Footnotes from the Centre for Research Architecture brings together short contributions by students and staff of the MA 2017-18 programme. This publication provides a conceptual framework to compile a series of visual and textual footnotes by each of CRA's students. It enables each student to make visible a crucial fragment of the research process that fits neither within the dissertation's narrative or within the exhibition's format.

A collaboration between Andrea Neumann (composer, inside piano, mixer) and Mads Emil Nielsen (composer, electronics).

A 7" vinyl based on an music/audio made by Mads Emil Nielsen made for a dance performance.

A philosophy of decolonization that intends to show how, in knowledge and the arts, the past can be passed.

Based on a set of mostly unpublished archives, this book focuses on the role played by art dealers at the turn of the last century in the definition, promotion and circulation of African objects as artworks, in Europe and the United States.

The growth of thought on ornament, applied arts and architecture in the industrial age, between ornamental impulse and decorative project.

The scripts of Romy Rüegger's performances: a constellation of texts, largely written to be spoken. The scripts as they are printed do not document the performances primarily. They are indications of spacial and temporal layering, juxtapositions of aesthetic and poetic elements and bodies. Overlapping every day observations with archival material, confronting, jumping.

Reference monograph.

Reference monograph.

Struggle Artist by Justin Meyers, the Minneapolis-based composer, artist, and head of the Sympathy Ltd. label, expresses the incompatibility of neoliberalism and non-commercial artistic practice through melancholic sonorities and the meticulous narrativity of the synth-based compositions.

What roles and functions does type play in design? How does it relate to the meanings of type inherited from other knowledge disciplines?

A visual tour de force (artist's book).

A tiny notebook of fantastic and phantasmagorical drawings, in red ink mixed with blue.

This publication examines the place of Egyptian Modernist painter Hamed Abdalla in transnational modern art history. Mobilizing the personal archives and library of the artist, Arabecedaire reflects on Abdalla's journeys and influences, bringing to light a vast and rich body of material which guided his painting practice.

Wheels gives a special overview of Olivier Mosset's career through the prism of his fascination for motorcycle and motor vehicles and their influence on his artistic practice.

The articles and interviews included in this issue of Flash Art address the human body, introducing artistic practices that push the body's physical boundaries and challenge its codified representations. With Luchita Hurtado; special feature on artist, educator, curator, and cultural theorist Ian White; Lena Henke; Martti Kalliala on the transformational experience of Burning Man; Eric N. Mack; Stefano Sollima; Bruce Nauman by Isabelle Graw (on Flash Art March-April 1993); exhibitions reviews.

Reference monograph.

A collection of literary texts by contemporary writer Benoît Toqué. It brings together texts written between 2014 and 2017, and either performed at public readings or created during workshops.

This publication is a literary narrative depicting radio projects on the landscape of French rivers Somme and Rance. It includes notes documenting the making of the two radio plays, as well as a series of 23 photographs.

Following a thread, from string figures though algorithms.

The history of the Union des Artistes Modernes (1929–1939).

A comprehensive tribute to Eugène Printz, a 20th-century designer and furniture maker whose work is characterized by a subtle respect for 18th-century furniture traditions.

The 2018 edition of the Jahresring, guest-edited and designed by Wolfgang Tillmans.

First-time release of the tapes that are said to have inspired Manuel Göttsching's classic, Inventions for Electric Guitar. Recorded between 1972 and 1976, these revolutionary tracks by M.A.L. aka Daniel Malempré were made using only an electric guitar Fender Stratocaster 1964, a Wah-Wah pedal, and a reel to reel recorder.

An ABC book with which the pianist, composer and improviser recounts his experience of sound (with the score and recording on CD of an unpublished piece).

Tonaliens investigates the inner dimensions and outer limits of just intonation, exploring the harmonic space with voice, brass, invented instruments, sine waves and live electronics. This record brings together two live performances from 2015 in Amsterdam and Berlin. With liner notes by band tuba Robin Hayward, and detailed photos and screenshots.

Field recordings and electromagnetic improvisations by French artist Pali Meursault.

Au dernier voile de sable is a long erotic and learned poem which evoques the Greek mythology, written by Jean-Philippe Pernot, photographer and film maker, illustrated by the reproductions of black and white surrealistic prints which represents bodies and bones, made by the young artist Hélène Damville.

An educational investigation on the relationship between design and techniques.

Gender, voice, language, and identity in musical composition and experimental sound practices.

Place.Labour.Capital. takes a reflective look at the first years of the NTU Centre for Contemporary Art Singapore, and serves as a means to review the parameters of its own position in the present globalised art world and knowledge-production economies.

Facsimile reprinting of Danne & Blackburn's graphics standards manual for the redesign of NASA's visual identity in 1975.

A hundred black and white portraits of students from ECAL – University of Art and Design Lausanne, made between 2013 and 2016 by photographer and teacher Anoush Abrar.

The life and work of Winnaretta Singer, Princesse de Polignac, who used her fortune to support the arts, sciences and literature, and whose influence on the musical and literary worlds of the twentieth century is immeasurable.

This issue investigates the sinuous folds of the body. Featuring: special section on George Henry Longly; Mathieu Copeland on anti-bodies within the body of art institutions; interview with Barbara Hammer, Lou Dallas, Manuel Solano; Eleanor Antin on Carving; Ellen Blumenstein & Kate Cooper; Ben Vickers in conversation with Kenric McDowell on human and machine; visual essay by Marianna Simnett; Donna Huanca in conversation with Venus Lau; ektor garcia; 25 questions with Eric N. Mack… and including Clubbing fanzine's first issue!

The life and times of jazz multi-instrumentalist Eric Dolphy, free-jazz precursor and collaborator of Charles Mingus, John Coltrane, and Ornette Coleman.

The second volume of the publication dedicated to the French underground musical scene.

Original motion picture soundtrack by Schneider TM for Omer Fast's acclaimed first feature film Remainder. A heuristic creative approach characterised the collaboration between Omer Fast and Schneider TM, where music and images beautifully intertwined in a compelling sonic structure.

Inexplicable hours opens on the one hand new ways based on field recordings, static electronics and distant pulsations, and continues on the other hand the exploration of drone and ambient but in a brighter, less aggressive, less tense way, almost reminding sometimes Brian Eno's Obscure series.

Timothy Morton stretches a thread between philosophy and ecology, using the concept of hyperobjects to rethink our approach to global warming.

This publication investigates our present relation to the future and asks which means and strategies artists and scholars pursue today, to gain a new scope of action for shaping alternative futures. It brings together contributions by academic staff at the cx centre for interdisciplinary studies at the Academy of Fine Arts Munich as well as selected artistic work by students.

Fiction as Method brings authors into dialogue with artists, technologists, theorists and filmmakers in order to examine the diverse ways in which fiction manifests. The aim is to explore the concept through direct and indirect means, ultimately considering how fictions proliferate, take on flesh and come to act in the world.

Artist Oraib Toukan presents an informal register of modernist Palestinian architecture—an assemblage of images and stories collected from 2013 to 2015 in the cities of Nablus, Ramallah, Jerusalem, Bethlehem, and Jericho.

This catalogue is the first survey of the art and practice of Art+Positive, a significant affinity group of ACT UP New York during the early years of the AIDS epidemic. The publication presents previously unseen archives featuring artworks, documents, protest ephemera, and meeting notes, as well as commissioned essays and unpublished writings.

In this essay, professor Peter G. Rowe gives an overall description of how new technologies transformed the field of architectural design, addressing issues such as the precision and incompleteness of information, schema theory and heuristics.

This catalogue / artist's book inaugurates a new series dedicated to the site-specific installations exhibited in the nave of the CAPC. The eponymous project by artist Leonor Antunes is a sculptural ensemble influenced by textile and architectural works, thus recalling the commercial past of the nave as well as the cultural legacy of modernism. The publication features an interview with the artist and a text by textile artist Anni Albers.