First monograph.

The three issues of the periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022), gathered in a box set.

A collection of writings by Alina Popa and Florin Flueras written over a seven-year period (new expanded edition).

The portfolio of the exhibition at the Jeu de Paume, the first major retrospective in France on the filmmaker and biologist specializing in underwater fauna Jean Painlevé (1902-1989), considered one of the founding fathers of scientific cinema and a source of inspiration for the avant-gardes and the surrealist movement.

Autobiography by Micah Lexier is apparently just a blank pages book, but it is not. Each page is pierced, and at the back is printed the same colophon. That's because you can rip off every page of it and fix it everywhere. Micah Lexier identifies the holes as one of the main themes of his practice.

Urban Kitsch, originally written in 1996, explores the forms of vernacular visual culture that emerged in the city of Baroda following the liberalisation of the Indian economy.

A large series of essays, written by people from around the world who have contributed to the Josef and Anni Albers Foundation's work, revealing how the non-profit organization has carried on the Albers' legacy over the years. The heart of the book, lavishly illustrated, is devoted to the Foundation's many donations to international museums, including rarely shown works of art.

Very cheap non-human animal imitations amicably mimics the wonderful presentations of songs from birds and other protagonists of the animal world, made available by the ornithologist and publisher Jean-Claude Roché in the 1980s.

An anthropologist's view of contemporary African creation.

Special issue: a retrospective of L'Humidité, the most important art and experimental poetry magazine of the 1970s, created and directed by Jean-François Bory from 1970 to 1978.

From "institutional critique" to "infrastructural critique" .

A hybrid monograph/artist book of Nathalie Du Pasquier's work.

Valerie Solanas's rarely published, legendary play, Up Your Ass (1965), explodes social and sexual mores and the hypocritical, patriarchal culture that produces them through her signature irreverence and wit, incisiveness and camp.

An examination of the relationship between coloniality, raciality, and global capital through a black feminist poethical framework, inspired by Octavia E. Butler's sci-fi novel Kindred (first volume in the On the Antipolitical series).

A collection of poems by Nouria Behloul written between 2011 and 2021.

An artist's book disguised as a medical publication written by six fictional women characters from Morocco in free wheeling, Narrative Machines clothes truth with falsehood. With wry irony and Google English it comments on paranoia, fake news, patriarchy, power and media ganging together in the Maghreb...

Texas experimental artist Claire Rousay's new album inaugurates her collaboration with Shelter Press (two 15-minute pieces, with Alex Cunningham and Mari Maurice on violin, Marilu Donovan on harp and Theodore Cale Schafer on piano).

First monograph of the Swiss artist Till Rabus, who creates phantasmagorical subjects from everyday objects and waste of our society before translating them on hyperrealistic canvases, in stagings taking up aesthetic codes of the history of painting and Baroque.

Neglected, abandoned, forgotten women: a series portraits, mostly female, constitutes the fulcrum of this book on Lucìe, the project by Nicola Samorì exhibited at Mart in Rovereto.

In this writing, French architect Bernard Quirot carries a reflection on his theoretical foundations and evokes, through his architectural journey, a critical vision of the increasing complexity of the world.

Richly illustrated, this book provides for the first time a visual overview of Lawrence Abu Hamdan's works of more than a decade, and elaborates on a formal vocabulary characterized by the aesthetics of sound and language.

This catalogue explores some of the pivotal themes of the artist's research, from her interest in crossing and redefining the border between interior and exterior to the relationship between the aesthetic object and its institutional context.

An experimental noise project that synchronises sound with image and takes the form of a durational solo performance as installation (the publication accompanying Marco Fusinato's immersive project for the Australia Pavilion at the 59th International Art Exhibition of La Biennale di Venezia, with texts by Branden W. Joseph, Elizabeth Povinelli, Chus Martínez, Thurston Moore, Stephen O'Malley, Bruce Russell, etc.).

Exhibition catalogue with twenty color illustrations of paintings by the British painter Prunella Clough (1919–1999), focusing on the artist's late-career departure from the industrial figuration for which she was known into a wry, quietly influential approach to abstraction.

Designed in the form of a "women's magazine", this catalogue is devoted to the representation of the female body in the innovative, feminist and avant-garde work of Niki de Saint Phalle.

The deluxe reissue of Fennesz's first LP of 1997 (also including the 1995 first EP), remastered by Stephan Mathieu.

A remix collaboration by Mads Emil Nielsen and Chromacolor, a project from the German sound artist and producer Hanno Leichtmann.

An exhibition by Matthew Burbidge scattered and reconfigured by its visitors turned collectors.

At the time of Russia's invasion of Ukraine, Yevgenia Belorusets, Nikita Kadan, and Lesia Khomenko answer an age-old question: what is art to do in the face of war? (the culmination of Yevgenia Belorusets's war diary, alongside monumental work by Nikita Kadan, and Lesia Khomenko).

9 interviews (Carroll Dunham, Genesis Belanger, Jonathan Gardner, Djamel Klouche, Yorgos Sapountzis, Elizabeth Glaessner...), 9 exhibitions and places in pictures (Dominique Gonzalez-Foerster, Pierre Huyghe, César, Sarah Lucas, Richard Hamilton's house in Cadaqués...), some artists special projects and texts (Ashley Bickerton, Sean Landers, Lily Van der Stokker, Peter Halley, Heidi Bucher), exhibition reviews, and chronicles.

Released in Sub Rosas Early Electronic series, Reinhold Weber's Complete Electronic & Phonetic Works 1968-1974.

Sadie Barnette, Gabriel Chaile, Vaginal Davis, Marlene Dumas, Ja'Tovia Gary, Stanislava Kovalcikova, Matthew Langan-Peck, Na Mira, Joseph Yaeger...

A collective research on the memory of the places to the test of wars and conflicts through representations of landscapes, as they are reworked by means of contemporary art, cinema or literature.

The ecologies of experimental cinema in the Anthropocene age.

The catalogue of the 12th Biennale Internationale Design Saint-Étienne.

A history of industrial design in France: through portraits of the personalities who helped shape design practices and culture in France from the 1950s onwards, as well as emblematic design projects and flagship everyday objects, this book tells the story of the genesis of the profession of designer, which is accompanying a society that is witnessing the emergence of new lifestyles.

Azimuts #54 reports on a selection of design research surveys that were carried out in Saint-Étienne between 2015 and 2022 by various researchers and collectives in collaboration with artists and academics in relation to this territory, their terrain.

Claire Tencin retraces the tumultuous life of Alexandrine de Tencin (1682-1749), a libertine and libertarian woman of letters, at the dawn of the Age of Enlightenment, in a mirror-image dialogue with her character.

Bringing together previously unpublished essays by internationally renowned philosophers, cultural theorists, activists, and art historians, this volume provides a toolkit for addressing contemporary theories and practices of resistance.

Bringing together previously unpublished essays by internationally renowned philosophers, cultural theorists, activists, and art historians, this volume provides a toolkit for addressing contemporary theories and practices of resistance.

Through Kant, Nietzsche, and Heidegger, this seminar traces the development of the relation between the will and the law as self-given.

The relation between being and acting and the principle of anarchy in the philosophy of Martin Heidegger.

The catalogue of the first edition of the Montpellier Biennale.

A radio-commissioned album by the Canadian sound artist, based on sound fragments recorded around the world: a subtle and poetic assemblage of concrete sounds and atmospheres that evolve at the boundaries of perception (with Oren Ambarchi and Seiji Morimoto on drums and electronics).

Design creations made at the École nationale supérieure d'art et de design de Limoges, showing the area opened by ceramics to question the process of creation and the field of production of objects within an art and design school.

The first album by Frank Bretschneider and Jan Jelinek's joint project, produced from improvised sessions on modular systems between 2016 and 2020.