Reissue of CoBrA co-founder's masterpiece of musique concrete.

Part four in the Selten Gehörte Musik reissue series, with a recording by Günter Brus, Hermann Nitsch, Dieter Roth, and Gerhard Rühm originally published as a 3LP-Box by Hansjörg Mayer in 1975. Apart from the group session this edition also includes a duo piano session by Dieter Roth and Hermann Nitsch recorded in Stuttgart in November 1975.

The colorful and impertinent hijacking of a luxurious big size Taschen book celebrating Queen Elizabeth's jubilee.

A history of critical design in four episodes: the Italian radical design of the late 1970s; the Dutch conceptual design of the 1990s; the English critical design of the 2000s, and the contemporary scene (with contributions by Bless, Didier Faustino, Alessandro Mendini, Gianni Pettena…).

Eva Kot'átková's most ambitious publication to date, divided in two volumes, reflects her obsession with reshaping and hijacking pre-existing photographic images.

Benjamin H. Bratton's kaleidoscopic theory-fiction links the utopian fantasies of political violence with the equally utopian programs of security and control. Equal parts Borges, Burroughs, Baudrillard, and Black Ops, Dispute Plan to Prevent Future Luxury Constitution charts a treacherous landscape filled with paranoid master plans, failed schemes, and dubious histories.

Felicity D. Scott reconsiders the learnings of Bernard Rudofsky on vernacular architecture in the light of his relation with Japan.

A visual journey through ten years of Denis Savary's exhibitions (first-ever retrospective catalogue).

Carlo Mollino's photographs of a Japan in between tradition and modernity during the 1970 Universal Exposition.

Special Beatles Studies issue.

In more than two hundred artworks, the American artist's reference monograph focuses on the fundamentals of her painting, strongly impregnated by notions of time, profusion, systemising and commitment.

An issue all about the end (with a sociological investigation by Bertrand Vidal into survivalism).

The ambition of design and its limits

Reissue of a booklet from 1981, this suite of drawn charts and diagrams was originally published to accompany the films of Rat and Bear—Fischli & Weiss fictional alter egos, and symbols of Western culture's faith on contraries.

A DVD-book which documents Korean artist Kimsooja's transfigurational installation at the Centre Pompidou-Metz, as part of the France-Korea year.

Two films to better understand the atypical path and ideas of Gilles Clément, gardener, landscape architect, author, and theoretician of gardens as places of political utopia.

On the occasion of the republication of eight texts by Charles-Louis Philippe (1874-1909), Nurse With Wound (here, Steven Stapleton & Brian Conniffe) wrote "Music for Miscellaneous: A Piece of the Sky Is Missing", an unreleased mini CD included in the book.

This collective work aims to demonstrate the relevance of today's popular music in contemporary political action through eight international case studies.

Hannah Arendt is not at all keen to build an edifice of ideas or to develop abstract concepts. Rather, she gets on to the stage herself! To enter the scene of her little theater means to take matters into her own hands, take responsibility, to act. In short: Thinking is acting! Whereas the bureaucrats can conceive of only one thing: to build a world out of paper (an illustrated philosophy book for children).

Issue 31 of the first biannual magazine thoroughly devoted to international contemporary artists' writings, including original texts by Christina Iglesias, Shreyas Karle, Peter Buggenhout, Nikolaus Gansterer, Diego Tonus, Olafur Eliasson, Araya Rasdjarmrearnsook, and Ben Kinmont.

An artist's book on worldwide monetary iconography.

First catalogue devoted to French artist Sarah Tritz, whose work is characterized by a multidisciplinary approach (sculpture, painting, collage, drawing). With texts by Claire Moulène and Paul Bernard, as well as an interview with the artist by Sandra Patron and Franck Balland.

The semi-autobiographical account of the life of a young German in the 1960s, between Germany, Israel, and The United States. First translation of philosopher Reiner Schürmann's only literary work, originally published in French in 1976.

The comic strip adapted from the eponymous novel by Costes.

A musical, ecological and philosophical production for which Guigou Chenevier signs the score.

A dive into the world of Frederic Le Junter's machines and DIY instruments.

A 48 pages book of drawings by Costes, with all the lyrics of the 10 songs that are on the accompanying CD.

A panorama of Albania's contemporary art scene.

Long awaited new opus by Le Dernier Cri mastermind. Evil and degenerated interpretation of Jap B movie posters in this oversized book.

Investigating the complex and ever-changing story of Italian fashion from 1945 to 1968 through a contemporary lens, this catalogue offers a symphonic account of the many creative components that continue to interact and shape the success and enormous appeal of the “Made in Italy” brand.

A rich and diverse panorama of football gestures selected from newspapers' photographs dating from 1990 to 2010. The aesthetic classification of these gestures opens to wider reflections on sport as choreography and artistic performance.

With Marie and William, Alex Cecchetti attempts to transpose the performative gesture in the space of the book.

This book documents the eponymous work by British artist Patrick Staff a film installation exploring queer intergenerational relationships negotiated through historical materials. The film combines footage shot at the gay icon Tom of Finland's Foundation in Los Angeles with choreographic sequences shot within a specially constructed set.

These three thin volumes feature drawings by legendary illustrator Tomi Ungerer selected from his sixties sketchbooks. In the likes of fabulists, Ungerer portrays the animal kingdom (elephants, whales, kangaroos and a handful of camels) to satirize with humour the manners of his contemporaries.

Mousse 51 is a photo issue dedicated to exhibitions from 1985 to 1995, the last ten years or so before exhibitions went online, and possibly, before the exhibition view became a requisite genre.

A collection of essays and interviews on the issue of curatorship in contemporary art with Pierre Restany, Zoran Kržišnik, Harald Szeemann, Daniel Buren, Charles Esche and Walter Benjamin.

Four pieces based on drum/cymbal + synthesizer recordings by Mads Emil Nielsen.

Taken in the "forgotten borough" of Staten Island between 1983 and 1984, the photographs in Christine Osinski's Summer Days Staten Island create a portrait of working-class culture in an often overlooked section of New York City.

Christelle Enault's last series: Voodoo priestesses cover their face with cartoon masks and lead ritual ceremonies where female creatures and priapic shapes perform erotic gestures in a poisonous and seminal environment. Yet, the delicate pencil line of the Parisian artist delivers a puzzling feeling of softness.

In the fall of 2013, Dan Graham and Mieko Meguro traveled with Donatien Grau to a town in the French Alps to meet Michel Butor, one of the foremost innovators of postwar literature. This is their conversation.

Milan Knížák 1979's masterpiece never re-released in vinyl before: classic collages of noises created during performances and happenings, widely regarded as important sound art documents on record.

Ultimate mix from original recordings done at La Selva Biological Station during the rainy seasons of 1995 and 1996. This masterpiece is released in High-res audio on a USB card and comes with a silent vinyl (numbered and signed limited edition).

A "boutique book" by Matías Duville that reflects a specific project he did in the Argentinean Pampa as part of the Guggenheim grant.

Covering visual artist Mariana Sissia's output between 2009 and 2015, this first monograph presents the work sustained with the same material, graphite, reaching levels of depth rarely explored.

New monograph.

A facsimile edition of the first ever monograph dedicated to Marcel Duchamp and originally published in 1959. A complete introduction to his works and personality as well as a reflection on the artist's role in modern society. Graphic design by Marcel Duchamp. With texts by Duchamp, André Breton & Henri-Pierre Roché. Featuring a bibliography and a catalogue raisonné.