Elisa Caldana's The Falcon of Karachi investigates stories of the laggar falcon, a species endemic to Pakistan, India, and Myanmar that is slowly disappearing in the wild.

Jagna Ciuchta's first monograph reflects the collective, reflexive and evolving logic of the artist's work.

A monograph developing an iconographic apparatus that casts a light on the relationships between Italy and Louis Fratino's oeuvre, with newly commissioned essays and contributions by scholars of art and queer theory (new edition).

A collection of more than 700 photos shot by Giovanna Silva during the last three years of walks through NYC.

A Hypothesis of Resistance contains five essays on Asynchronicity, Rehearsal, Undetectability, The Present Tense, and Duration.

I-A-K Interplanetary-Abyssal-Kite is a composition by Francesco Cavaliere, part of his Abyssal Creatures project based on an ensemble of concave blown glass sculptures that recall transparent creatures far from human representation: beings that inhale sound and exhale resonances.

A double vinyl and a catalogue that constitute a proper extension of the exhibition with which the Capc in Bordeaux continues to question the forms that the museum can take, with the aim of creating a renewed awareness of what it means to breathe, both on an individual and collective level, at a time when the world is living in a climate of generalized asphyxia.

The first attempt at a philological reconstruction of the seminal exhibition Materializzazione del linguaggio, curated in 1978 by Mirella Bentivoglio within an edition of the Biennale di Venezia, and dedicated to the verbo-visual explorations of eighty international women artists.

Christian Laurella, writer and tour manager ("orchestra conductor", as Ahmad Jamal puts it), recalls his European tours with the greatest figures in American jazz—Chet Baker, Archie Shepp, Tony Williams, Jaco Pastorius, etc.

The extravagant villas designed between the 1960s and 1980s by Italian architect Mario Galvagni (1928-2020) for prosperous Lombard families.

Collection of portraits published between 1938 and 1955 in the New Yorker by one of the pioneer of New Journalism: a literary painting of a New York that no longer exists.

A revelatory conversation that, grounded in lived experience, traces the racist structures of the discourse landscape and offers alternative ways of understanding solidarity.

Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.

Futuring Spaces of Possibility explores how contemporary art and architecture address urban, social and ecological challenges and create new possibilities for the future city. It invites urban theorists, curators, artists and architects to use Bruges, a UNESCO World Heritage Site, as a testbed for new spatial imaginaries.

An essay on historical thinking through an examination of the unstudied minor genre of the newspaper weather map.

The ultimate edition of percussionist Lê Quan Ninh's famous text, which explores, in the form of an ABC, the singular experience of improvising and free improvisation.

The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.

In this prophetic 1978 essay, legendary science fiction author Philip K. Dick explores the nature of reality, the power of media, and the authenticity of human experience, offering startling insights that resonate eerily with our modern world.

Ingo Giezendanner's wild herbarium.

In this first critical volume and biography of the Indian artist Lalitha Lajmi (1932–2023), author Skye Arundhati Thomas delves into Lajmi's archives, papers, letters, and sketchbooks in pursuit of clues about the artist's character and path.

Centered around the themes of latent knowledges, earth uprisings and borders, this second volume in the Radical Rituals series is the result of a research residency carried by forty five degrees collective in the summer of 2022 across France, from 45°N 1°W to 45°N 7°E.

This volume brings together visions, experiences and critical interdisciplinary methodologies that have been instrumental in the development of the language of moving images since 2010.

Across objects, writing, sound and choreography, British artist Cally Spooner addresses the manners in which specific technological and financial conditions shape and organize life. This volume surveys her artistic output of the last five years.

The second album by Rubbish Music (Kate Carr and Iain Chambers), the duo upcycling waste into immersive electroacoustic music.

Crys Cole's third solo release for the Black Truffle label, Making Conversation documents a different facet of her work, presenting three rigorously conceptualised commissioned pieces, each of which extend her signature approach to highly amplified small sounds into new directions.

A collection of the artist's writings from 2019 to 2024.

Journalist Olivier Namias and photographer Luc Boegly combine their views of the work carried out between 1970 and 2008 by architect Jean-Patrick Fortin (a villa, a pharmacy and a townhouse) in the Italian commune of Caprino Veronese.

Tribute to philosopher René Schérer (1922-2023), a great Charles Fourier specialist.

First global exploration of contemporary forms of filmmaking from political and cultural self-determination movements of Autochthonous communities and peoples.

An essay-length book arguing for the autonomy of art in the present.

Logorrhea is an artist book focusing on the written word in Jean-Michel Wicker's work. It is a large and lighter-than-air paperback, the author's third void.

Published on the occasion of the eponymous solo exhibition of the Greek artist Vasilis Papageorgiou at Salzburger Kunstverein, Sunseekers or Dimming the Sun or invites contemplation on capitalist systems of pleasure and the tourism industry.

A significant contribution to the understanding of the work of artist and filmmaker Cauleen Smith, by art historian Romi Crawford, who analyzes how Smith recastsfilm history, in a pivotal period of her career.

Yemeni Egyptian American photographer and filmmaker Yumna Al-Arashi's first artist's book.

A theory of passive vitalism.

An album recorded in different parts of the world, in which the Canadian composer and sound artist explores how quantum mechanics profoundly influences the perception of sound.

Four decades of urban change in London's East End: a comprehensive retrospective of the British photographer's documentation work since the 1980s.

2024 repress of KMRU's first release for Editions Mego.

The reissue of Chico Mello and Helinho Brandão's self-titled release from 1984, the first return to vinyl of this classic of Brazilian experimental music with its original cover art and complete track listing.

The first vinyl reissue of David Rosenboom's unique Future Travel, originally released on the short-lived Detroit label Street Records in 1981 and here presented in an expanded edition with an additional LP of wild, previously unheard live and studio material from the same period.

Continuing his fruitful relationship with Discrepant, Tiago Sousa returns with two longform pieces for organ.

A unique document of America's gay rodeo subculture, National Anthem is a celebration of outsiders and the beauty of chosen families everywhere.

A new voice+electronics solo CD by Jason Kahn: voice, modular synth, mixing board, electromagnetic transducers, radio, spring reverb tank.

Ronan Bouroullec's first comprehensive monograph, bringing together his drawings, sculptures and ceramics, and design objects and projects.

Newton is a sound work conceived by Cesare Pietroiusti, an artist interested in micro-events, paradoxical situations, behaviour and minor gestures that make up our daily life. NEWTON is an epic of the fall, experienced, suffered and observed by the artist himself.

A history of stupidity (deliberate and sometimes even claimed), regression and superficiality in the arts.