Special Beatles Studies issue.

In more than two hundred artworks, the American artist's reference monograph focuses on the fundamentals of her painting, strongly impregnated by notions of time, profusion, systemising and commitment.

An issue all about the end (with a sociological investigation by Bertrand Vidal into survivalism).

The ambition of design and its limits

Reissue of a booklet from 1981, this suite of drawn charts and diagrams was originally published to accompany the films of Rat and Bear—Fischli & Weiss fictional alter egos, and symbols of Western culture's faith on contraries.

A DVD-book which documents Korean artist Kimsooja's transfigurational installation at the Centre Pompidou-Metz, as part of the France-Korea year.

Two films to better understand the atypical path and ideas of Gilles Clément, gardener, landscape architect, author, and theoretician of gardens as places of political utopia.

On the occasion of the republication of eight texts by Charles-Louis Philippe (1874-1909), Nurse With Wound (here, Steven Stapleton & Brian Conniffe) wrote "Music for Miscellaneous: A Piece of the Sky Is Missing", an unreleased mini CD included in the book.

This collective work aims to demonstrate the relevance of today's popular music in contemporary political action through eight international case studies.

Thirty-seven texts by Tom Burr.

Hannah Arendt is not at all keen to build an edifice of ideas or to develop abstract concepts. Rather, she gets on to the stage herself! To enter the scene of her little theater means to take matters into her own hands, take responsibility, to act. In short: Thinking is acting! Whereas the bureaucrats can conceive of only one thing: to build a world out of paper (an illustrated philosophy book for children).

Issue 31 of the first biannual magazine thoroughly devoted to international contemporary artists' writings, including original texts by Christina Iglesias, Shreyas Karle, Peter Buggenhout, Nikolaus Gansterer, Diego Tonus, Olafur Eliasson, Araya Rasdjarmrearnsook, and Ben Kinmont.

An artist's book on worldwide monetary iconography.

First catalogue devoted to French artist Sarah Tritz, whose work is characterized by a multidisciplinary approach (sculpture, painting, collage, drawing). With texts by Claire Moulène and Paul Bernard, as well as an interview with the artist by Sandra Patron and Franck Balland.

The semi-autobiographical account of the life of a young German in the 1960s, between Germany, Israel, and The United States. First translation of philosopher Reiner Schürmann's only literary work, originally published in French in 1976.

The comic strip adapted from the eponymous novel by Costes.

A musical, ecological and philosophical production for which Guigou Chenevier signs the score.

A dive into the world of Frederic Le Junter's machines and DIY instruments.

A 48 pages book of drawings by Costes, with all the lyrics of the 10 songs that are on the accompanying CD.

A panorama of Albania's contemporary art scene.

Long awaited new opus by Le Dernier Cri mastermind. Evil and degenerated interpretation of Jap B movie posters in this oversized book.

Investigating the complex and ever-changing story of Italian fashion from 1945 to 1968 through a contemporary lens, this catalogue offers a symphonic account of the many creative components that continue to interact and shape the success and enormous appeal of the “Made in Italy” brand.

A rich and diverse panorama of football gestures selected from newspapers' photographs dating from 1990 to 2010. The aesthetic classification of these gestures opens to wider reflections on sport as choreography and artistic performance.

With Marie and William, Alex Cecchetti attempts to transpose the performative gesture in the space of the book.

This book documents the eponymous work by British artist Patrick Staff a film installation exploring queer intergenerational relationships negotiated through historical materials. The film combines footage shot at the gay icon Tom of Finland's Foundation in Los Angeles with choreographic sequences shot within a specially constructed set.

These three thin volumes feature drawings by legendary illustrator Tomi Ungerer selected from his sixties sketchbooks. In the likes of fabulists, Ungerer portrays the animal kingdom (elephants, whales, kangaroos and a handful of camels) to satirize with humour the manners of his contemporaries.

Mousse 51 is a photo issue dedicated to exhibitions from 1985 to 1995, the last ten years or so before exhibitions went online, and possibly, before the exhibition view became a requisite genre.

A collection of essays and interviews on the issue of curatorship in contemporary art with Pierre Restany, Zoran Kržišnik, Harald Szeemann, Daniel Buren, Charles Esche and Walter Benjamin.

Four pieces based on drum/cymbal + synthesizer recordings by Mads Emil Nielsen.

Taken in the "forgotten borough" of Staten Island between 1983 and 1984, the photographs in Christine Osinski's Summer Days Staten Island create a portrait of working-class culture in an often overlooked section of New York City.

Christelle Enault's last series: Voodoo priestesses cover their face with cartoon masks and lead ritual ceremonies where female creatures and priapic shapes perform erotic gestures in a poisonous and seminal environment. Yet, the delicate pencil line of the Parisian artist delivers a puzzling feeling of softness.

In the fall of 2013, Dan Graham and Mieko Meguro traveled with Donatien Grau to a town in the French Alps to meet Michel Butor, one of the foremost innovators of postwar literature. This is their conversation.

Milan Knížák 1979's masterpiece never re-released in vinyl before: classic collages of noises created during performances and happenings, widely regarded as important sound art documents on record.

Ultimate mix from original recordings done at La Selva Biological Station during the rainy seasons of 1995 and 1996. This masterpiece is released in High-res audio on a USB card and comes with a silent vinyl (numbered and signed limited edition).

New monograph.

A facsimile edition of the first ever monograph dedicated to Marcel Duchamp and originally published in 1959. A complete introduction to his works and personality as well as a reflection on the artist's role in modern society. Graphic design by Marcel Duchamp. With texts by Duchamp, André Breton & Henri-Pierre Roché. Featuring a bibliography and a catalogue raisonné.

How did an urban apparatus put in the service of authoritarian power became the place of its undoing: the roundabout revolutions, from South Korea to recent Arab Spring.

Collected amateur photographs tell with a wistful eye the magical heyday of Motor sports from the sixties until the eighties.

A provocative interrogation of race and identity in contemporary Italy envisioned by visual artists, scholars and writers from Africa, Europe and the United States exploring new forms of subjectivity and agency shaped by history, immigration and integration, the legacy of colonialism and persistent stereotypes (a project curated by Lyle Ashton Harris, Robert Storr and Peter Benson Miller).

The text published in Villa is a risograph printed transcript of a heretofore unpublished manuscript by Emilio Villa, written around 1962 and addressed to the painter Mario Schifano. The publication remains faithful to the original document and thus there have been no spelling or language corrections.

The artist's magazine's rich and diverse third issue welcomes fiction for the first time.

Collection of poems following the tale of a Queen who meets with her evil Doppelgänger in the form of an Angel.

Proposals for an ecology of diagnosis.

Filip Markiewicz presents a mental image of Luxembourg combined with a reflection on contemporary identity (exhibition catalogue for the Luxemburg Pavilion at the 56th Venice Biennale).

This artist's book by Elisabetta Benassi is a faithful reproduction of an original pamphlet by Mark Twain.

L'art de la fuite is a selection of first recordings originally released on selftitled homemade tape in 1995. Mainly composed with turntables and prepared records (with various other sources), these recordings have laid the foundation for his future work as turntabilist / improviser / composer. 20 years later, this unique blend of musique concrète and post-industrial still sounds fresh today.