Published in collaboration with Harun Farocki Institut, this book unpacks About Narration [Erzählen], a 1975 essay film directed by Ingemo Engström and Harun Farocki.

This artist's book collects the series "All the ambition in the world" (2024) by Ryan Gander, a series of posters for fictitious group exhibitions that never took place, but were imagined by the artist's mind.

John Armleder delivers a series of drawings for his “autobiography”.

The new special Toilet Paper edition, in collaboration with British artist-photographer Miles Aldridge.

Short Circuits features essays, interviews, and documentation that highlight Dubai based artist Vikram Divecha's interest in the often invisible structures of planning, construction, demolition and maintenance. It centres on his long-term collaborations with workers, contractors and decision-makers who shape the cities of the United Arab Emirates and beyond.

Rirkrit Tiravanija's methods for making less.

Amazoom by Luca Trevisani presents two hypotheses of landscape reincarnation, two translations, two strict, entropic protocols of imagination.

Three perspectives (philosophical, sociological and artist's word) on the meaning of the avant-garde, and its relationship to the counter-culture.

Artist Dan Graham and writer Jessica Russell's playful Architecture / Astrologie considers some of the most important and innovative figures in the world of architecture from an angle few would expect: their star signs.

One minute of dance a day for a decade: a look back at choreographer Nadia Vadori-Gauthier's daily act of poetic resistance, on the edge of situated dance, philosophy and performance.

The catalogue of the exhibition for the Cyprus Pavilion at the 60th Venice Biennale.

An artistic and research project focusing on issues of travel, exile, migration, welcome and hospitality in a globalized world.

The legacy and posterity of the Tashkent Festival for Asian, African and Latin American Cinema, which was held between 1968 and 1988 in Uzbekistan.

This collection proposes instituting as a potentially critical methodology in curating, art making and organizing as an unsettling process that produces forms and structures.

First monograph.

Meenakshi Chakraverti's first novel.

Looking at the white gaze on Black life, art, and being, Chipo Chipaziwa's first book explores five years of her past performances without any photographic depictions of her body. Instead, she relies on the written word—with texts penned by herself, as well as by Denise Ferreira da Silva and Olumoroti Soji-George—and on art: paintings, drawings, and prints by Margaret Joba-Woodruff, Sophia Lapres, and David Ezra Wang.

First monograph, featuring the artist's long-term research on the colonial and neo-colonial relations between Italy and Libya through a critical engagement with the Italian "archive of coloniality" and its structural violence.

By the Means at Hand offers a look into Vlatka Horvat's eponymous project, presented at the Pavilion of Croatia at the 60th International Art Exhibition—La Biennale di Venezia in 2024.

A book inspired by the artist's research in intersectional environmentalism, deep listening, and decoloniality.

Studies on Squats is an evocative exploration of embodied resistance and political movement that uses the multifaceted posture of the "Asian Squat" as a lens through which broader concepts of migration, illness, and resilience are examined.

The first monographic publication dedicated to the collected works of artist Margherita Moscardini.

This publication is part of Farid Rahimi's eponymous multimedia project, the fruit of long-term research into the memory of Afghanistan, the country of origin of the artist's father.

An archaeology of the imagination / a new aesthetic of ruin (a sophisticated artist's edition in a box, inspired by the over-exploitation of Carrara marble quarries).

The second issue of the biannual magazine that extends and broadens the questions raised by the thematic program of La Criée art center in Rennes, imagining forms of resistance and alternatives to the various crises—ecological, as well as post-colonial, political and social—that punctuate and shape our globalised societies.

64 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists: the fourth issue of e-flux Index features everything published on e-flux.com from June–July 2024, (re)arranged into 9 thematic chapters—ranging from sections on DIY and amateurism, on verbal domination, on contemporary resistance and organising efforts, and on our doomscrolling fatigue with the networked world.

Assisted suicide activists; Lebanon under the bombs; activism at the museum; Laurène Marx; prison life at Les Baumettes in Marseille; in the poetry of Laura Vazquez...

The cross-generational literary journal Luvah continues its comeback with an eclectic mix of fashion-related offerings.

The best of 2024: a renowned group of critics, artists, and curators from around the world take stock of the year in art.

Spike is turning twenty with a special double issue.

The 22 exhibitions programmed by Philippe Piguet at La chapelle de la Visitation art center in Thonon-les-Bains since 2018, in 400 pages.

The role of jazz as a catalyst in rock, pop, funk, new wave, hip-hop, and techno.

This publication documents artist Leonor Antunes's installation at Lisbon's CAM – Centro de Arte Moderna Gulbenkian.

PhD and postdoc supervisors from Europe and beyond interrogate the existing formal educational pathways for artistic and practice-based research.

First monograph of the Brazilian feminist artist.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

All the destructive mood of Mark Pauline's Survival Research Laboratories shows: from "Classical" music to intense destructuration, a new form of Avant-garde.

Clara Levy perofms Giacinto Scelsi, Kaija Saariaho, Erika Vega and Eva-Maria Houben.

The first vinyl reissue of this legendary EP, released in 1981 on the Japanese "Chaos International Series" label.

The very first monograph dedicated to the work of Bruno Pélassy (1966–2002), featuring all his works, installation views, and a vast range of materials from his unpublished personal archive.

A dialogue between two avant-garde figures, one poetic, the other musical.