Jordan Nassar, Whitney Biennal, Martha Jungwirth, Saj Issa...

A reflection on the relation between art, museum institutions and climate activism.

A portrait of the cohesive community of women artists in Frogtown, Los Angeles, including Ruby Neri, Hilary Pecis, Megan Reed, Lily Stockman , and Austyn Weiner.

The third volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

Introduction to Sylvère Lotringer's Interviews by Chris Kraus, interviews with David Wojnarowicz and Kathy Acker by Sylvère Lotringer, Machines for Looking by Karl Holmqvist, Anette Freudenberger on Hélène Fauquet, Gianmaria Andreetta on Yuki Kimura, Nick Irvin on Sam Pulitzer, Annie Ochmanek on Marc Kokopeli, Benoît Lamy de la Chapelle on Nicolas Ceccaldi, Shiv Kotecha on Klara Lidén and Hannah Black, Anke Dyes on Marie Angeletti, E.C. Feiss on Andrea Fraser, Thea Westreich Wagner, Our Guide to Comedy-Adventure by Bernadette Van-Huy.

The far right and culture in Italy; everyday dystopia in Palestine; extraterrestrials and conspiracy; interview with Yolande Zauberman; intimacy coordinators against predatory cinema; meeting with Camila Sosa Villada...

Speaking Nearby blends theoretical orientations and artistic gestures that embody various degrees of intimacy, sympathy, and permeability.

Anne Mathuri, Amal Khlif, Fanny Chiarello, Delphine Dora, Félicie Bazelaire, Dominique Grimaud, Kevin Orliange, the Fougère label, John Butcher...

A journey through the artist's work and life.

The catalogue of the Malta Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

A major work by the American sound artist and composer, the culmination of three years' work inspired by nature and the animal world, introducing her voice, but also drums, into her sound palette.

A continuation of Jean-Guy Coulange's radio projects and his attempt to "show sound".

Art, empathy and political solidarity.

The catalogue of the Serbian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

Alioune Diagne's project for the first Senegalese Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

First comprehensive monograph: in-depth survey of İpek Duben's oeuvre spanning more than four decades.

The first vinyl release from French composer-performer Léo Dupleix, an active member of the international community of younger musicians working with just intonation.

Pierre Wat invites height artists from both sides of the Atlantic to share their views of Sam Francis (1923-1994).

A glimpse into the garden—where worry, a lonely bird and others live—of EF+MRA, a collaborative drawing project that Norwegian artists Espen Friberg and Marianne Røthe Arnesen started together in 2014.

New monograph.

Social Engineering brings together thirteen text fragments from so-called phishing emails. Using speech synthesis, they are spoken, sung, and/or transformed into abstract textures. The result is a 36-minute language and sound collage devoted to the dark forces of phishing.

The catalogue of the Turkish Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

An overview of the radical universe and pictorially committed Portuguese painter José Loureiro’s work.

A comprehensive survey of acclaimed artist Ariane Loze's videographic oeuvre.

The French producer's 9th album features two time-stretched, profound analog-textured pieces based on the physical and emotional swaying motion suggested by its title and recorded during some concerts played in the summer of 2019.

How machine learning and computer vision generate images.

The catalogue of the Lithuanian Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

Parker and Pollock's seminal volume of feminist art history.

A performance for solo guitar and objects coming on top of a decade-long sonic exploration of the potentialities of the guitar as a pure sound generator by Modena-based composer and musician Luca Perciballi.

A series of preparatory drawings for exhibitions by Michael E. Smith, collected over fifteen years.

Double issue dedicated to the memory of Bernard Stiegler.

Indian artist Kiran Subbaiah reevaluates the history of Modernism, through its ideals of growth and progress, as one steeped in contradictions around industrialisation and its effects on society.

The first attempt to map that ensemble of subcultures, popular narratives, and visual and auditory languages we now recognize as "internet aesthetics".

Le calendrier des révoltes (Calendar of revolts) is a calendar where the usual information relating to each day (saints, historical events, etc.) leaves room for the only mention of a revolt that took place that same day in history or the near past.

An "ABC of the arts in transition" examining the ecological turn of the arts, the outcome of long-term collective research into the fundamental elements running through the art world and, more generally, the aesthetic and social universe in the current ecological crisis.

The first scientific work to trace the history of female comic strip creators, for the (re)valorization of women's heritage.

A book bringing together about 160 portraits of artists when they were "about" five years old.

The first monograph on the Japanese artist of desire.

A major archival release from legendary American composer and live electronics innovator Richard Teitelbaum, centred around his soundtrack for Suzan Pitt's cult 1978 animation Asparagus.

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

Originally released in 1974 on Shandar, Dream House 78'17" is the second full-length album by La Monte Young and Marian Zazeela. This first-time US edition reproduces the original gatefold sleeve with beautiful calligraphy by Zazeela and liner notes by Young and French musicologist Daniel Caux.

This special boxed set, numbered 1 to 50, contains Franck Scurti's DVD Ulf Linde – Marcel Duchamp: Certifié pour copie conforme, Pascal Goblot's DVD Richard Hamilton dans le reflet de Marcel Duchamp and Pascal Goblot's book To be Broken / À refaire le Grand Verre, plus a silkscreen print on transparent film.

The catalogue of the Japanese Pavilion at the 60th International Art Exhibition of La Biennale di Venezia, 2024.

Some of the earliest works by American composer Phill Niblock, including three never before released pieces: "Index" (1969), "Tenor," and "Boston III" (both from 1972). Until now, it's been impossible to encounter Niblock's compositions from earlier than the 1960s, a reality thankfully rectified by the long overdue publication of this LP on Alga Marghen.

A collection of walking and writing exercises to put our perspective about self and what is other to self, as well as the relations between things, even beyond the human, into question.

A collection of photographs of couples, as evocative as they are mysterious.

Accompanying Abdullah Al Saadi's eponymous solo exhibition at the National Pavilion UAE at the 60th International Venice Biennale, this publication invites an immersion into the artist's singularly subjective universe.

A presentation of the fascinating architectural legacy of the Tokyo Olympic Games through two iconic buildings, the Yoyogi Olympic Gymnasium and the New National Stadium, highlighting the two world-renowned Japanese architects behind these projects: Kenzō Tange and Kengo Kuma.

New compositions (by Phill Niblock, Klaus Lang, Bernhard Lang, Milan Guštar, Judith Berkson, Idin Samimi Mofakham and Ian Mikyska) for the sixth-tone harmonium conceived by Czech composer and pioneer of microtonal music Alois Hába in the 1920s and '30s, performed by Miroslav Beinhauerr, currently the only player of this unique instrument in the world, who has single-handedly revived it after decades of slumber.

Three pieces spanning free improvisation, noise and extended saxophone technique with Ulrich Krieger, one of the masters of contemporary experimental music.