Reference monograph: a large retrospective of the work of Norwegian painter Leonard Rickhard (1945-2024) spanning more than half a century.

A photographic reflection on place and borders (artist's book).

Created for instrumental ensemble, electronics and film, Castle Terraces in Barry Lyndon is a spacious and quietly enigmatic work by composer and writer Zeynep Toraman, bringing together clarinet, cello, violin, electric guitar and electronic textures with a subtly unfolding visual layer.

The first ever published monograph on Gus Van Sant's paintings brings together a wide overview of his works.

Published on the occasion of the Chilean artist's first institutional survey exhibition in Europe, this monograph is dedicated to Sandra Vásquez de la Horra's experimental practice and focuses on her spatial, energetic, and global thinking.

The latest, massive volume in the Solution series of collected all-new and most recent landscape paintings by Aleksandra Waliszewska.

Over a decade’s worth of essays: movies of America in parallax view.

A reflection on what becomes of and what is produced by images displayed in public spaces.

The autobiography, translated into French for the first time, of Ré Soupault (1901-1996), trained at the Bauhaus, photographer, filmmaker, stylist, writer and traveler, translator of Dada and Surrealism, major protagonist of European artistic, literary and intellectual life, and companion of the avant-garde throughout the 20th century.

A cross-disciplinary and critical reflection on the philosophical stakes of so-called "artificial intelligence", from an epistemological, political and cultural point of view, beyond naive fascination and ignorant rejection.

Interview with one of the great figures of art photography today, in which Sophie Ristelhueber reflects on her own carrer and practice.

A history of art in France from the women's perspective.

An inquiry into the potential regeneration of democracy: how artists can work towards a sense of collective relevance required to face the future's dark challenges.

An invitation from Mudam Luxembourg to consider the place, role and future of cultural institutions in the twenty-first century.

The editorial extension of a long-term art and performance program in Cologne's public space, on and around its seven bridges over the Rhine.

Recorded live at Amsterdam's Oude Kerk during the 2024 Sonic Acts Festival, The Organ is the World's Greatest Synthesizer finds Charlemagne Palestine returning to the Staalplaat catalog. Taking its title and cover from a drawing made by Palestine during the performance, the work expands his singular mythology of sound and spirit (hand screenprited cover).

A series of short sound interventions, in pairs, in public spaces in Paris, both outdoors (passages, squares, esplanades, parks) and indoors (bridges, tunnels), from the Bois de Vincennes to La Défense, between May and October 2025.

New monograph by Paris-based British artist Charlotte Moth, conceived as part of her exhibition at MAMC+ Saint-Etienne.

A comprehensive overview of the unique work of the Italian artist born in 1931 and "discovered" late on the international scene, with numerous texts and an interview.

Renowned Japanese photographer Takashi Homma observes his daily life through the poses of his cat.

The first comprehensive monograph dedicated to the filmic works of the British-born Nigerian artist and film director Karimah Ashadu, winner of the Silver Lion for Promising Young Artist at the 2024 Venice Biennale.

The voice as a space of publication in itself.

This interview of Brandon LaBelle with curator, artist, and researcher Berit Fischer offers insight into her transformative approach to contemporary art practice that challenges conventional notions of empathy and ecological awareness.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

This publication aims to provide a critical and profound reading of Alice Neel's humanism, constructing a journey through her artistic and personal life. The book includes texts by academics and artists, enriched by an extensive number of illustrations, archival photographs and documents.

Mémoire Magnétique, vol.3 allows us to discover some of unreleased rarities from Bernard Parmegiani's personal archives and unpublished recordings which were composed for the screen or the performing arts.

An interdisciplinary and critical examination of the role of hope in contemporary art and activism.

Rene Matić, Josiane M.H. & Emily Pozi, Olivia Kan-Sperling, Olivia van Kuiken, Tasneem Sarkez, alfatih, Ruoru Mou, Adam Patrick Grant, Siyi Li, Ruofan Chen, Megan Mi-Ai Lee, Tommy Xie, davi de jesus do nascimento, Zora Sicher...

The catalogue of the exhibition for the Cyprus Pavilion at the 60th Venice Biennale.

An artistic and research project focusing on issues of travel, exile, migration, welcome and hospitality in a globalized world.

The legacy and posterity of the Tashkent Festival for Asian, African and Latin American Cinema, which was held between 1968 and 1988 in Uzbekistan.

This publication looks back on the Studio of the South residency, hosted in Arles by LUMA and Owens and undertaken by 23 international artists between September 2020 and July 2023.

Published in the Noor's Heroes children's book series that celebrates inspiring figures from the Arab world, this volume explores the creative life of Saloua Raouda Choucair, a pioneering Lebanese artist who challenged norms through geometry, abstraction, and sculpture.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

Conceived during a period of rapid and often unchecked technological development, this issue of Afterall aims at reconsidering and expanding our understanding of what 'technology' is.

The best of 2025: a renowned group of critics, artists, and curators from around the world take stock of the year in art.

A mapping of the international landscape of technological archives.

The 2026 wall calendar designed by Studio Manuel Raeder featuring contributions by Martha Hellion, Andreas Sell, Álvaro Urbano & Petrit Halilaj, Heinz Peter Knes, Anna M. Szaflarski, Pablo Schlumberger, Nick Mauss, Cosima zu Knyphausen, Ieva Epnere, Shirin Sabahi, Yoshie Sugito, and Mariana Castillo Deball.

Universality, multiplication of identities, and disappearance of otherness.

How the right wing is ruining culture, part II; in Sicily, humanitarian flotillas bound for Gaza are on the US Army's radar; Alice Diop and the Black Venus; Iraqi singer Sajda Obeid unites the country; theater according to Sylvain Creuzevault; the British left reveals fascism...

First monograph.

First monograph.

First monograph devoted to the artist's research on the materiality of images through an exploration of the conditions of visibility of secretions.

Looking at the white gaze on Black life, art, and being, Chipo Chipaziwa's first book explores five years of her past performances without any photographic depictions of her body. Instead, she relies on the written word—with texts penned by herself, as well as by Denise Ferreira da Silva and Olumoroti Soji-George—and on art: paintings, drawings, and prints by Margaret Joba-Woodruff, Sophia Lapres, and David Ezra Wang.

Nathalie Du Pasquier presents still lifes bringing together objects, drawings, books, and photographs—assembled like fragments of an intimate language.

An intimate exploration and meditation on Melvin Edwards' work (a zine produced in limited print run in the Palais de Tokyo's risography micro-publishing workshop).

The first album by the egalitarian and variable-geometry group of musicians/composers created by Hervé Boghossian, combining microtonal electric guitar, Turkish lute, hurdy-gurdy, and church organ.

First monograph, featuring the artist's long-term research on the colonial and neo-colonial relations between Italy and Libya through a critical engagement with the Italian "archive of coloniality" and its structural violence.

The meeting between Fred Frith's guitar strings and percussionist Karen Stackpole's gongs.

By the Means at Hand offers a look into Vlatka Horvat's eponymous project, presented at the Pavilion of Croatia at the 60th International Art Exhibition—La Biennale di Venezia in 2024.