gilles Deleuze's thinking through his relationship with cinema, seen as a field of experimentation (existential, conceptual and aesthetic) to resist death, disaster and the stupefaction produced by the “modern fact”.

A rereading of Kurt Schwitters' Dada sound poetry by vocalist, singer and composer Anna Clementi and sound researcher, producer and multi-instrumentalist Thomas Stern (Mona Mur / Einstürzende Neubauten).

First monograph, documenting the filmmaker's work as a whole, at the intersection of independent cinema, contemporary art, photography and installation.

This collective publication explores the question of Earth rights through the interdisciplinary prism of socio-environmental humanities in relation to contemporary art.

A polyphonic, hybrid work, somewhere between a fine architectural book and a scientific essay, the result of research into contemporary forms of insulation.

Futuring Spaces of Possibility explores how contemporary art and architecture address urban, social and ecological challenges and create new possibilities for the future city. It invites urban theorists, curators, artists and architects to use Bruges, a UNESCO World Heritage Site, as a testbed for new spatial imaginaries.

She Lea gCheang, Martin Herbert, Adelita Husni-Bey, Karimah Ashadu, Byung-Chul Han, Anthony Huberman, Sohrab Mohebbi...

An encounter between dance and visual arts.

What does it mean to be a curator who writes, and, more specifically, how can curators write about textiles? This publication steps outside the framework of the typical exhibition catalogue to occupy "the space between literature and criticism".

Camille Henrot, Meriem Bennani, Matt Copson, Diego Marcon, Caroline Poggi & Jonathan Vinel, David Douard, P. Staff, Anne Imhof, Luca Guadagnino...

Benjamin H. D. Buchloh and Hal Foster's Exit Interview, Ade Darmawan and Timoteus Anggawan Kusno, Manifesta 15, Lee Ufan...

Artistic expressions of mourning.

A catalogue that features a group of 20 artists from Saudi Arabia, the Middle East, the Maghreb and the international scene and explores the profound changes of a period marked by the presence of technology, the post internet era.

A chorus of voices on notions of Black social life, public communion and humanities of the Indian Ocean.

The fifth issue of the Catalogue Perpétuel documents the exhibitions, projects and concerts at the Consortium Museum from July 2021 to May 2022.

A collective exploration of sound, music and the socio-political dimensions of listening, from researchers and artists with perspectives from the global South.

The Dream Academy publication explores art education policy in Northern Norway, with the establishment of the Art Academy in Tromsø in 2007 as a pivot point.

Monograph based a project across multiple mediums, finding its primary reference in the Majnoon oil field of southern Iraq.

Stefano Arienti's photographic "autobiography" (artist's book).

First monograph on cinema duo Caroline Poggi and Jonathan Vinel.

A comprehensive overview of the Hungarian post-conceptual and feminist artist's practice in the first decades of her fifty-year long career, including several of her writings.

The images shot on Egyptian film sets by prominent photographer Fouad ElKoury over more than a decade capture the essence of Arab cinema.

The first monograph dedicated to the Hackney Flashers collective, a group of nine activist women who engaged in agitprop from 1974 to 1980 in the working-class neighborhood of Hackney in London.

Seven European women artists (Katinka Bock, Claire-Jeanne Jézéquel, Rachel Labastie, Mélanie Matranga, Juliette Minchin, Valérie Mréjen, Agnès Thurnauer) brought together by Sébastien Gokalp share their views on Eva Hesse (1936–1970), a major figure of the 20th century.

A revelatory conversation that, grounded in lived experience, traces the racist structures of the discourse landscape and offers alternative ways of understanding solidarity.

Conceived as a catalogue and an artist's book, the publication offers a deeper insight into the eponymous 2022 exhibition staged at Indipendenza Roma, and explores tensions that can be generated between artworks and their surrounding architectural context, raising questions of taste, value, function and decoration.

Retrospective monograph.

Contested Landscapes is dedicated to different rural regions—their landscapes, their producers, and their work. The paths of the family of the artist Sandra Schäfer and those of the famous German photographer August Sander cross in the Westerwald, a rural area in Germany shaped by farming and mining.

First monograph: an exploration of the thought of the exhibition in relation to its spaces, contexts, and encounters.

This double issue of the critical graphic design journal examines the origins of the automation and mechanization of translation and writing.

The Forgive Us Our Trespasses Reader explores radical and emancipatory significations and fabulations of trespassing, turning towards practices that transgress and reshape the boundaries of, among other dimensions, currency, governance, religion, spirituality, language, and artificial intelligence.

A philosopher's journey into the heart of New York artistic life.

Comprehensive documentation on 43 outstanding socially committed artistic projects over the past twenty years.

The first attempt at a philological reconstruction of the seminal exhibition Materializzazione del linguaggio, curated in 1978 by Mirella Bentivoglio within an edition of the Biennale di Venezia, and dedicated to the verbo-visual explorations of eighty international women artists.

This monograph explores the work and the artistic activities of Italian radical performer, poet, visual artist and feminist Tomaso Binga through a specific lexicon, and also features a selection of her poems.

Christina Kubisch's Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. Stromsänger is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.

The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.