A striking selection of words extracted from the notebooks of Isabelle Champion Métadier during a journey in New York. These quotes are arranged and accompanied by unpublished photographs.

Featuring newly conceived works, hand in hand with some older works from the 1980s, this catalogue illustrates Dillemuth's exhibition at the Künstlerhaus Graz, in which he created a new way of presenting his oeuvre, setting up site-specific theatrical scenes.

Catalogue spanning the last ten years of works by the American painter whose practice revolves around linguistic issues and reflexive material practices in art. The publication includes texts by artists, curators and scholars, documentation of the exhibition at the Blaffer Art Museum by a group of local high-school students and a magazine dedicated to Rayne's 2013 book-object Almanac.

Graphic artist and illustrator Tim Lahan publishes a series of drawings focusing on the impermanence of the physical things: a follow up on Dalí's Surrealist representations of space and time.

With this essay, Ute Holl analyzes in detail and deep historical context major works by Freud, Schoenberg, Jean-Marie Straub and Danièle Huillet, all inspired by the figure of Moses. The author offers a dynamic and comprehensive political and cultural theory of migration and violence.

Grounded in theories and practices of withdrawal and in the critical questioning of creation, materiality, and objectified artistic output, The Site Residency program at the Baltic Art Center was imagined as a residency that would result in no material production. This publication presents the outcomes of the program's three participating artists—Annika Eriksson, Susanne Kriemann, Agnieszka Polska—, including the results of their invited ghostwriters.

This publication provides a wide-ranging survey of the Argentinian artist's literary collages—produced from 1965 to 2013—which use appropriated texts, representing a kind of experimental writing at the intersection of visual arts, performance, theater, literature, and activism.

Reference monograph surveying ten years of work centered around painting, with forays in other forms of art. The Italian artist's conceptual universe interweaves personal experiences with references to art history, literature, and music as well as to cinema.

Catalogue of the 15th Geneva Biennial, dedicated to artists' film and video. The publication documents 27 commissionned works through a series of interviews with participating artists by international curators and producers (from November 9, 2016, to January 29, 2017).

Ancient Light and the Blackcore was originally published in 1995 as part of Sub Rosa's “Utopian Diaries” series. It gathers 5 tracks of hallucinatory music and extraordinary recordings of shamanic ceremony from the Yanomami communauty. Includes the text Subworld by David Toop. First vinyl issue.

In their September 2017 issue Artforum look ahead at 40 exhibitions worldwide, Huey Copeland and Frank Wilkerson on museums, monuments, and race, reviews on the 57th Venice Biennale, Documenta 14, and Skulptur Projekte Münster, Amy Taubin on Top of the Lake: China Girl, and more.

At an Uncertain Distance from the Ground by Jordi Mitjà is structured around a series of notes, sketches and photographs taken by the artist between 2010 and 2015.

Interviews with Amit Dutta, Lisa Sanditz, Nina Katchadourian, Anoka Faruqee & Michelle Grabner, Suzanne Bocanegra, Adrienne Truscott, Marcus Steinweg, Mike Wallace, Lucy Ives; portfolio by Renee Gladman; a text by Kristen Gleason, the winner of BOMB's 2017 Fiction Contest; an essay by Jennifer Kabat; Édouard Louis's “New York diary”; books and shows reviews, and more.

This artist's book questions the status of the image in the digital era through a reinterpretation of a classical subject in art history: flowers and the female figure. Images of flowers and women are associated with backgrounds of a city landscape, including photographs of the Capitol Records building in LA.

The first title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Paul-Armand Gette, the first artist ever to exhibit at Maison Bernard.

This monograph documents over a decade of works and exhibitions, and offers an intimate portrait of an artist who put the language at the center of his visual practice.

Catalogue presenting a series of watercolours in which artist Sophie von Hellermann re-interprets artworks by Alex Israel, Sergej Jensen, Karen Kilimnik, Sarah Lucas, Marisa Merz, Kelley Walker, etc., all from the Cranford Collection.

Four artistic destinies at the heart of the Tiananmen Square protests; Hudson Yards, Manhattan; Todd Haynes's Wonderstruck; London's museums and the British gay history; American women artists in the Age of Trump; Paris's museums get hooked on all things biological; Mexico City artists beyond modern traditions; interviews with Camille Henrot and Liz Glynn; portfolio by Li Ran; “Negative” section with the Seagram building's new restaurants, a farewell to Colette, Gustavo Dudamel, and more.

The Contour Biennale offers a platform to curators and artists working with different forms of moving image, from film and video to installation. This reader accompanies the 8th edition of the biennale, dedicated to the notions of evidence and testimony. It includes texts and illustrated contributions by international artists, writers, poets, anthropologists, and filmmakers.

2 CD set gathering instrumental pieces from this last five years. Christophe Guiraud uses old instruments such as the Hotteterre flute, the viola da gamba or the viola bass, combining them with electronics.

Collection of handwritten sentences revealing a lesser-known side of Jean-Pierre Raynaud's personality and of his relationship to art, with an original collage signed by the artist.

The 10th issue of Nazi Knife takes the form of a vast album covering a dozen iconographic sequences of unclassifiable aesthetics.

How to talk about his art as an artist? A series of discussions with Jan Verwoert and artists and composers of the Graduate School at the Berlin University of the Arts. In parallel, the book presents a careful selection of original artistic contributions by the participants.

Double QR-Code LP (an empty sleeve with no discs), edition of 100 copies. The recording to listen online is a 5-hour composition for computer voice, first presented in Paris on March 25, 2000: a deepening of the idea of a dematerialized disc.

The third issue in a series of publications revolving around the materiality of language: a collection of 18 works and texts by international artists and scholars who examine the physical act of writing.

This catalogue combines a short story written by artist Alain Fleischer with an iconographic ensemble featuring a selection of his works. The publication also includes eighteen epistolary texts addressed by choreographer Daniel Dobbels to Alain Fleischer.

A striking selection of words extracted from the notebooks of Isabelle Champion Métadier during a journey in New York. These quotes are arranged and accompanied by unpublished photographs, with an original artwork signed by the artist.

Created by Aidan Baker (Nadja), Gaspar Claus (Pedro Soler, Angélique Ionatos…), Franck Laurino (Zëro), and Maxime Tisserand (Chapelier Fou), this extraordinary project offers 11 tracks of ambient post-rock music that would have integrated the whole notion of freedom in jazz.

Documentary dedicated to Herman Daled (1930-2020), one of the major collectors of Conceptual art: on a journey from Brussels to New York, the Belgian collector looks back on his past and that of an aesthetic movement that marked the second half of the twentieth century. Grand Prize at the International Festival of Films on Art in Montreal in 2016.

First publication to gathers all theatrical works by artist Guy de Cointet, written between 1973 and 1983. 25 plays, published with an explanatory apparatus and numerous documents from the de Cointet Estate at the Centre Pompidou's Kandinsky Library.

The catalogue of the Irish Pavilion at the 57th Venice Biennal presents a video project by Jones in which Korean actors reenact a 1970s documentrary of a “conflict resolution therapy session” with individuals who experienced the conflict in Northern Ireland.

First publication to gathers all theatrical works by artist Guy de Cointet, written between 1973 and 1983. 25 plays, published with an explanatory apparatus and numerous documents from the de Cointet Estate at the Centre Pompidou's Kandinsky Library.

Two-volume publication gathering a booklet accompanying Pierre Bismuth's 2015 solo exhibition at Kunsthalle Wien, and a catalogue raisonné indexing his typically serial and often humorous work of the last three decades.

Companion book to a project by the artists Annie Vigier and Franck Apertet (les gens d'Uterpan), which emanates from the analysis of individual or collective attitudes and behaviors produced in the public space of a given city.

The American illustrator's new series, field with characters that operate in a kind of abstract epic or post-Columbian codex that blurs pure myth and daily life. Leines' output reflects the 80's pop culture, modern art and a global range of graphic influences.

The third volume of Rémy Zaugg's complete writings (1972-1978): analysis and critical evaluation of forms of representation and of perception.

The fourth volume of Rémy Zaugg's complete writings (1973-1980): a collection of texts on Donald Judd and minimalist sculpture.

The first volume of Rémy Zaugg's complete writings (1963-1968/1988): entitled The Making of a painting, this transcript of Zaugg's diary revolves around the notion of artistic discourse, and how it is directly influenced by paintings.

The tenth volume of Rémy Zaugg's complete writings (1982-2004): the publication gathers texts, interviews, and correspondences on ethics, as well as a series of interviews on cross-cutting themes and projects. It features also a chronology, a list of exhibitions, and a bibliography.

The second volume of Rémy Zaugg's complete writings: five texts from the 1970s which highlight the influence of semiology (de Saussure, Barthes, Levi-Strauss…). on Zaugg's theoretical thought and practice.

The fifth volume of Rémy Zaugg's complete writings (1980-2005): a series of texts of utmost importance, related to the great pictorial and philosophical researches of the 1980s. Alongside these texts, the publication features a collection of interviews and letters to friends, colleagues, art dealers, curators, and art collectors.

The sixth volume of Rémy Zaugg's complete writings (1982-1993): featuring some of the most influential texts written by the Swiss artist on art museum.

The seventh volume of Rémy Zaugg's complete writings (1984-2004): the publication brings together texts that formulate a practice and a criticism of exhibition that goes beyond genres and mediums, using concrete projects in given architectonic situations.

The heighth volume of Rémy Zaugg's complete writings (1988-1989): a portrait of Jean-Christophe Ammann.

The ninth volume of Rémy Zaugg's complete writings (1986-2005): a reflection on the artist's projects for public spaces, illustrated with personal statements and sketches.

A well documented bilingual (English / Japanese) publication presenting ten recent paintings by the artist, and highlighting the special relationship between Pierre Soulages and Japan, where his work was exhibited very early in his career and quickly enjoyed significant recognition. A unique catalogue, published on the occasion of the opening of Perrotin Tokyo.

Becoming Palm is the outcome of a conversation between two friends, artist Simryn Gill and anthropologist Michael Taussig, addressing the complexities of palm oil and “the enormous transformations, human, and ecological, that this crop engenders” (Taussig) in two disparate geographical locations, Southeast Asia and South America.

Catalogue dedicated to a video project on the practice of gospel mime within the African-American church. This subject is an opportunity for Jemison to express her interest in language and gesture, and on the discursive dimension of African American culture.

Created by Aidan Baker (Nadja), Gaspar Claus (Pedro Soler, Angélique Ionatos…), Franck Laurino (Zëro), and Maxime Tisserand (Chapelier Fou), this extraordinary project offers 11 tracks of ambient post-rock music that would have integrated the whole notion of freedom in jazz.

Two extra rare tracks by Coil, commissioned by Sub Rosa. Never released on vinyl before (limited marbled vinyl edition).