A dialogue between architectural history and design, in homage to Le Corbusier's theoretical vision behind the construction of the Villa Baizeau in Carthage.

Out of the Grid presents a critical selection of 100 Italian zines from 1978 to 2006 that display a broad spectrum of social, political, aesthetic, and technological changes in the use of language and communication strategies across the territory of self publishing.

Judith Bernstein's Active Figuration series (2000) consists of ink-on-paper drawings created through a trance-like process, exploring the subconscious. The gestural images address the political injustices of their time, depicting figures in existential angst and turbulent relationships. "It's fun, but it's dead serious".

Artist, designer and publisher Cornelia Blatter returns to the Alps of her childhood to release letters in balloons addressed to lost loved ones.

A retrospective of Elzo Durt's work since 2017.

The first book of visual artworks by acclaimed musical wunderkind Daniel O'Sullivan.

A series of works by Leslie Roberts, who transforms language into paint, capturing the flood of overlooked information around us.

Kahlo/Modotti – Forty Years Later is the result of a visit by Laura Mulvey to the Department of Film Studies at the University of Zurich in November 2022. The booklet contains two texts: Mulvey's evening lecture at the Cabaret Voltaire, revisiting hers and Peter Wollen's exhibition and film on Frida Kahlo and Tina Modotti, and Wollen's 2003 essay on the phenomenon of "Fridamania."

A collection of short poems in a pocket-sized leporello book.

This first issue of e-flux 's bimonthly publishing project presents the pieces published by e-flux in December 2023 and January 2024. The metadata gives some indication of its breadth, spanning 48 pieces, 52 authors, and over 150,000 words. Following its wider editorial ambitions to co-articulate multiple discourses, the Index removes the identity cards anchoring these pieces to their original provenance, and instead "meta-edits" them into nine emergent thematic strands.

Two monumental pieces for flutes and additional voices.

A collection of poems generated between 2020 and 2022 by an Artificial Intelligence trained exclusively on poet Charles Bernstein's entire corpus.

A large-format board-book sequel to Homma's seminal photobook Tokyo Suburbia.

An extensive compilation of Abraham Cruzvillegas' drawings of apes, which he has been producing since the early beginning of his career starting in 1985 (artist's book / leporello).

Wall assemblages and totemic bronze and resin sculptures made during the pandemic by Houston-based sculptor Joseph Havel with the help of his pet parrot Hannah.

Bridget Mullen's "Birthday" series of intimate-sized paintings expressing emotions through abstracted figures and features, with a conversation between the artist and Lucas Blalock.

An overview of Eugène Carrière's work, through a selection of little-known or previously unpublished paintings, alongside his major masterpieces.

A complete documentation of Yayoi Kusama's early performative activities in the Netherlands in the 1960s-70s, through a collection of previously unpublished photographs and written and visual accounts from eyewitnesses, showcasing her unique style and engagement with the emerging sexual revolution.

A speculative novel set in 2046 that asks us to question our role in the destruction of our environment, the impact of automation on society, and heightened inequity across class, race, and gender.

Fredrik Værslev: The Garden Paintings is the first publication dedicated solely to one specific body of work in the artist's practice. It includes essays by Martha Kirszenbaum and Erlend Hammer, and gives a comprehensive and chronological account of the works from the series, showing their stylistic development as well as their exhibition history.

The English translation of Il viaggiatore insonne, poet legend Sandro Penna's final collection, coupled with illustrations by the American artist Louis Fratino.

On the melancholy and morality of digital ecosystems.

Edited by artist Sille Storihl, The Stonewall Nation engages the archival remains of a gay colony that a group of gay men wanted to establish in Alpine County in Northern California in the early 1970s.

An investigation of the multiple in art, through the works of some thirty artists.

Published on the occasion of the exhibition Chrysalis: The Butterfly Dream, curated by Andrea Bellini and held at the Centre d'Art Contemporain Genève in 2023, its eponymous catalog documents and completes this ambitious and multifaceted project through the work of the more than fifty artists involved, ranging from historical and iconic figures to emerging artists. The publication includes an essay by Andrea Bellini and contributions by a number of curators, critics, artists, philosophers, and scholars on themes related to metamorphosis.

Published on the occasion of the exhibition Chrysalis: The Butterfly Dream, curated by Andrea Bellini and held at the Centre d'Art Contemporain Genève in 2023, its eponymous catalog documents and completes this ambitious and multifaceted project through the work of the more than fifty artists involved, ranging from historical and iconic figures to emerging artists. The publication includes an essay by Andrea Bellini and contributions by a number of curators, critics, artists, philosophers, and scholars on themes related to metamorphosis.

Ireland-Palestine united against apartheid; "dark romances": the problematic new publishing business; the breakdown of French cultural diplomacy in the Sahel; infiltration into armed survivalism; reportage in the dormitory town of Kiev; Alice Rohrwacher; Carolina Bianchi; Ben Rivers ; Taiyo Onorato & Nico Krebs, Hugo Pernet...

Eric N. Mack & Kiko Kostadinov; Hannah Black; Mike Kelley in conversation with Larry Clark and John Waters; Elle Pérez; Farah Al Qasimi; Lotus L. Kang; focus on Tokyo by Chus Martínez; Yuko Hasegawa; Scott Cameron Weaver; Bouchra Khalili...

First monograph.

This monograph, taking a thematic approach that brings together both words and objects, aims to highlight the extreme inventiveness of Gaston Chaissac.

The first monograph of the artist Christa Joo Hyun D'Angelo, Fatal Attraction covers over a decade of work spanning collage, video, installation, and sculpture.

The first published recording by Amelia Cuni, Werner Durand (fusing her Indian Raga singing in the Dhrupad style with his minimalist and experimental approach) and Uli Hohmann (joining them in a range of hand drums from the Middle East and North Africa, plus a dulcimer-sounding hammered guitar).

Australian composer and clarinetist Aviva Endean has developed an impressive capacity for creating work that merges intense control (of breath, of instrument, of composition) and a willingness to allow the music to lead. On Moths & Stars, her second solo work, she charts out a sound world that is equal parts timbre and tone, placing sounds relationship to space as a paramount focus for her pieces.

Grand Illusion is a photographic series of screenshots from Google Cultural Institute's "Museum View" of Baroque European palaces—objects of beauty and manifestations of power whose gold encrusted ornamentation points to the colonial activities abroad that made this kind of wealth possible.

Monograph devoted to Yaron Michael Hakim's Psittaciformes body of work, drawing inspiration from the migratory nature of parrots and their ability to assimilate. Through bold paintings on used Dacron sailcloth, Hakim uses this subject matter to explore his own relationship with assimilation, living between cultures, and the exoticization of his heritage.

First monograph.

Dealing with the hauntings and echoes of Austria's colonial past, Belinda Kazeem-Kamiński—visual artist, writer, and recipient of the Camera Austria Prize 2021—sets the stage for the what-if, while confronting viewers with the violence of the Western gaze.

Drawing from Lisa Lerkenfeldt's field work and electroacoustic practices, piano, cello and tape loop arrangements light up lost chambers and underground histories in a patchwork of reflective musique concrète, instrumental composition and surreal cinema.

The new alchemical collaboration between Australian chamber ensemble Decibel, and French music concrète composer Lionel Marchetti.

The Complex Answer presents the reader with a selection of texts—from 2010 to 2021—that introduce an exercise in how a practice of art and exhibition making has been influenced by philosophical thinking.

A hybrid publication, between an artist book, a monograph and a field report on a lost work.

A piece for saxophones and electronics, performed live by Kasper T. Toeplitz (real time electronics) and Bertrand Gauguet (alto & baritone saxophones).

"Spuren & Gegenworte" began with a quasi-telepathic collaboration between KM and RW. Both recorded a track on May 3, 2021, from 8:00 PM to 8:10 PM. These recordings were subsequently transformed, combined, juxtaposed, and further modified over the course of several months, resulting in the completion of the four pieces on the CD.

The major influence of Henri Matisse on the work of one of the leading figures of American Pop Art.

The first monograph devoted to the piano works of composer, pianist and improviser Frédéric Lagnau (1967-2010), whose music, with its communicative energy, offers a personal and poetic approach to minimalism. Sensitivity to sound, harmonic beauty and rhythmic intensity are its hallmarks.

Mike Cooper's new masterful experiment mixing free jazz, Oceanic, and Hawaiian inspirations, in collaboration with Geoff Hawkins, Jon Raskin and Tim Hill (saxophone), Elliott Sharp and Michael Thieke (clarinet), Scot Ray (lap steel guitar) and choreographer and dancer Ariella Vidach.

A 62' minute piece composed between 2015 and 2019, published for the first time on CD digipak.

Artist and Purple magazine artistic director Christophe Brunnquell and photographer Grégoire Alexandre continue their long-standing collaboration with a tribute to Picasso on the 50th anniversary of his death.

Sam Dunscombe's second album, Two Forests / Oceanic, uses field recordings and rational tuning practice to reimagine the music used for psychedelic-assisted psychotherapy sessions.

An improvised encounter between the two musicians (Jean-Luc Guionnet, alto saxophone / Lê Quan Ninh, percussion): five pieces of different lengths, alternating long periods of subtle restraint with moments of incredible intensity.