The sequel, posthumous and almost completed, of the poem-fleuve initiated in 2020 by Jean-Luc Parant, which questions our being in the world with a freedom both new and timeless.

A vast study of the visual culture of industrial music during its development in Europe, the United States and Japan, from the 1970s to the 1990s, a global culture that goes beyond sound experimentation to cross different media (graphics, film, performance, video), in a close dialogue with the heritage of modernity and under the growing influence of technologies.

An incursion into a major field of work by Christina Kubisch, a pioneer of sound art who has been exploring the sonic potential of electromagnetic fields generated by our urban and technological environment since the 1970s.

Two essays by Steven Feld, a leading figure in anthropology and sound studies, that challenge established acoustic perspectives and open up the exciting field of research-composition.

By introducing the main design theories of the twentieth century, Claudia Mareis outlines approaches and models that postulate an expanded notion of design, in connection with the human and technical sciences, as well as with the challenges of a changing society.

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have, in conceptual, technical or poetic ways, questioned the architecture of the Universe and the hidden laws of physics that govern it, bringing to the fore the fundamental questions that drive artists and scientists alike (with a contribution of cosmologist Thomas Hertog).

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object (also available in English).

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated (also available in English).

Weaving fruitful links between the worlds of science and design, this catalog unveils the work of designers who have questioned the architecture of the Universe and the hidden laws of physics that govern it (also available in English).

Artist, photographer and filmmaker Aradhana Seth's photographic archive of painted signs in India: a visual itinerary through the historical-economic changes of Indian society over the years.

In this memoir, Harlem-born trumpeter Ahmed Abdullah recounts decades of national and international touring with the Sun Ra Arkestra and charts the rise of New York loft jazz scene, offering a fascinating portrait of advanced music in Brooklyn and lower Manhattan from the 1970s through the 1990s.

Pardon Façade documents the artistic output of Luca Monterastelli, showcasing almost all of the sculptures and installations that he produced between 2011 and 2022.

An in-depth exploration of the artistic issues at stake in the work of Ad Minoliti, with the aim of deconstructing the binary categories that history and the history of art have tried to retain as "universal".

Spike #76, around the theme of artists' lives and careers.

LP debut of the Dutch vocalist Janneke van der Putten. Her voice emerges from deeper grounds, shaping the acoustic aura of architectural and natural spaces, exploring the limits of vocal techniques through site-specific performances.

This publication invites us on a journey to decipher the hidden predatory logic within the mechanisms of gold mining exploitation and the resulting socio-ecological devastation in the Guayana and Venezuela's Amazon regions.

A journey through the work of Daniel Steegmann Mangrané over 25 years (artist's book).

This 5th issue of the anthropology journal created by Mariana Castillo Deball explains and develops the issues at stake in the artist's recent research.

Alongside Mousse's surveys, monographs, thematic essays, short profiles, fiction and book reviews, Issue #84 inaugurates four new columns with a reinforced emphasis on textuality and critical thinking: Criticism (by Kerstin Stakemeier), Thinkers (Ana Teixeira PintoAna Teixeira Pinto on Sara Ahmed), Curators (Kabelo Malatsie), and Reprint (selected by Lawrence Abu Hamdan).

Seven tangible prototypes that respond to our current planetary moment, enabling new ways of envisioning and inhabiting the world (a scientific and artistic collaboration turned to a catalyst for experimentation, shaping sustainable, and collective futures that combine science, technology, and the arts in a transdisciplinary and collaborative approach).

New monograph.

New monograph.

This artist's book provides a comprehensive insight into the artistic cosmos of Klodin Erb, one of the most renowned contemporary artists in Switzerland.

Artist's book.

New monograph.

First monograph.

Félicia Atkinson's new artist's book, bringing together photographs, drawings and poems.

Copies, appropriations, quotations in the collections of the Centre national des arts plastiques

Ákos Rózmann's Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer's studio and at EMS in Stockholm. Like most of Rózmann's compositions, Mass is a long-form work with a duration of around seven hours. 

This artist's book explores the diverse reference system of forms and materials, plants, animals and other subjects out of which Claudia Comte develops her biomorphic sculptures.

The Order of Things presents about a hundred analog photographs of landscaped gardens around houses and estates in the Swiss Canton of Valais and in Romandy, the western, French-speaking part of Switzerland.

A story of love, lust and parenthood, born beneath a series of thunderstorms (the script by the acclaimed Welsh film director and screenwriter Peter Greenaway).

First monograph of the Spanish painter: a collection of paintings and drawings created by Cristina BanBan between 2021 and 2023, accompanied by a text by Grant Klarich Johnson.

What forms does withdrawal—meaning either that which withdraws itself or which is being withdrawn—take in artistic and cultural practices? What movement(s) does it create or follow in specific contexts, and with what theoretical, material, and political consequences? The contributors of this book address these questions in a variety of writing practices, each focusing on specific scenes.

Artist's book.

Twelve texts on as many architectural masterpieces: pursuing their project to disseminate the work and thought of Livio Vacchini, Caryatide publish a new edition in French of Capolavori, the small (and immense) milestone, full of meaning and poetry, that the architect from Ticino wrote in 2006 just before his death (also available in

A split on 4 sides gathering 10 musicians, poets and poetesses around texts written and read by Gilles Furtwängler.

A series of historical images of buildings and monuments, retouched by the artist who superimposes the flames that ravaged these monuments long after the time of the original image, overlaying the present and the past.

A writing workshop led by the writer François Bon and the artist photographer Bruno Serralongue at HEAD - Geneva from February 20 to 25, 2022.

In this interview, Marie-France Rafael and the artist Raphaela Vogel probe the perennial question of form, asking: What is the relationship between form and time? In their conversation, Rafael and Vogel contemplate the potential of putting artistic mediums in dialogue with one another, proffering a new vision of what form can achieve.

Reference monograph.

An artistic research project led between 2019 and 2022, investigating how 3-D electroacoustic composition and sound-art can evoke and provoke a new awareness of our outdoor sound environment.

The first monograph dedicated to American sculptor John DeAndrea, one of the founding members of American Photorealism along with Duane Hanson, Chuck Close, Richard Estes or Robert Cottingham in 1970, with an introduction by Catherine Millet, an autobiography of the artist and over 200 pages of illustrations.

Three series of works that the Californian artist of Japanese origin has been producing since the 1970s, plus a text, in four booklets.

Igor Terentiev's biography of Ilya Zdanevich published in 1919 in Tbilisi.

Paintings and photocollages by the French artist based in Senegal, Vincent Michéa, which are part of a vast kaleidoscopic iconography, African but also European and American, that reorganizes space and time.