A retrospective of the American artist's work, balanced on the fulcrum between sculpture and architecture, spanning more than twenty years, presented as a visual essay on experimental space-making.

The endlessly prolific and unpredictable Richard Youngs returns to Black Truffle with "Modern Sorrow", with a radical but deeply sensitive reduction of contemporary pop production.

An international essay (France, USA, Brazil, etc.) on digital poetry, from the first attempts to generate text on the computer to the most contemporary developments and the problems posed by artificial intelligence.

A hybrid collection of five illustrated short stories of speculative fiction from five countries and four continents

A collective project around the Vietnamese and Asian artistic diaspora, on the theme of cultural identity in the post-migration society.

A glorious design herbarium of marijuana ads from the great underground magazines of the 1960s and '70s.

Yve-Alain Bois on the Reina Sofía, Claire Bishop on information overload, Sung Tieu, Josh Kline, Aria Dean, Tarek Atoui...

The central theme of the 55th issue of the design research journal are the objects created by and for the organization and mobilization of communities.

A critical investigation into the material heritage and entangled histories of Western encyclopedic museums.

A body of essays and artworks, edited by Marina Folkidis, about artistic production in the Mediterranean terroir.

Spike #75 fêtes the museum in all its stuffy, messy, showy, old-timey glory, as a home-away-from-home, the address of solace and astonishment. Featuring William Pope.L, Simon Wu, Louise Lawler, Ben Davis, Ann Demeester, Anthony Hudek, Meschac Gaba, Bernadette Van-Huy, Ghislaine Leung, Estelle Hoy, Tea Hacic-Vlahovic, and many more. 

A collective and transdisciplinary publication to address the question of the forms of the living in its scientific, philosophical, artistic and aesthetic dimension, engaging a systematic reflection on our relation to the living and to its forms, and on their theoretical and practical significance with regard to the current world.

Two unpublished texts that demonstrate the extent of the writing work that Marcel Alocco has been producing for over half a century.

A piece whose structure is "visually inspired by the wall frieze in its various forms from antiquity to art nouveau, musically by the chants of the Middle Ages moving around a central tone".

First compilation on LP of the sound works of the two Dutch visual artists, demonstrating that sound produced by the Bosch & Simons music machines can also be listened to as autonomous "music".

Marc Codsi’s new Arabic infused synth oriented album.

Swedish drone alchemist Mats Erlandsson is sitting in a fictional room on "Gyttjans Topografi", imagining a virtual chamber orchestra using zithers, tapes, double bass, harmonium, organ, and various synthesisers to draft a treatise on alternative tuning and non-normative harmonic structures. Transcendent material.

In The Institute for Other Intelligences, Mashinka Firunts Hakopian brings speculative fiction and media studies to bear on an imagined future where machine intelligences convene annually for curriculum on algorithmic equity.

How art and the artist inspire business: an examination of the origins of this relationship from Joseph Beuys and Andy Warhol.

Recorded at the height of the global pandemic, and at a time when remote communication was becoming increasingly prevalent, "Choreological Exchanges" is part of Hastings Of Malawi's continuing investigations into the medium of communication itself.

Jan Jelinek's soundtrack for Seascape – polyptych, an audio-visual software developed in collaboration with Canadian new media artist Clive Holden.

A retrospective of 50 years of creation of the visual artist Bistra Lechevalier.

New monograph.

The new album by Material Object reveals a completely new sound for the artist as he combined acoustic and electronic tools to create stunning album of depth and beauty.

Taking off along the grotesque evolutionary curve of the internet, this novel by Mochu brings together Japanese otaku subcultures, Hindu mythology, darknet highways, ultraviolent cyberpunk forums, and renegade university departments.

By now a regular and esteemed presence among the Discrepant sprawling household via releases with projects such as Alförjs, Banha da Cobra or Jibóia, Mestre André "resurrects" his O Morto alias (bad pun somewhat intended) after 2016 "The Forest, The People And The Spirits".

Reference trilingual monograph / a conceptual art's discourse around Hélio Oiticica's parangolés.

This catalogue accompanies the eponymous Turner Prize winner's extensive solo exhibition at the Schirn Kunsthalle Frankfurt, presenting both new works and works shown in Germany for the first time.

A brand new body of recent works by the French painter.

Two performances from 2020 and a selection of 1980s recordings by Japanese Fluxus artist Takako Saito.

A "post-episode" of a series of curatorial projects based on the Kontakt Collection and dedicated to the artist Mladen Stilinović.

First comprehensive monograph, surveying three key series spanning Mungo Thomson's investigations into mass culture and everyday perceptual experience.

Never released before recordings by the improvising quartet Alterations (active from 1977 to 1986, and reforming in 2015) from Logos Foundation live sessions at Logos Foundation, Gent, Belgium on January 3, 1981.

Laszlo Umbreit's album Pas de regrets combines electronic sounds with recorded memories and various materials to create a unique listening experience.

The first collaboration recorded on CD between the two American artists and musicians, based on a process of reciprocal sending of electronic and acoustic sound sources, reworked successively by each and then together, gives rise to a series of delicately crafted and wonderfully evocative atmospheric pieces.

An immersion in the creative process of the American painter.

A collaboration between Otto (10) and Robin (42).

Twelve interviews (Sarah Morris, Nathaniel Mary Quinn, Austin Eddy, Jameson Green, Sébastien Tellier & Xavier Veilhan, James Richards, Tursic & Mille...), a dozen exhibitions and places in images (Genesis Belanger, Julia Scher, Robert Longo, Matthew Lutz-Kinoy, Man Ray's studio, Sam McKinnis, William Morris. ..), texts and special projects by artists (Sarah Morris, Emma McIntyre, Pierre Charpin, Marina Faust on Pierre Klossovski's studio...), exhibition reviews and columns, over 300 pages.

The Parc la Villette, Paris, as told by a series of mobile barriers.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

The temporal dimension of the image.

The great Brazilian critic Mário Pedrosa (1900-1981)'s farewell to art criticism, written to his countrymen in the manner of Montesquieu's Persian Letters.

An multidisciplinary approach of the war by its traces.

Two works from the same series of compositions, drawn from modular synthesizer recordings which have been reworked, treated and composed in the computer.

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

A symbolic and political science fiction short story written in four languages.

Remastered vinyl version of Oren Ambarchi's landmark release, one of his most beautiful records, at once dense, deep and luminous.

The music of "Senzatempo", by Italian duo Ozmotic and guitarist, composer and electronic musician Christian Fennesz, moves in balance between composition and improvisation. It is a symphonic work for an imaginary orchestra in which melodies, counterpoints, dynamics and sonorities define a structural breadth reminiscent of classical music.

A photographic journey through the city of Genoa, exploring the past of historic buildings, the contemporaneity of the first modern museums, and Franco Albini's interiors.