The final issue of the annual graphic design journal Composite.

Céline Guichard; Dalia Taha; on autodidacticism in music, by Fanny Chiarello; towards intercultural listening, a conversation between Kristoff K. Roll and the Mexican collective La Lleca; interviews with Alexandra Spence and Ayami Suzuki; Noises at Pompidou: a conversation between Marion Camy-Palou, Kasper T. Toeplitz and Nicolas Ballet; creating in psychic precariousness, by Aude Romary; book and record reviews..

Interviews with Dan Ploeger, Derek Curry & Jennifer Gradecki, Liz Pelly, Barnaby Francis & Bill Posters; Poetic Terrorism & Brand Sabotage; reports: xCoAx 2024, Konton-ni-Ai!, 7th International Digital Art Biennal...

For Summer 2025, Spike is getting freaky with the truest image of our time: Vulgarity.

The Zurich-based artist reinterprets the fear of emptiness from a feminist, psychological and socio-political perspective, through a pictorial reappropriation of the aesthetics of bureaucratic documents.

The relationship between quantifiable and experiential knowledge as entanglement of multiple temporalities.

In this anthology of essays, twelve artists explore radically self-reflexive research attitudes integrating embodied experiences within the production of theory.

Drawing together together numerous travesti writers, voices, performers, artists, and historians, this collection amounts to a narrative of survival.

This enchanting convening of texts and images, diaries and epistles celebrates a unique voice and ongoing dialogue around the erotics of art.

PROVENCE UNCONSCIOUS deep dives into the cosmological pool that shapes the collective unconscious and takes a look at the relevance of Jung's ideas in relation to contemporary art and fashion.

The first two albums of the fictional and conceptual girl band comprising Colin Lloyd-Tucker and Simon Fisher Turner.

Andrzej Karałow's piano metamorphoses in the cogs of Jérôme Noetinger's tape recorder, multiplying and playing with its distorted mirror: a journey through imaginary landscapes haunted by a ghostly presence.

A reflection on two essential formats in photographic production: the book and the exhibition space (featuring Christian Aschman, Julien Carreyn, Bertrand Cavalier, Wade Guyton, Pierre Hourquet, Aurélien Mole, Katja Stuke & Oliver Sieber, Batia Suter, Rebecca Topakian, Wolfgang Tillmans, and Ruth Van Beek).

A hundred recipes, almost 500 pages, 27 dinner-locations from 15 years of supper-clubbing and displacement of artistic practice in urban space.

Slavs and Tatars, Stephanie Comilang, Ho Tzu Nyen, Sohrab Mohebbi, Lauren Cook, Édouard Glissant, Mira Dayal, Elvira Dyangani Ose, Dani Blanga Gubbay, Ruoru Mou, Virginia Ariu, Bagus Pandega, Ceidra Moon Murphy, Oshay Green, Shafei Xia, Christian Rattemeyer, Lamm & Kirch...

Gilles Aubry's composition "L'Makina" is a haunting soundscape that combines AI-generated sound textures with modular synths. Structured in two parts, the piece explores the spectral possibilities of a virtual sound model developed using a machine learning algorithm, in collaboration with Moroccan musicians Ali Faiq and Idr Basrou.

International curator Cristina Ricupero uses the figure of Frankenstein as a common thread to explore and share her curatorial practice.

A fictional text by Geneva based artist Timothée Calame aka T. Freakson Calame: a collection of short stories that follow the urban wanderings of a protagonist through a series of unlikely events and encounters.

24 transcribed public conversations led by Xavier Le Roy with artists and cultural workers, creating a space where Le Roy's work meets the experiences of his guests.

A Nomadic Book celebrates the first five editions of the Nomadic School. Launched in 2020 by Office for a Human Theatre [OHT], the school takes place each summer at around 2000 meters in the Alps, offering a different pedagogical approach—one that's more open to the mountain's ecosystems and rhythms.

From submerging as emerging: a cross-disciplinary perspective of the medial, aesthetic, and material aspects of submerging, as well as its methodological qualities as a resistant practice and figure of thought.

This anthology presents and discusses current tools, methods, and analytical frameworks to address artistic interventions, taking a multidirectional approach that accounts for the positionality of perspectives and highlights the nondirectional formation of the interventions at hand.

A reflection on the reconstruction of the Berlin Palace and its contradictory use as an ethnological museum.

A narrative of the early modern Indian sculpture known as the Mithuna couple.

A new narrative by Léonora Miano around Mandu Yenu, a throne from the ancient Kingdom of Bamum (present day Cameroon). 

The architecture of disaster: Eyal and Ines Weizman trace the history of the before-and-after image from 19th-century photography to contemporary satellite images.

Artaud's last unpublished work.

An urban investigator has been commissioned by a global corporation to determine how cities worldwide are being engulfed and destroyed by the wastelands that are mysteriously appearing in their heart. They are being "wastelanded," generating turmoil and catastrophic technological meltdown in every global megalopolis.

A publication that directs dialogue and points of exchange among art, science, and environmental justice in the Americas.

Through a combination of critical texts and a visual essay, this issue of Faire explores 3D computer graphics, sometimes called CGI, 3D-CGI, or three-dimensional computer graphics.

A contemporary cabinet of curiosities, comprising the singular collection assembled by Jean Chatelus (1939-2021) over the course of his life: sculptures, installations, paintings, photographs, drawings by the greatest figures of the 20th century, as well as by outsider artists and "enfants terribles", pieces of non-Western art and objects from popular traditions, reflecting diverse aesthetics and voices.

The 2025 Villa Medici residents catalogue.

Jérôme Game, a poet working at the intersection of words, sounds and images, has invited two of his stage partners, Chloé and Jean-Michel Espitallier, to create a duo piece with him for this sound poetry album, between beat inspiration, krautrock motorick and literary glitch.

New Environments & Rhythm Studies is a further attempt to re-describe past tropes which laid claims to authentically represent music and sound from beyond the Western world (exotica, ethnomusicology, field recording) as undertakings of the imaginary.

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the second volume of a periodical series wishing to explore urgent issues in today's curatorial practices.

An in-depth look at nearly two decades of artistic output by the Palestinian artist and filmmaker Basma al-Sharif.

A broad survey of the Brazilian artist's work since 2016, dwelling on the recurring motifs and iconographic sources that feed the complex imagery of his painting.

To a Dead Hare collects images from trajectories around photography, created by mentormentor over the past few years for S.M.A.K. Moves, a programme centred around inclusivity, with art as a universal language.

A previously unheard recording of a concert by Pakistani vocalist Salamat Ali Khan.

The second album from Nantes-based Ensemble Nist-Nah founded by the Australian drummer/percussionist Will Guthrie, 48 minutes of electrifying music for Gamelan, drum kits, wood and metal percussion instruments, and plucked strings.

The second album from Nantes-based Ensemble Nist-Nah founded by the Australian drummer/percussionist Will Guthrie, 48 minutes of electrifying music for Gamelan, drum kits, wood and metal percussion instruments, and plucked strings.

A meeting of minds and bodies on a heady percussive trip with no clear destination, captured live at Espacio Cultural El Tanque in Tenerife.

Discrepant's chieftain Gonçalo F. Cardoso continues his sonic travelogue on insularity with impressions of Macaronésia: Canary Islands, Açores and Cabo Verde.