Issue 54 "Voicings" explores modes of being, perception and expression that have been historically and often violently disabled by society. Focusing on art practices that centre the perspective of D/deaf and non-verbal communicators, it proposes reconfigurations of voice, language and sound. It asks readers to tune into a chorus of voicings, not necessarily audible, but perceivable as "atmospheres", "vibrations", "rhythms".

Odour as an artistic medium.

Stanley Brouwn, Walter de Maria, Peter McGough, Art history after Black Studies...

Francisco Meirino; Mona Kareem; Peter Brötzmann; Les Arènes du vinyle by Carole Rieussec & Elena Biserna; interviews with Limpe Fuchs, Quentin Conrate, Mayuko Hino, Yuki Fuji & Wamei...

Extra Muros – Czech Republic is the result of the fourth edition of FLEE's creative residency program which took place in December 2022 on the dance floor of Prague's most infamous nightclub Ankali.

An overview of Studio Marconi's publishing activities since the 1960s, tracing the studio's history.

Cally Spooner, Donald Rodney, Ivan Cheng, Niloufar Emamifa, McKenzie Wark, Clémentine Deliss, Kerstin Stakemeier, Chus Martínez...

Interviews with artists and researchers on the issues of catch and data.

First monograph dedicated to the pictorial work of Israeli artist Tami Amit.

Comprehensive documentation on the vast and daring interdisciplinary project conceived and staged by the Swiss artist John Armleder, a programme of exhibitions comprising invitations to other artists as well as presentations of different collections, for the Kanal-Centre Pompidou spaces.

An object book (with CD) featuring 29 concert reviews from the Parisian noise and experimental music scene in 2011 and 2012. It provides insights into a dynamic, radical, and deeply communal music scene (with a selection of photographs by Steeve Bauras, an experimental sound piece by DJ Fusiller created from concert recordings compiled by the author, and period flyers).

The first book of drawings by writer Magali Brénon, a body of work developed over several years, between automatic drawing, collage, assemblage, illumination or graffiti, accompanying her daily life and her writing.

A project by artist Fatma Bucak that considers the relationships between political violence, environmental destruction, and climate change.

A mysterious hybrid manuscript ("rediscovered", edited and presented by Alessandro De Francesco) whose prose, oscillating between poetry, philosophy and conceptual art, ingenuously explores the great unresolved questions of humanity and nature.

The first major book by the Lisbon-based French artist Mattia Denisse.

For the fourth book in the In Practice series, Dyvik Kahlen architects explore the design process of the Villa Ruba, located near Utrecht.

First monograph of the Spanish artist Eva Fàbregas.

An overview of Michel Gouéry's surrealist and exuberant artistic output, through a collection of previously unpublished works and documents, as well as detailed notes by some twenty specialists.

Site Sketches n°1-500 is the first volume of the catalog raisonné devoted to the Site Sketches series, works on paper made from recycled scrap wood by Japanese artist Tadashi Kawamata.

In five chapters, the photographer reflects on the multiple "correspondences", influences and interactions at the heart of his artistic work.

A rethinking of the conceptual approach of Ludovic Chemarin©, artist turned fictional and polycephalous, who continues to redraw the figurative boundaries of the artist and the work, the exhibition and the institution.

The debut album of Danish group Mesmer, an environmental project including field recordings, improvisations and live recordings, intrigued by the auditive landscapes of places where nature and culture meet and challenge each other.

A photographic essay on the abandoned project of a suspension bridge between the Calabrian and Sicilian coasts and on the coastline of the Strait of Messina, documenting the transformation of suburban coastal areas and the daily life of the inhabitants.

A rested development is a collaborative sound and moving image work that used chance as a process to develop a sequence of autonomous elements that intersect and diverge in their unfoldings.

A visual attempt to index photographic images.

Saxophones, voice, electronics and percussions, recorded remotely between France and Australia, with texts/poems by James Worse, and artwork by Steven Stapleton (Nurse With Wound).

New improvised quartet synthesizer / voice / accordion / saxophone / drums, recorded in concert in Paris then mixed / edited by Jean-Marc Foussat.

The continuation of the sound adventures of the duo after "L'impatience des invisibles". A new studio album plus a second CD including the tracks released on vinyl by Mind Records, on mini-CD by Lenka Lente and with a live track in trio with Richard Franès (Pointe du Lac).

The second and final installment of FUTURE, a series of publications by Taiyo Onorato & Nico Krebs, explores the deep watery world.

A reflection on the notions of catch and data.

A sound postcard by eRikm: an instant composition recorded on CD, somewhere between sound performance and radio creation, accompanied by a booklet of photographs.

The first-ever comprehensive overview of Maude Léonard-Contant's universe.

The first book to unveil the main pictorial works (drawings, paintings and collages) of the British film director, the source of his entire cinematic oeuvre (new edition).

Three-volume catalogue raisonné of the work of Alain de la Bourdonnaye.

Issue 36 of the Palais de Tokyo magazine proposes to explore the multiplicity, hybridity and fluidity of identities and the ways of loving, the plurality and complexity of our affects and our sexualities.

The life and work of the precursor of happening and streaking in Japan, Itoi Kanji (aka Dadakan, 1920-2021): the first comprehensive chrono-biographical study in Western language on the great Japanese Dadaist nudist ascetic, with a rare iconography.

A parallel dive into the images of filmmaker Andrei Tarkovsky and photographer Sophie Ristelhueber.

Spike's Autumn issue is decoding AI, beginning with the age-old question of what intelligence is.

Four works based on four performances.

Archivio n°9, the first issue of the third editorial cycle, is entirely dedicated to fashion and its history.

The most comprehensive publication to date on Korakrit Arunanondchai's practice.

The first comprehensive monograph and critical survey of American artist Pippa Garner, Act Like You Know Me surveys fifty years of her radical and transdisciplinary art practice, from the late 1960s to the early 2010s, through ca. 400 photographs, illustration, ephemera, and original writings.

A series of rail graffiti by the KCBR collective, renewing the practice with an original reflection on the medium, concealment (including, of course, with regard to police services), the trace, public reception and ephemerality, as the works are obliterated by the artists themselves immediately after completion.

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object (also available in English).

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated (also available in English).

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have questioned the architecture of the Universe and the hidden laws of physics that govern it (also available in English).

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have, in conceptual, technical or poetic ways, questioned the architecture of the Universe and the hidden laws of physics that govern it, bringing to the fore the fundamental questions that drive artists and scientists alike (with a contribution of cosmologist Thomas Hertog).

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated.

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object.

An overview of the work of the Paris-based American artist, through a series of exhibitions, installations and performances over a dozen years, three essays and two interviews.